Paper

Student Artwork Guide

Aether--The Return, #15

Name Class Date

Lipman-Wulf, Peter, Aether--The Return, #15 (1982), Leo Baeck Institute. Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Lipman-Wulf, Peter wahooart.com/en/artists/lipman-wulf-peter/
Artist’s dates
1905 – 1993
Painted
1982
Original size
37 x 56 cm
Movement
German Expressionism Colour and shape deliberately distorted so the picture shows an emotion rather than a likeness.
Period
Modern
Held at
Leo Baeck Institute wahooart.com/en/museums/leo-baeck-institute-new-york-city/
Artistic style
German Expressionism
Notable elements or techniques
Bold lines and vibrant colors
Subject or theme
Birds flying during a yellow sunset

In context

Aether--The Return, #15 — Lipman-Wulf, Peter

How big is it?

The original measures 37 × 56 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1900
  2. 1910
  3. 1920
  4. 1930
  5. 1940
  6. 1950
  7. 1960
  8. 1970
  9. 1980
  10. 1990

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 88 at death.

Painted when the artist was 77. The artist lived to 88. 19 of the 22 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Lipman-Wulf, Peter (1905–1993) ▲ this work, 1982 every dated painting, decade by decade

First works: up to 1960 Main working years: 1960–1975 Late works: from 1975

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: wahooart.com/en/art/similar/lipman-wulf-peter-aether-the-return-15-D7RS3Y-en/

Colours

Measured from the image

    Main colour

    Driftwood #af9268

    Catalogued palette

    • #AF9268
    • #13110D
    • #DDDEDA
    • #D7CB8D

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Neutrals The dominant colour family in the image.
    Main colour name
    Driftwood
    Intensity
    Vivid How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Bold How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Balanced Soft How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Lipman-Wulf, Peter over the last twelve months — 1 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 100.0%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 3 most looked-at works by Lipman-Wulf, Peter

    1. 1 As when the pall-bearers shouldering the coffin to bear it from the room, #14, 1993 50.0%
    2. 2 In its foliage, leaf by leaf, thickly gathered as dew-drops sat, #8, 1982 50.0%
    3. — Aether--The Return, #15, 1982 this painting 0.0%

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 22 works by this artist, of which 2 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Lipman-Wulf, Peter

    Born in Berlin, Germany

    early life and education

    lipman-wulf, peter, a german-born sculptor and printmaker, was born on april 27, 1905, in berlin, germany. his father, a lawyer, and his mother, a sculptor and portraitist, instilled in him an early appreciation for the arts. lipman-wulf studied at the berlin academy, laying the foundation for his future artistic endeavors.

    artistic career and migration

    in 1933, with the rise of the nazi regime, lipman-wulf left germany, immigrating to the united states. this pivotal move marked a significant shift in his career, as he became a professor at adelphi university in garden city, ny.

    artistic style and influences

    lipman-wulf's work, characterized by its expressionist undertones, reflects the turbulent era in which he lived. his sculptures and prints, often featuring bold lines and vibrant colors, demonstrate a unique blend of german expressionism and american influences.

    notable works and collections

    lipman-wulf's works can be found in various collections, including the museum collection lippmann (berlin, germany), which showcases a diverse array of artistic styles and periods.

    his engravings and woodcuts, such as those featured in the museum collection lippmann, demonstrate his technical prowess.

    similar to ernst ludwig kirchner's works, like variety dancer, lipman-wulf's pieces often capture the essence of human experience.

    legacy and later life

    lipman-wulf passed away on september 25, 1993, in hamburg, germany. his legacy, however, endures through his art, which continues to inspire new generations.

    explore more of lipman-wulf's works and the museum collection lippmann at https://AllPaintingsStore.com/@/lipman-wulf.

    discover the lehmbruck museum, germany, and its unique collection of modern sculptures at https://AllPaintingsStore.com/@@/a@d3b3fp.

    references

    museum collection lippmann

    lipman-wulf's artworks

    Museum

    Leo Baeck Institute

    On show in New York City, United States of America

    A Sanctuary of Memory in the Heart of New York

    In the vibrant tapestry of New York City, nestled within the prestigious Center for Jewish History, lies a sanctuary that transcends the traditional boundaries of a museum. The

    Leo Baeck Institute

    serves as a profound beacon of remembrance, a place where the echoes of a vanished world are preserved with meticulous care and reverence. It is not merely a repository for artifacts but a living, breathing hub of scholarly investigation, where the shadows of the past are illuminated by the light of rigorous research and cultural engagement. The architecture of the institute reflects its solemn yet forward-looking mission, designed with a deliberate and striking simplicity that avoids unnecessary ornamentation to prioritize the intellectual exploration within its walls. This architectural restraint creates an atmosphere of focused contemplation, allowing the weight of history to resonate through every corridor and offering a bridge between eras.

    The Soul of a Culture Preserved

    To wander through the collections of the

    Leo Baeck Institute

    is to embark on an intimate journey through the soul of a culture. The holdings are nothing short of extraordinary, offering unparalleled insights into the vibrancy of German-Jewish life before the darkness of the mid-twentieth century. For the art lover and the scholar alike, the institute provides an enduring connection to a legacy of profound cultural significance. The collections feature:

    Rare Jewish Books:

    Exquisitely crafted manuscripts from centuries past that bear witness to profound religious scholarship and delicate artistic expression.

    Photographic Archives:

    Poignant images that capture the faces, families, and landscapes of communities forever changed, presenting portraits of everyday individuals whose lives were woven into the cultural fabric of Europe.

    Personal Papers:

    A collection of letters and documents that serve as a window into an era of resilience and adaptation, documenting individual narratives amidst extraordinary circumstances.

    What truly distinguishes the

    Leo Baeck Institute

    is its unwavering dedication to the nuance of identity. Unlike institutions that seek breadth, the LBI focuses deeply on the specificities of German-speaking Jewry, ensuring that the intricate details of their history are never lost to generalization. Through notable exhibitions that explore everything from the intellectual currents of the Weimar Republic to the artistic responses to wartime trauma, the institute fosters a vital dialogue between the past and the present, ensuring that the indelible mark of German-Jewish culture continues to inspire, educate, and move generations to come.

    Where to read more

    Find this online

    QR code linking to the download page for Aether--The Return, #15

    wahooart.com/en/art/download/lipman-wulf-peter-aether-the-return-15-D7RS3Y-en/

    Cite this artwork

    MLA
    Peter, Lipman-Wulf,. Aether--The Return, #15. 1982, Leo Baeck Institute. https://wahooart.com/en/art/lipman-wulf-peter-aether-the-return-15-D7RS3Y-en/
    APA
    Peter, Lipman-Wulf, (1982). Aether--The Return, #15 [Painting]. Leo Baeck Institute. https://wahooart.com/en/art/lipman-wulf-peter-aether-the-return-15-D7RS3Y-en/
    Chicago
    Lipman-Wulf, Peter. Aether--The Return, #15. 1982. Leo Baeck Institute. https://wahooart.com/en/art/lipman-wulf-peter-aether-the-return-15-D7RS3Y-en/
    Harvard
    Peter, Lipman-Wulf, (1982) Aether--The Return, #15. Leo Baeck Institute. Available at: https://wahooart.com/en/art/lipman-wulf-peter-aether-the-return-15-D7RS3Y-en/

    Look closely

    Aether--The Return, #15 — Lipman-Wulf, Peter

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: birds, flight, sunset. Do you agree? What would you add, or take away?
    4. Look back at Exodus #2, And they made their lives bitter with hard service (1960), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. German Expressionism: Colour and shape deliberately distorted so the picture shows an emotion rather than a likeness. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    Can I preview "Aether--The Return, #15" by Lipman-Wulf, Peter before ordering?

    To preview a reproduction of "Aether--The Return, #15" by Lipman-Wulf, Peter, open the artwork's Preview page.

    What is a reproduction of "Aether--The Return, #15" by Lipman-Wulf, Peter recommended for?

    A reproduction of "Aether--The Return, #15" by Lipman-Wulf, Peter is recommended for mood. This suggestion follows from the work's subject, mood and colors.

    What shape and dimensions is "Aether--The Return, #15" by Lipman-Wulf, Peter?

    "Aether--The Return, #15" by Lipman-Wulf, Peter is a portrait composition measuring 37 x 56 cm in the original.