Paper

Student Artwork Guide

Black Light

Name Class Date

Lawrence Calcagno, Black Light (1969). Reproduced for reference; rights reserved by the rights holder.

The facts

Artist
Lawrence Calcagno wahooart.com/en/artists/lawrence-calcagno/
Artist’s dates
1913 – 1993
Painted
1969
Original size
81 x 274 cm

In context

Black Light — Lawrence Calcagno

How big is it?

The original measures 81 × 274 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1910
  2. 1920
  3. 1930
  4. 1940
  5. 1950
  6. 1960
  7. 1970
  8. 1980
  9. 1990

Shaded: the lifetime of Lawrence Calcagno (1913–1993) ▲ this work, 1969

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: wahooart.com/en/art/similar/lawrence-calcagno-black-light-D39PBK-en/

Colours

Measured from the image

    Main colour

    Phthalo Green #1b1317

    Catalogued palette

    • #1B1317
    • #8A6B72
    • #F5EBDB
    • #4B2A38
    Main colour name
    Phthalo Green
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Discordant Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Deep_shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Artist and museum

    Artist

    Lawrence Calcagno

    Born in San Francisco, United States of America

    Lawrence Calcagno: A Landscape of the Mind

    Born in San Francisco’s Potrero Hill district in 1913, Lawrence Calcagno’s artistic journey was one shaped by a unique confluence of experiences – from the rugged beauty of his childhood ranch in the Santa Lucia Mountains to the vibrant cultural currents of Europe and the burgeoning Abstract Expressionist movement. His life, marked by travel and a deep connection with nature, profoundly influenced his distinctive style: a luminous, emotionally resonant abstraction that sought to capture not just visual forms but also the intangible essence of the landscape and the human psyche. Calcagno’s work stands as a testament to the power of observation, introspection, and a lifelong pursuit of artistic truth.

    Early Years and Influences

    Calcagno's early years were spent immersed in the natural world. Growing up on his family’s ranch provided him with an intimate understanding of California’s diverse landscapes – from the rolling hills to the dramatic coastline. This formative experience instilled a deep appreciation for light, color, and form, which would later become central themes in his art. Following this rural upbringing, he enlisted in the United States Army Air Corps during World War II, where his artistic talent was recognized with first prize in the national Army art contest. This early recognition ignited a passion for painting that would guide him through his subsequent studies and career.

    His formal training began at the California School of Fine Arts in San Francisco under the tutelage of influential figures like Mark Rothko, Clyfford Still, Edward Corbett, and Richard Diebenkorn. These teachers exposed him to a range of approaches – Rothko’s exploration of color fields, Still’s monumental forms, and Diebenkorn's Bay Area landscapes – all of which contributed to the development of Calcagno’s unique visual language. A pivotal moment came with his relocation to Europe in 1950, where he studied at L’Academie de la Grande Chaumiere in Paris and the Instituto d’Arte Statale in Florence, immersing himself in the artistic traditions of the Old World.

    The Development of a Distinct Style

    Calcagno's style evolved over time, reflecting his diverse experiences and influences. Initially influenced by Still’s use of large fields of color and monumental forms, he gradually developed a more lyrical and atmospheric approach. His paintings are characterized by their luminous quality, achieved through the layering of thin washes of paint that create a sense of depth and atmosphere. He often employed a limited palette of warm earth tones – ochres, siennas, and umbers – to evoke the feeling of sunlight filtering through the landscape. His compositions typically feature horizontal bands or hazy horizons, creating a sense of spaciousness and suggesting an infinite expanse.

    A key element of Calcagno’s work is his exploration of psychological themes. As he himself described, “Painting was the one avenue through which I could find psychical tolerance and be released.” His paintings are not merely representations of landscapes; they are expressions of inner states – a meditation on solitude, mystery, and the relationship between humanity and nature. The recurring motifs of horizon lines, light, and shadow suggest a search for meaning in the face of existential questions.

    Later Years and Legacy

    Calcagno’s career spanned several decades, during which he taught at various universities – including Albright-Knox Art School, University of Buffalo, University of Illinois Urbana-Champaign, and Carnegie Mellon University. He also served as an artist-in-residence at institutions such as the McDowell Colony and Yaddo, providing him with opportunities for reflection and creative exploration. His work gained recognition through solo exhibitions in New York, Paris, Mexico City, London, and Copenhagen, and was included in major group shows like the Whitney Museum Annuals and Biennials.

    Lawrence Calcagno died in 1993 in State College, Pennsylvania. His paintings are now held in prominent museum collections across the United States, including the Museum of Fine Arts, Boston; the National Gallery of Art, Washington, D.C.; and the Smithsonian American Art Museum. Calcagno’s legacy as a significant figure in the Abstract Expressionist movement is secured by his distinctive style, his profound engagement with psychological themes, and his unwavering commitment to capturing the beauty and mystery of the natural world.

    Key Works

    “Watch in the Night” (1945) – Award-winning drawing from the Army Art Contest

    Various landscapes exploring California horizons

    Abstract compositions reflecting inner states and emotional resonance

    Where to read more

    Find this online

    QR code linking to the download page for Black Light

    wahooart.com/en/art/download/lawrence-calcagno-black-light-D39PBK-en/

    Cite this artwork

    MLA
    Calcagno, Lawrence. Black Light. 1969, https://wahooart.com/en/art/lawrence-calcagno-black-light-D39PBK-en/
    APA
    Calcagno, Lawrence (1969). Black Light [Painting]. https://wahooart.com/en/art/lawrence-calcagno-black-light-D39PBK-en/
    Chicago
    Lawrence Calcagno. Black Light. 1969. https://wahooart.com/en/art/lawrence-calcagno-black-light-D39PBK-en/
    Harvard
    Calcagno, Lawrence (1969) Black Light. Available at: https://wahooart.com/en/art/lawrence-calcagno-black-light-D39PBK-en/

    Look closely

    Black Light — Lawrence Calcagno

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at San Andreas III (1963), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. Lawrence Calcagno was about 56 when this was made. What in it looks like the work of an artist at that stage?
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.