Student Artwork Guide
Copyright This work is in the public domain. Kerr Eby died in 1946; copyright lasts 70 years after the artist’s death, so it ended in 2016.
In context
Rough Going — Kerr Eby
The original measures 21 × 30 cm (height × width), drawn here beside an adult of average height.
Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 57 at death.
Painted when the artist was 30. The artist lived to 57. 6 of the 116 dated works by this artist in our catalogue came earlier.
Shaded: the lifetime of Kerr Eby (1889–1946) ▲ this work, 1919 every dated painting, decade by decade
First works: up to 1922 Main working years: 1922–1932 Late works: from 1932
Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them
Pick one work above: name two things it shares with this one, and one thing that's different.
More works to set beside this one: wahooart.com/en/art/similar/kerr-eby-rough-going-AQTFWT-en/
Measured from the image
Main colour
Putty #e3d4c4
Catalogued palette
These colours inside the artist’s whole palette Find other paintings by colour
The ten leading countries
Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.
Together these works take 46.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 117 works by this artist, of which 65 were looked at at least once. This painting ranks 14 of them, with 2.0% of that attention. The same counts, month by month
Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.
About this artwork
Rough Going — Kerr Eby
The painting Rough Going by Kerr Eby is a thought-provoking artwork that showcases the artist's unique style and technique. Created in 1919, this black and white drawing measures 21 x 30 cm and is currently housed at the Smithsonian American Art Museum. The image depicts a group of people riding horses in a line, with several horses visible in the scene, and a dog present near the right side.
Kerr Eby was a Canadian-American artist known for his exceptional printmaking skills. He was born in 1889 in Tokyo, Japan, and later moved to Canada with his family. Eby studied art at the Pratt Institute and the Art Students League in New York City, where he refined his drawing and printing techniques.
The painting Rough Going is a prime example of Kerr Eby's unique style, which combines elements of realism and impressionism. The use of black and white in the drawing creates a sense of contrast and highlights the textures of the horses and the surrounding environment. The artist's attention to detail is evident in the intricate depiction of the horses' muscles and the riders' clothing.
The painting is made on paper, which adds to its delicate and fragile nature.
The size of the painting, 21 x 30 cm, makes it an intimate and personal piece.
The Smithsonian American Art Museum is one of the premier institutions in the United States, and the fact that Rough Going is part of its collection speaks to the painting's significance and importance.
Handmade oil paintings reproductions of Rough Going can be found on https://AllPaintingsStore.com, which offers a wide range of artworks by famous artists. For more information on Kerr Eby and his works, visit https://en.wikipedia.org/wiki/Kerr_Eby.
The painting Rough Going by Kerr Eby is a captivating piece that showcases the artist's unique style and technique. Its intricate details and delicate nature make it a must-see for art enthusiasts and historians alike.
Artist and museum
Born in the bustling metropolis of Tokyo in 1889, Kerr Eby’s artistic journey began far from the familiar landscapes of his Canadian heritage. His parents, devout Methodist missionaries, instilled within him a deep appreciation for observation and a keen eye for detail – qualities that would prove instrumental in shaping his distinctive style. Early life in Canada provided a grounding in traditional art training, but it was his relocation to New York City in 1907 that truly ignited his artistic ambitions. He enrolled at Pratt Institute and later honed his skills at the prestigious Art Students League, immersing himself in the vibrant artistic community of the city.
Eby’s formative years were marked by a fascination with printmaking, an art form he mastered through apprenticeships and hands-on experience. He secured a position at the American Lithographic Company, gaining invaluable insight into the technical intricacies of etching and lithography – skills that would later become central to his artistic practice. Crucially, he benefited from the influence of his uncle, Frederick Keppel Sr., a prominent art dealer who championed the recognition of prints as a legitimate form of fine art within America. This support, combined with his own dedication, allowed Eby to develop a remarkable technical proficiency and a unique visual language.
World War I marked a pivotal moment in Kerr Eby’s career, transforming him from a promising artist into a chronicler of war. Enlisting in the U.S. Army in 1917, he initially served as an ambulance driver and later as a camoufleur – a vital role that demanded both artistic skill and an intimate understanding of military strategy. It was during this period that Eby began to document the realities of combat through sketches and drawings, capturing not just the grand sweep of battles but also the quiet moments of human experience amidst the chaos. Unlike many official war artists who focused on heroic depictions, Eby sought to portray the war with unflinching honesty, revealing both its brutality and its profound impact on the lives of ordinary soldiers.
His early sketches, initially intended for personal records, were eventually compiled into a powerful collection titled War, published in 1936. This book, a testament to Eby’s artistic vision and his commitment to bearing witness, became an immediate sensation, capturing the attention of critics and collectors alike. It established him as one of the foremost illustrators of the war, alongside figures like Harvey Dunn, and cemented his reputation for portraying the horrors and humanity of conflict with remarkable sensitivity.
Following the First World War, Eby experienced a period of reflection and artistic evolution. While he continued to occasionally revisit themes related to war, he increasingly turned his attention to landscapes and equestrian portraits – subjects that offered a respite from the grim realities of combat. His landscape paintings, characterized by their luminous quality and evocative atmosphere, drew inspiration from the Luminist movement, emphasizing light, color, and the beauty of nature. Simultaneously, he returned to his earlier passion for portraiture, producing stunning depictions of horses and riders – works that showcased his exceptional technical skill and his ability to capture the essence of his subjects.
This shift in focus did not diminish Eby’s artistic integrity; rather, it allowed him to explore new avenues of expression while retaining the core values that had defined his work throughout his career. His equestrian portraits, for example, often carried a subtle undercurrent of melancholy, reflecting his experiences during the war and his deep understanding of human suffering.
Kerr Eby’s life was tragically cut short in 1946, succumbing to complications from a tropical disease contracted while documenting the fighting in Bougainville. Despite his untimely death, his artistic legacy endures as a powerful testament to the role of art in bearing witness to historical events. His illustrations from World War I and II remain invaluable documents, offering a rare glimpse into the experiences of soldiers on the front lines. His work is held in numerous museums across America, including the Smithsonian American Art Museum, a testament to its enduring artistic merit and historical significance.
Eby’s ability to capture both the physical realities of war and the emotional toll it exacted on individuals has cemented his place as one of the most important illustrators of the 20th century. His art serves not only as a record of history but also as a poignant reminder of the human cost of conflict – a message that remains profoundly relevant today.
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Look closely
Rough Going — Kerr Eby
Answer in your own words. There are no wrong answers here — only answers you can explain.
Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.
The X-Ray view of "Rough Going" by Kerr Eby is on the artwork's X-Ray page: an interactive examination of the image through eleven optical layers.
"Rough Going" is available as a hand-painted oil reproduction on linen canvas. The order can be placed on its Hand-Painted Reproduction page, with a choice of sizes.
The AR Preview page of "Rough Going" by Kerr Eby uses augmented reality to show the artwork in your own space, on a compatible device.