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Student Artwork Guide

Subway Drawing

Name Class Date

Keith Haring, Subway Drawing (1981), Nakamura Keith Haring Collection. Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Keith Haring wahooart.com/en/artists/keith-haring/
Artist’s dates
1958 – 1990
Painted
1981
Medium
Chalk
Movement
Pop Art Art made from advertising, comics and packaging, treating supermarket images as worth a gallery wall.
Period
Contemporary
Held at
Nakamura Keith Haring Collection wahooart.com/en/museums/nakamura-keith-haring-collection-hokuto/
Artistic style
Captures energy and movement
Notable elements or techniques
Black and white photograph of a painting
Subject or theme
A crowd of people in various positions

In context

Subway Drawing — Keith Haring

When was this painted?

  1. 1950
  2. 1960
  3. 1970
  4. 1980
  5. 1990

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 32 at death.

Painted when the artist was 23. The artist lived to 32. 0 of the 31 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Keith Haring (1958–1990) ▲ this work, 1981 every dated painting, decade by decade

Compare with

  • Montreux wahooart.com/en/art/keith-haring-montreux-AE3MZN-en/
  • Untitled (235) wahooart.com/en/art/keith-haring-untitled-235-9HBCP5-en/
  • Andy Mouse, 1986 wahooart.com/en/art/keith-haring-andy-mouse-D46MYK-en/

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: wahooart.com/en/art/similar/keith-haring-subway-drawing-D46MZR-en/

Colours

Measured from the image

    Main colour

    Phthalo Green #232520

    Catalogued palette

    • #232520
    • #F0F2F2
    • #515550
    • #898A79

    These colours inside the artist’s whole palette Find other paintings by colour

    Main colour name
    Phthalo Green
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Keith Haring over the last twelve months — 15 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 30.0%1,800 visits
    2. 2 Argentina 21.7%1,300 visits
    3. 3 Germany 10.0%600 visits
    4. 4 United States of America 10.0%600 visits
    5. 5 France 8.3%500 visits
    6. 6 Egypt 3.3%200 visits
    7. 7 Mexico 3.3%200 visits
    8. 8 Australia 1.7%100 visits
    9. 9 Brazil 1.7%100 visits
    10. 10 Canada 1.7%100 visits
    11. · 5 other countries 8.3%500 visits

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by Keith Haring

    1. 1 Altarpiece: The Life of Christ, 1990 16.0%2,300 visits
    2. 2 Montreux 9.0%1,300 visits
    3. 3 Andy Mouse, 1986 8.3%1,200 visits
    4. 4 The Blueprint Drawings, 1990 4.9%700 visits
    5. 5 Icons, 1990 4.2%600 visits
    6. 6 Icons, 1990 4.2%600 visits
    7. 7 Secret Pastures, 1985 3.5%500 visits
    8. 8 Untitled, 1982 3.5%500 visits
    9. 9 National Coming Out Day USA, 1988 2.8%400 visits
    10. 10 The Blueprint Drawings, 1990 2.8%400 visits
    11. 11 The Blueprint Drawings, 1990 2.8%400 visits
    12. 12 Monkey Puzzle, 1988 2.8%400 visits
    13. 13 Andy mouse (2) 2.8%400 visits
    14. 14 The Story of Red and Blue 2.1%300 visits
    15. 15 The marriage of heaven and hell 2.1%300 visits
    16. 16 Untitled (434) 2.1%300 visits
    17. 17 Untitled (235) 1.4%200 visits
    18. 18 Icons, 1990 1.4%200 visits
    19. 19 Icons, 1990 1.4%200 visits
    20. — Subway Drawing, 1981 this painting 0.0%0 visits

    Together these works take 78.1% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 101 works by this artist, of which 46 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    Subway Drawing — Keith Haring

    A Pulse Beneath the Pavement

    The black and white scene unfolds with an immediate, restless energy. Figures move across the surface in a flurry of motion, some standing tall while others rest near the ground, caught in mid-gesture. There is a sense of a crowd gathered, a collective moment of shared existence where bodies overlap and intertwine. The lines are thick and certain, tracing the outlines of people as they exist in a state of constant flux. It feels as though the viewer has stumbled upon a private moment of public life, a snapshot of a gathering that refuses to sit still. Every stroke carries the weight of movement, pulling the eye from one limb to another, through a sea of limbs and torsos that seem to dance even in their stillness.

    The composition relies on a stark contrast between light and shadow, stripped of color to focus entirely on form. This lack of hue forces an intimacy with the shapes themselves. You see the way a figure leans, the way a group clusters, and the way the empty spaces between them breathe. It is a study of human connection captured through a simplified visual language that feels both ancient and modern. The figures do not require complex features to convey their state of being; their very posture speaks of presence and participation in the event unfolding before us.

    The Rhythm of the Underground

    This work emerges from a specific era of New York City, born from the practice of using the subway's unused advertising panels as a canvas. The technique is rooted in the spontaneous, where white chalk meets black matte paper to create a sudden, striking visual impact. There is no room for hesitation here; the marks are made with a directness that mirrors the rapid pace of the city itself. This method of creation bypass converts the mundane transit space into an unexpected site of encounter, bringing art directly to the commuters passing by.

    The symbols and figures used in this drawing carry a weight of social meaning, even when they appear playful. The way the crowd is depicted suggests a shared humanity, a communal experience that transcends the individual. By utilizing the subway as a gallery, the work bypasses traditional institutions, making the art an accessible part of the urban landscape. It captures the spirit of a time when the streets and tunnels were alive with new ways of communicating, using bold, graphic shapes to speak to anyone passing through the darkness of the station.

    Artist and museum

    Artist

    Keith Haring

    Born in Reading, United States of America

    A Radiant Legacy: The Life and Art of Keith Haring

    Keith Allen Haring, a name inextricably linked to the vibrant pulse of 1980s New York City, was far more than simply an artist; he was a cultural phenomenon. Born on May 4, 1958, in Reading, Pennsylvania, his artistic journey didn’t begin within the formal confines of academic training but rather amidst the playful landscapes of childhood imagination. Influenced by the whimsical cartoons of Walt Disney and Dr. Seuss alongside the classic comic strips of Charles Schulz, young Keith developed a keen eye for visual storytelling. His father, Allan Haring, an amateur cartoonist himself, nurtured this early passion, unknowingly laying the foundation for a revolutionary artistic voice. This formative period instilled in Haring a love for bold lines, simplified forms, and narratives accessible to all – qualities that would come to define his signature style. A brief stint at the Ivy School of Professional Art in Pittsburgh proved stifling; he yearned for direct, personal expression, inspired by Robert Henri’s The Art Spirit, embarking on a path of self-discovery determined to forge his own visual language.

    From Subway Chalk to Global Icon

    Moving to New York City in the late 1970s proved pivotal. The city's downtown art scene was a crucible of creativity, and Haring quickly immersed himself within it, befriending artists like Kenny Scharf and Jean-Michel Basquiat. However, he wasn’t content confining his work to galleries or studios. Instead, he took his art directly to the people, utilizing unused advertising panels in New York City subway stations as his canvas. Using white chalk on black matte paper, Haring created a continuous stream of dynamic figures and symbols – barking dogs, radiant babies, dancing figures – that captivated commuters and transformed the mundane into moments of artistic encounter. These “subway drawings” weren’t acts of vandalism; they were gifts to the public, spontaneous expressions of life and energy. This bold move established him as a unique voice in the burgeoning street art movement, bypassing traditional gatekeepers and connecting directly with his audience. It was here that Haring truly began to develop his iconic visual vocabulary, one characterized by its accessibility, optimism, and underlying social commentary. The radiant baby, perhaps his most recognizable motif, emerged during this period – a symbol of innocence, purity, and the preciousness of life.

    Art as Activism: A Voice for Change

    As Haring’s fame grew throughout the 1980s, so did his commitment to using art as a vehicle for social change. His work increasingly addressed pressing issues of the time – the AIDS epidemic, drug abuse, racial inequality, and political oppression. The stark mural Crack is Wack (1986), painted on a handball court in Harlem, became an iconic symbol of the city’s struggle with the crack cocaine crisis. He designed posters advocating for safe sex practices during the height of the AIDS epidemic, using his vibrant imagery to deliver crucial public health messages. His activism extended beyond national borders; he created a Free South Africa poster in 1985 and, in 1986, painted a section of the Berlin Wall – a powerful statement against division and oppression. Haring’s association with Andy Warhol further solidified his place within the art world, leading to collaborations like "Andy Mouse," a playful yet poignant commentary on pop culture and celebrity. He understood that art had the power to transcend boundaries, spark dialogue, and inspire action.

    Enduring Influence and Lasting Impact

    Despite his untimely death from AIDS-related complications on February 16, 1990, at the age of 31, Keith Haring’s legacy continues to resonate today. His work is celebrated not only for its aesthetic appeal but also for its unwavering commitment to social justice and human connection. The Nakamura Keith Haring Collection in Hokuto, Japan, stands as a testament to his global impact, housing an extensive collection of his drawings, paintings, and sculptures. Museums worldwide showcase his murals and artwork, ensuring that his message reaches new generations. His Blueprint Drawings, with their striking black-and-white depictions of falling figures, exemplify his ability to convey complex emotions through simple forms. Haring’s influence can be seen in contemporary street art, graphic design, and popular culture. He demonstrated that art could be both accessible and profound, playful and politically charged.

    Key Influences: Walt Disney, Dr. Seuss, Charles Schulz, Robert Henri, Andy Warhol.

    Signature Style: Bold lines, simplified forms, vibrant colors, accessible narratives.

    Major Themes: Social justice, activism, sexuality, life and death, innocence and corruption.

    He proved that a single line, wielded with intention and passion, could change the world. His work remains a powerful reminder of the importance of using creativity as a force for good, inspiring artists and activists alike to speak truth to power and advocate for a more just and equitable future. Exploring Haring’s world offers a deeper understanding of his vision; resources like The Keith Haring Foundation (haring.com) provide an extensive archive of his work and insights into his artistic process. His legacy isn't merely a collection of images, but an invitation to engage with the world around us, question assumptions, and embrace art as a catalyst for change.

    Museum

    Nakamura Keith Haring Collection

    On show in Hōkuto, Japan

    A Sanctuary of Radiant Lines: The Nakamura Keith Haring Collection

    Nestled amidst the breathtaking Yatsugatake Mountains in Hōkuto, Japan, lies a truly singular destination for art enthusiasts and admirers of vibrant expression: the Nakamura Keith Haring Collection. More than simply a museum, it is an immersive experience—a pilgrimage into the heart of one man's extraordinary vision. Founded by Kazuo Nakamura, a passionate collector who first encountered Haring’s work in New York City in 1987, this private institution has meticulously curated a collection exceeding 300 pieces. Encompassing paintings, prints, sculptures, and even archival materials, the museum offers an unparalleled glimpse into the artist's creative evolution. It stands as the world’s only dedicated space solely devoted to Haring’s oeuvre, transforming a serene mountain landscape into a pulsating testament to his enduring legacy.

    The narrative of the collection begins with the raw energy of Haring’s early subway chalk drawings—those iconic, crawling babies and exuberant figures that burst forth from the darkness of urban spaces. These pieces exemplify Haring's signature style: bold lines, vibrant colors, and playful repetition, reflecting his fascination with movement and communication. As visitors move through the exhibition, they witness a profound progression toward more complex themes, including AIDS awareness and social justice. Key highlights include the evolution of the

    Radiant Baby

    symbol, tracing its transformation from a simple tag into a potent emblem of hope and rebirth. The collection also showcases an impressive selection of murals originally created for hospitals, daycare centers, and schools across the United States, demonstrating Haring's unwavering commitment to using art as a tool for social change and fostering dialogue within communities.

    Architectural Harmony and the Journey from Darkness to Hope

    The building housing the Nakamura Keith Haring Collection is an architectural marvel in its own right. Designed by renowned architect Atsushi Kitagawara, it presents a striking blend of modern design and natural beauty. The exterior features a dramatic, lightning-inspired façade that seems to erupt from the surrounding mountainside, creating a powerful visual dialogue between art and environment. This deliberate integration of architecture with its surroundings is a fundamental principle guiding the entire museum experience—to create an atmosphere that honors both Haring’s art and the majestic beauty of the Yatsugatake Mountains. The curved roof echoes the undulating forms found in nature, further blurring the lines between interior space and the breathtaking panorama beyond.

    The museum’s layout is thoughtfully structured to guide visitors through Haring’s artistic development, a journey charted under the overarching theme of

    “From Darkness to Hope.”

    The exhibition traces his progression from early graffiti art, characterized by bold lines and playful figures, to more nuanced explorations of social commentary. Visitors can observe how Haring honed his technique, experimenting with different mediums and incorporating symbolic imagery into his work. Beyond the core exhibitions, the museum features rotating displays that spotlight specific themes or periods within Haring’s career, allowing for continuous engagement. Furthermore, the museum houses an impressive archive of materials, including photographs, videos, and original sketches, providing invaluable insights into Haring’s creative process and offering a glimpse behind the scenes of his groundbreaking work.

    The addition of the

    Patricia Field Art Collection

    in 2015—featuring the celebrated costume designer’s oeuvre—further enriches the museum experience, highlighting Haring's ability to collaborate with diverse artists and creatives. Established in 2007, the Nakamura Keith Haring Collection represents more than just a collection; it is a carefully considered preservation of an artistic legacy. Through educational programs and workshops, the institution fosters appreciation for Haring’s artistry and encourages dialogue about his messages of resilience. The museum stands as a beacon of artistic expression—a sanctuary where vibrant lines converge with breathtaking natural beauty—inviting all who enter to contemplate Haring's legacy and reaffirm the transformative power of art itself.

    Where to read more

    Find this online

    QR code linking to the download page for Subway Drawing

    wahooart.com/en/art/download/keith-haring-subway-drawing-D46MZR-en/

    Cite this artwork

    MLA
    Haring, Keith. Subway Drawing. 1981, Nakamura Keith Haring Collection. https://wahooart.com/en/art/keith-haring-subway-drawing-D46MZR-en/
    APA
    Haring, Keith (1981). Subway Drawing [Painting]. Nakamura Keith Haring Collection. https://wahooart.com/en/art/keith-haring-subway-drawing-D46MZR-en/
    Chicago
    Keith Haring. Subway Drawing. 1981. Nakamura Keith Haring Collection. https://wahooart.com/en/art/keith-haring-subway-drawing-D46MZR-en/
    Harvard
    Haring, Keith (1981) Subway Drawing. Nakamura Keith Haring Collection. Available at: https://wahooart.com/en/art/keith-haring-subway-drawing-D46MZR-en/

    Look closely

    Subway Drawing — Keith Haring

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: people, figures, crowd. Do you agree? What would you add, or take away?
    4. Look back at Montreux, earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Pop Art: Art made from advertising, comics and packaging, treating supermarket images as worth a gallery wall. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Art quiz

    Subway Drawing — Keith Haring

    How well do you know this artwork?

    Tick one answer for each of the 5 questions below. Each has exactly one correct answer.

    1. 1. What is the title of this artwork?

      • A Subway Drawing
      • B Radiant Baby
      • C Crack is Wack
    2. 2. In what year was 'Subway Drawing' created?

      • A 1978
      • B 1981
      • C 1986
    3. 3. What color scheme is used in the photograph of this painting?

      • A Vibrant colors
      • B Black and white
      • C Primary colors
    4. 4. According to the description, what does the crowd in the painting appear to be doing?

      • A Protesting a cause
      • B Enjoying themselves
      • C Commuting to work
    5. 5. What material serves as the canvas for this artwork?

      • A A large mural wall
      • B A board
      • C Unused advertising panels

    My score: ____ out of 5

    Answer key — for the teacher

    This starts a fresh printed page, so it can simply be left out of the copies.

    1A · 2B · 3B · 4B · 5B

    Check any answer against the catalogue record for this painting

    Questions & Answers

    Where in Keith Haring's career does "Subway Drawing" fall, given its date?

    Given its 1981 date, "Subway Drawing" falls in Keith Haring's Early Period.

    Is "Subway Drawing" typical of what Keith Haring usually created?

    Keith Haring's recurring themes include disney and dr. seuss, new york graffiti subculture, social activism and movement, subway chalk drawing roots, democratization of art; "Subway Drawing" focuses on people, figures, crowd, black and white.

    What saturation and intensity does "Subway Drawing" by Keith Haring show?

    The colors of "Subway Drawing" by Keith Haring show a muted saturation with a monochromatic intensity.