Paper

Student Artwork Guide

Self-Portrait

4 parts 1 The artwork2 In context3 Artist and museum4 Look closely

Name Class Date
Käthe Kollwitz, Self-Portrait (1924). Public domain.

The facts

Artist
Käthe Kollwitz wahooart.com/en/artists/kathe-kollwitz/
Artist’s dates
1867 – 1945
Painted
1924
Movement
Expressionism Colour and shape deliberately distorted so the picture shows an emotion rather than a likeness.

In context

Self-Portrait — Käthe Kollwitz

When was this painted?

  1. 1860
  2. 1870
  3. 1880
  4. 1890
  5. 1900
  6. 1910
  7. 1920
  8. 1930
  9. 1940

Shaded: the lifetime of Käthe Kollwitz (1867–1945) ▲ this work, 1924

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: wahooart.com/en/art/similar/kathe-kollwitz-self-portrait-8XYD66-en/

Colours

Measured from the image

    Main colour

    Putty #c3c4bc

    Catalogued palette

    • #C3C4BC
    • #E4E2D8
    • #353F43
    • #868C89
    Palette
    Neutrals The dominant colour family in the image.
    Main colour name
    Putty
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Gentle How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Artist and museum

    Self-Portrait — Käthe Kollwitz

    Artist

    Käthe Kollwitz

    Born in Kaliningrad, Russia

    Early Life and Artistic Awakening

    Käthe Kollwitz, born Käthe Schmidt on July 8, 1867, in Königsberg (now Kaliningrad, Russia), emerged from a family deeply rooted in both intellectual ferment and social conscience. Her father, Karl Schmidt, was a progressive political figure—a radical social democrat and mason—while her maternal grandfather, Julius Rupp, instilled in young Käthe a potent blend of religious conviction and socialist ideals. This unique upbringing proved foundational, shaping not only her worldview but also the very core of her artistic expression. Even as a child, Kollwitz demonstrated an innate talent for drawing, encouraged by her father who recognized and nurtured her burgeoning creativity. Formal training began at age twelve under the guidance of local artists Gustav Naujok and Rudolf Mauer in Königsberg, laying the groundwork for a lifelong dedication to visual storytelling. These early lessons weren’t merely technical exercises; they were the first steps on a path toward becoming a powerful voice for the marginalized and oppressed. She continued her studies in Berlin and Munich, immersing herself in the artistic currents of the late 19th century, but always returning to the human condition as her central subject.

    Where to read more

    Find this online

    QR code linking to the download page for Self-Portrait

    wahooart.com/en/art/download/kathe-kollwitz-self-portrait-8XYD66-en/

    Cite this artwork

    MLA
    Kollwitz, Käthe. Self-Portrait. 1924, https://wahooart.com/en/art/kathe-kollwitz-self-portrait-8XYD66-en/
    APA
    Kollwitz, Käthe (1924). Self-Portrait [Painting]. https://wahooart.com/en/art/kathe-kollwitz-self-portrait-8XYD66-en/
    Chicago
    Käthe Kollwitz. Self-Portrait. 1924. https://wahooart.com/en/art/kathe-kollwitz-self-portrait-8XYD66-en/
    Harvard
    Kollwitz, Käthe (1924) Self-Portrait. Available at: https://wahooart.com/en/art/kathe-kollwitz-self-portrait-8XYD66-en/

    Look closely

    Self-Portrait — Käthe Kollwitz

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. How many faces can you find? ____ (our catalogue counts 1 — do you agree?)
    4. Our catalogue files this work under: women, portraits. Do you agree? What would you add, or take away?
    5. Look back at The Downtrodden, earlier in this guide. Name two things it shares with this work, and one that is different.

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.