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Student Artwork Guide

Field Hands

Name Class Date

Jonathan Greening, Field Hands (1988), The Kinsey African American Art - History Collection. Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Jonathan Greening wahooart.com/en/artists/jonathan-greening/
Artist’s dates
1955 –
Painted
1988
Medium
Painting
Movement
Contemporary Realism Living artists painting the real world with traditional skill, often from photographs as well as from life.
Period
Contemporary
Held at
The Kinsey African American Art - History Collection wahooart.com/en/museums/the-kinsey-african-american-art-history-collection-los-angeles/
Artistic style
Narrative Realism
Influences
Gullah culture and Southern heritage
Notable elements or techniques
Vibrant colors and narrative realism
Subject or theme
Gullah life and Southern experience

In context

Field Hands — Jonathan Greening

When was this painted?

  1. 1950
  2. 1960
  3. 1970
  4. 1980

Row above: the years. Row below: how old the artist was at the start and at the end of each span, counting 0 from birth.

Painted when the artist was 33. 0 of the 2 dated works by this artist in our catalogue came earlier.

▲ this work, 1988 every dated painting, decade by decade

Compare with

  • Easter, 1989 wahooart.com/en/art/jonathan-greening-easter-D8K5X2-en/

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: wahooart.com/en/art/similar/jonathan-greening-field-hands-D4N8YL-en/

Colours

Measured from the image

    Main colour

    Putty #c2b8b1

    Catalogued palette

    • #C2B8B1
    • #84512D
    • #48576A
    • #283029

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Putty
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Balanced How much the colours differ in lightness and saturation across the picture.
    Harmony
    Discordant Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Balanced Soft How pure and strong the colours are, from near-grey to fully vivid.

    The 1 most looked-at works by Jonathan Greening

    1. 1 Field Hands, 1988 this painting 100.0%100 visits

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 2 works by this artist, of which 1 were looked at at least once. This painting ranks 1 of them, with 100.0% of that attention (100 visits). The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    Field Hands — Jonathan Greening

    Painter and printmaker Jonathan Green is considered one of the most important contemporary painters of the Southern experience. Born on August 9, 1955, in Gardens Corner, South Carolina, Green was the second of seven children. He was raised in the home of his maternal grandmother, Eloise Stewart Johnson, where he learned the Gullah dialect and culture of the coastal Southeast.Green’s interest in the arts was first nurtured as a student at Beaufort High School. After graduation, Green joined the U.S. Air Force in order to travel and obtain an education. He then attended the School of the Art Institute of Chicago, receiving a B.F.A. degree in 1982, making him the first known artist of Gullah heritage to receive formal artistic training at a professional art school. The artwork of Green is heavily influenced by his Gullah heritage with vividly colored paintings and prints documenting everyday chores, in addition to celebrating Gullah life’s rites of passage. By returning his art to his childhood upbringing, Green has created an autobiographical body of work in addition to documenting a vanishing way of life. Since 1982, Green has participated in four traveling exhibitions throughout the United States and forty-eight solo exhibitions. His work is in the permanent collections of numerous museums, including The Morris Museum (Augusta, Georgia), The Afro-American Museum of Philadelphia, The Naples Museum of Art (Naples, Florida) and The IFCC Cultural Center (Portland, Oregon). Green has received awards recognizing both his work and his civic contributions. In 1996, Green received an honorary doctorate from the University of South Carolina, the same year a book, Gullah Images: The Art of Jonathan Green, reproducing a large number of his pieces was published. In 2009, Green received the Key of Life Award for his contributions and achievements in the visual fine arts from the NAACP at the organization’s fortieth Image Awards.

    Artist and museum

    Artist

    Jonathan Greening

    Born in Gardners, United States of America

    Jonathan Greening: A Life in Southern Narrative

    Born on August 9, 1955, in Gardners Corner, South Carolina, Jonathan Greening is a celebrated American painter and printmaker. He stands as one of the most important contemporary artists capturing the essence of the Southern experience.

    Early Life and Influences

    Greening was raised amidst a large family – the second of seven children – and profoundly shaped by his grandmother, who instilled in him a deep understanding of the Gullah dialect. This creole language, spoken in the coastal regions of the South, became a cornerstone of his artistic vision. His upbringing immersed him in the rich cultural heritage of the Lowcountry, providing a wellspring of inspiration for his future work.

    Education and Military Service

    Following high school, Greening served in the United States Air Force before pursuing formal art training. He attended the School of the Art Institute of Chicago, earning a Bachelor of Fine Arts degree in 1982. This period broadened his artistic horizons while solidifying his commitment to representing his Southern roots.

    Artistic Development and Style

    Described as a narrative realist, Greening’s paintings are characterized by their vibrant colors and compelling storytelling. His work doesn't merely depict scenes; it narrates the lives, traditions, and spirit of the Gullah community. He masterfully blends realism with a touch of folklore, creating images that are both visually striking and emotionally resonant.

    Key Themes and Subjects

    Gullah Life: Central to Greening’s oeuvre is his portrayal of everyday life within the Gullah culture – fishing, farming, religious gatherings, family moments.

    Southern Landscapes: The landscapes of South Carolina's Lowcountry frequently serve as backdrops for his narratives, imbued with a sense of place and history.

    Preservation of Culture: His work acts as a visual record, preserving the traditions and stories of a community facing cultural shifts.

    Major Achievements and Recognition

    Greening’s contributions to the art world have been widely recognized. His works are included in the permanent collections of numerous prestigious museums, including:

    The Morris Museum (Augusta, GA)

    The Afro-American Historical and Cultural Museum (Philadelphia, PA)

    The Naples Museum of Art (Naples, FL)

    The IFCC Cultural Center (Portland, OR)

    He has also received significant accolades, including an honorary doctorate from the University of South Carolina and a Key of Life Award from the NAACP for his contributions to visual fine arts.

    Historical Significance

    Jonathan Greening’s work is vital in its documentation and celebration of Gullah culture. He provides a powerful voice for a community often marginalized or overlooked, ensuring their stories are told with dignity and authenticity. His art serves as a bridge between cultures, fostering understanding and appreciation for the rich tapestry of Southern history.

    Present Day

    Currently, Jonathan Greening lives and works on Daniel Island in Charleston, South Carolina, continuing to create compelling narratives that resonate with audiences worldwide.

    Museum

    The Kinsey African American Art - History Collection

    On show in Los Angeles, United States of America

    A Sanctuary of Resilience: Unveiling The Kinsey African American Art – History Collection

    Nestled in the vibrant heart of Los Angeles, The Kinsey African American Art – History Collection stands as a profoundly moving testament to the enduring spirit and extraordinary creativity of Black Americans. More than simply a museum space, it’s a meticulously curated chronicle—a living narrative woven from artistry, historical artifacts, and deeply personal stories. Founded on the lifelong dedication of Bernard and Shirley Kinsey, this remarkable collection isn't merely displayed; it’s unveiled as a journey of discovery, transforming visitors into active participants in a conversation spanning centuries.

    The story begins with a simple curiosity, blossoming into an unparalleled passion for understanding and celebrating African American heritage. What started as a personal collecting endeavor quickly evolved into one of the most significant private collections globally, encompassing over 10,000 objects and fine arts dating back to the 16th century. The Kinseys weren’t passive collectors; they were seekers—actively searching for the tangible echoes of resilience, innovation, and cultural brilliance that define the African American experience. Their quest unearthed a breathtaking diversity: from rare historical documents – poignant letters penned by enslaved individuals detailing their hopes and fears, early abolitionist publications igniting calls for justice, and powerful photographs capturing moments of both struggle and triumphant victory – to vibrant paintings bursting with color and emotion, intricate sculptures commanding attention with their form and texture, and thought-provoking mixed media pieces that challenge conventional perspectives. The collection’s breadth reflects the multifaceted nature of Black artistic expression, showcasing not only renowned figures but also the voices of lesser-known artists who nonetheless contributed significantly to the movement.

    Echoes of the Past, Visions of the Future

    Stepping into The Kinsey Collection is akin to entering a carefully orchestrated dialogue between eras. The museum’s layout deliberately encourages contemplation and connection. Spacious galleries, bathed in natural light, provide an ideal environment for immersing oneself in these powerful works. The design isn't merely functional; it’s thoughtfully constructed to facilitate a personal journey through African American history and culture. Visitors are invited to trace the evolution of artistic expression over time, connecting with each piece on a deeply emotional level. The collection’s diverse holdings include significant pieces by James Amos Porter, a pivotal figure in establishing Black art history, Allan Randall Freelon, an influential Harlem Renaissance painter, and Mary Frances Pratt, whose photo-realist depictions offer intimate glimpses into domestic life. The Kinsey Collection also features works by Faith Willi Jones, as seen in her quilt-style painting “American Collection #4,” a vibrant celebration of jazz musicians and dancers.

    A Legacy of Education and Empowerment

    At its core, The Kinsey Collection is deeply committed to fostering understanding and appreciation through education. The museum actively partners with educational institutions at all levels – from elementary schools to universities – providing resources and opportunities for students and scholars alike. This commitment extends far beyond the walls of the museum itself; the collection frequently travels to other venues, bringing its message of empowerment and cultural pride to a wider audience. The Kinsey Foundation’s work is exemplified by their ongoing exhibitions, such as “Black History Month | The Kinsey African American Art & History Collection at So-Fi Stadium,” which brought this extraordinary collection to a massive public audience in 2023.

    More Than a Collection: A Cultural Beacon

    The impact of The Kinsey African American Art – History Collection extends far beyond its artistic merit. It serves as a vital cultural beacon, illuminating untold stories and challenging conventional narratives surrounding the American experience. It’s a space where art becomes a catalyst for dialogue, fostering empathy and understanding across communities. The collection's comprehensive approach—a holistic exploration of identity, struggle, and triumph—offers a unique perspective on history, acknowledging the significant contributions and persistent challenges faced by African Americans throughout their journey. The Kinseys’ vision has created a space where visitors can connect with their own heritage, learn from the past, and envision a more equitable future.

    A Treasure for Collectors and Designers

    For collectors seeking pieces imbued with profound historical significance, The Kinsey Collection offers an unparalleled opportunity. Its diverse holdings provide a window into pivotal moments in African American history, offering tangible connections to the lives and experiences of those who shaped our nation. Similarly, interior designers can draw inspiration from the collection’s rich aesthetic and powerful narratives, incorporating its spirit into spaces to create environments that are both beautiful and meaningful. The Kinsey Collection is more than just a museum; it's a testament to the enduring power of art to inspire, educate, and connect us all.

    Where to read more

    Find this online

    QR code linking to the download page for Field Hands

    wahooart.com/en/art/download/jonathan-greening-field-hands-D4N8YL-en/

    Cite this artwork

    MLA
    Greening, Jonathan. Field Hands. 1988, The Kinsey African American Art - History Collection. https://wahooart.com/en/art/jonathan-greening-field-hands-D4N8YL-en/
    APA
    Greening, Jonathan (1988). Field Hands [Painting]. The Kinsey African American Art - History Collection. https://wahooart.com/en/art/jonathan-greening-field-hands-D4N8YL-en/
    Chicago
    Jonathan Greening. Field Hands. 1988. The Kinsey African American Art - History Collection. https://wahooart.com/en/art/jonathan-greening-field-hands-D4N8YL-en/
    Harvard
    Greening, Jonathan (1988) Field Hands. The Kinsey African American Art - History Collection. Available at: https://wahooart.com/en/art/jonathan-greening-field-hands-D4N8YL-en/

    Look closely

    Field Hands — Jonathan Greening

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: gullah culture, southern life, people walking. Do you agree? What would you add, or take away?
    4. Look back at Easter (1989), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Contemporary Realism: Living artists painting the real world with traditional skill, often from photographs as well as from life. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    What atmosphere would a reproduction of "Field Hands" by Jonathan Greening bring to a room?

    The nostalgic atmosphere of "Field Hands" by Jonathan Greening matches its recommended space: a restaurant (casual).

    What does "Field Hands" by Jonathan Greening depict, and in what mood?

    "Field Hands" by Jonathan Greening depicts gullah culture, southern life, people walking, daily life, narrative realism, vibrant colors, bus, handbags, in a nostalgic mood. Subject and atmosphere together describe the work.

    What is "Field Hands" about?

    The subjects of "Field Hands" are gullah culture, southern life, people walking, daily life, narrative realism, vibrant colors, bus, handbags.