Paper

Student Artwork Guide

Easter

Name Class Date

Jonathan Greening, Easter (1989), Harvey B. Gantt Center for African-American Arts + Culture. Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Jonathan Greening wahooart.com/en/artists/jonathan-greening/
Artist’s dates
1955 –
Painted
1989
Held at
Harvey B. Gantt Center for African-American Arts + Culture wahooart.com/en/museums/harvey-b-gantt-center-for-african-american-arts-culture-charlotte/

In context

Easter — Jonathan Greening

When was this painted?

  1. 1950
  2. 1960
  3. 1970
  4. 1980

Row above: the years. Row below: how old the artist was at the start and at the end of each span, counting 0 from birth.

Painted when the artist was 34. 1 of the 2 dated works by this artist in our catalogue came earlier.

▲ this work, 1989 every dated painting, decade by decade

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: wahooart.com/en/art/similar/jonathan-greening-easter-D8K5X2-en/

Colours

Measured from the image

    Main colour

    Phthalo Green #1f1f26

    Catalogued palette

    • #1F1F26
    • #CEA704
    • #6A6B6C
    • #BAB9B4

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Phthalo Green
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Balanced How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Balanced Soft How pure and strong the colours are, from near-grey to fully vivid.

    The 2 most looked-at works by Jonathan Greening

    1. 1 Field Hands, 1988 100.0%100 visits
    2. — Easter, 1989 this painting 0.0%0 visits

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 2 works by this artist, of which 1 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Jonathan Greening

    Born in Gardners, United States of America

    Jonathan Greening: A Life in Southern Narrative

    Born on August 9, 1955, in Gardners Corner, South Carolina, Jonathan Greening is a celebrated American painter and printmaker. He stands as one of the most important contemporary artists capturing the essence of the Southern experience.

    Early Life and Influences

    Greening was raised amidst a large family – the second of seven children – and profoundly shaped by his grandmother, who instilled in him a deep understanding of the Gullah dialect. This creole language, spoken in the coastal regions of the South, became a cornerstone of his artistic vision. His upbringing immersed him in the rich cultural heritage of the Lowcountry, providing a wellspring of inspiration for his future work.

    Education and Military Service

    Following high school, Greening served in the United States Air Force before pursuing formal art training. He attended the School of the Art Institute of Chicago, earning a Bachelor of Fine Arts degree in 1982. This period broadened his artistic horizons while solidifying his commitment to representing his Southern roots.

    Artistic Development and Style

    Described as a narrative realist, Greening’s paintings are characterized by their vibrant colors and compelling storytelling. His work doesn't merely depict scenes; it narrates the lives, traditions, and spirit of the Gullah community. He masterfully blends realism with a touch of folklore, creating images that are both visually striking and emotionally resonant.

    Key Themes and Subjects

    Gullah Life: Central to Greening’s oeuvre is his portrayal of everyday life within the Gullah culture – fishing, farming, religious gatherings, family moments.

    Southern Landscapes: The landscapes of South Carolina's Lowcountry frequently serve as backdrops for his narratives, imbued with a sense of place and history.

    Preservation of Culture: His work acts as a visual record, preserving the traditions and stories of a community facing cultural shifts.

    Major Achievements and Recognition

    Greening’s contributions to the art world have been widely recognized. His works are included in the permanent collections of numerous prestigious museums, including:

    The Morris Museum (Augusta, GA)

    The Afro-American Historical and Cultural Museum (Philadelphia, PA)

    The Naples Museum of Art (Naples, FL)

    The IFCC Cultural Center (Portland, OR)

    He has also received significant accolades, including an honorary doctorate from the University of South Carolina and a Key of Life Award from the NAACP for his contributions to visual fine arts.

    Historical Significance

    Jonathan Greening’s work is vital in its documentation and celebration of Gullah culture. He provides a powerful voice for a community often marginalized or overlooked, ensuring their stories are told with dignity and authenticity. His art serves as a bridge between cultures, fostering understanding and appreciation for the rich tapestry of Southern history.

    Present Day

    Currently, Jonathan Greening lives and works on Daniel Island in Charleston, South Carolina, continuing to create compelling narratives that resonate with audiences worldwide.

    Museum

    Harvey B. Gantt Center for African-American Arts + Culture

    On show in Charlotte, United States of America

    A Beacon of Black Heritage: Exploring the Harvey B. Gantt Center

    Nestled in the heart of Charlotte, North Carolina, the Harvey B. Gantt Center for African-American Arts + Culture isn’t merely a museum; it's a vibrant testament to resilience, creativity, and the enduring spirit of a community. From its humble beginnings as grassroots gatherings celebrating Black heritage to its current status as a nationally recognized cultural epicenter, the center embodies a powerful narrative of perseverance and artistic expression. Named in honor of Harvey Gantt, Charlotte’s first African-American mayor – a figure who shattered barriers at Clemson University and championed progress throughout his career – the building itself is a striking architectural achievement, designed by the renowned Freelon Group Architects, mirroring the concept of “Jacob's Ladder,” referencing the historic Myers Street School in Brooklyn. This deliberate design choice speaks volumes about the center’s mission: to represent an upward trajectory of education, enlightenment, and advancement within the African-American community.

    The story of the Gantt Center is inextricably linked to the history of Charlotte's Black community. Born from a deep desire for a dedicated space to showcase artistic talent and preserve cultural memory, the center’s origins trace back to the 1970s. What began as modest festivals and gatherings gradually coalesced into a vision for a permanent institution – a place where the rich tapestry of African-American experiences could be celebrated and explored. The acquisition and renovation of the historic Little Rock A.M.E. Zion Church, a site steeped in local Black history, marked a pivotal moment, transforming a sacred space into a dynamic hub for art, culture, and community engagement. The building’s four stories, spanning 46,500 square feet, are not simply walls; they're a carefully orchestrated dialogue between modern design and profound cultural symbolism – a deliberate homage to the legacy of those who came before.

    A Kaleidoscope of Artistic Expression

    Stepping inside the Harvey B. Gantt Center is like embarking on a journey through time and across mediums. The collection, as diverse and dynamic as the culture it represents, showcases both contemporary and historical African-American artworks – paintings that pulse with emotion, sculptures that embody strength, photographs that capture moments in history, and multimedia installations that challenge perceptions. Beyond these visual arts, the center actively fosters a thriving performing arts scene, hosting captivating theater productions, soulful dance performances, and electrifying musical events. The Hewitt Collection, generously donated by Bank of America, adds another layer of depth to the museum’s offerings, providing scholars and art enthusiasts with an invaluable resource for research and appreciation.

    Recent exhibitions have delved into compelling narratives – from the untold stories within Black biker culture, exploring themes of identity, resilience, and community, to powerful explorations of social justice. The curators don't simply display artwork; they craft carefully curated narratives designed to provoke thought, foster dialogue, and challenge conventional perspectives. The center’s commitment extends beyond static displays, actively engaging the community through educational programs, workshops, lectures, and outreach initiatives, solidifying its role as a vital cultural epicenter for Charlotte and beyond.

    Architectural Significance & Historical Context

    The building's design is more than just aesthetically pleasing; it’s deeply rooted in historical symbolism. As mentioned earlier, the “Jacob’s Ladder” motif directly references the Myers Street School, a landmark institution that served as a beacon of hope and opportunity for generations of Black children in Brooklyn. This deliberate connection underscores the center’s commitment to education and advancement – a core value reflected throughout its programming and exhibitions. The exterior façade itself is a work of art, incorporating patterns reminiscent of quilt designs from the Underground Railroad era and woven textile patterns from West Africa, creating a visual tapestry that celebrates African heritage.

    The choice to renovate the historic Little Rock A.M.E. Zion Church was not merely pragmatic; it was a profound act of preservation. The church’s rich history – its role as a gathering place for the Black community and its significance in the neighborhood's development – is inextricably linked to the center’s mission. The building’s transformation from a sacred space into a vibrant cultural institution represents a powerful symbol of continuity and renewal, honoring the past while embracing the future.

    A Living Cultural Hub

    What truly distinguishes the Harvey B. Gantt Center is its unwavering commitment to being more than just a repository of art and artifacts. It’s a living, breathing cultural epicenter that actively engages with the community through a diverse range of programs – from family-friendly events to sophisticated lectures and workshops. The center serves as a welcoming gathering place for people of all backgrounds, fostering understanding, appreciation, and respect for African-American heritage. Its strategic location in Uptown Charlotte further solidifies its role as an integral part of the city’s cultural landscape, making it easily accessible to residents and visitors alike.

    The Harvey B. Gantt Center isn't simply about African-American culture; it is a vibrant expression of it – constantly evolving and adapting to meet the needs of the community it serves. It’s a place where stories are told, histories are preserved, and futures are imagined, offering an unforgettable journey through the heart and soul of this rich and resilient heritage.

    Where to read more

    Find this online

    QR code linking to the download page for Easter

    wahooart.com/en/art/download/jonathan-greening-easter-D8K5X2-en/

    Cite this artwork

    MLA
    Greening, Jonathan. Easter. 1989, Harvey B. Gantt Center for African-American Arts + Culture. https://wahooart.com/en/art/jonathan-greening-easter-D8K5X2-en/
    APA
    Greening, Jonathan (1989). Easter [Painting]. Harvey B. Gantt Center for African-American Arts + Culture. https://wahooart.com/en/art/jonathan-greening-easter-D8K5X2-en/
    Chicago
    Jonathan Greening. Easter. 1989. Harvey B. Gantt Center for African-American Arts + Culture. https://wahooart.com/en/art/jonathan-greening-easter-D8K5X2-en/
    Harvard
    Greening, Jonathan (1989) Easter. Harvey B. Gantt Center for African-American Arts + Culture. Available at: https://wahooart.com/en/art/jonathan-greening-easter-D8K5X2-en/

    Look closely

    Easter — Jonathan Greening

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Field Hands (1988), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. Jonathan Greening was about 34 when this was made. What in it looks like the work of an artist at that stage?
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    How does "Easter" balance light and dark?

    The recorded values for "Easter" by Jonathan Greening are: balanced brightness, soft shadow luminance.

    What is the perceived brightness of "Easter" by Jonathan Greening?

    Overall, "Easter" is recorded as balanced. Perceived brightness describes how light or dark the work appears.

    What color saturation does "Easter" by Jonathan Greening have?

    The palette of "Easter" is balanced soft in saturation.