Paper

Student Artwork Guide

Cornfield with Figures

Name Class Date

John Macwhirter, Cornfield with Figures. Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
John Macwhirter wahooart.com/en/artists/john-macwhirter/
Artist’s dates
1839 – 1911
Movement
Impressionism Painters working fast and outdoors to catch how light actually looked at one moment, rather than finishing smoothly in a studio.

In context

Cornfield with Figures — John Macwhirter

When might this have been painted?

  1. 1830
  2. 1840
  3. 1850
  4. 1860
  5. 1870
  6. 1880
  7. 1890
  8. 1900
  9. 1910

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 72 at death.

Shaded: the lifetime of John Macwhirter (1839–1911) every dated painting, decade by decade

This record has no exact year on file — using the artist's lifetime and the work's style, what decade would you guess?

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: wahooart.com/en/art/similar/john-macwhirter-cornfield-with-figures-A2A86D-en/

Colours

Measured from the image

    Main colour

    Putty #cabfa6

    Catalogued palette

    • #CABFA6
    • #E2A244
    • #A27623
    • #4D381C

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Dark The dominant colour family in the image.
    Main colour name
    Putty
    Intensity
    Vivid How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Bold How much the colours differ in lightness and saturation across the picture.
    Harmony
    Unified Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Bright How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Clear Color Presence How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by John Macwhirter over the last twelve months — 2 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 80.0%800 visits
    2. 2 Italy 20.0%200 visits

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 14 most looked-at works by John Macwhirter

    1. 1 Constantinople 14.3%200 visits
    2. 2 Love among the Roses 7.1%100 visits
    3. 3 The fisherman's haven, st monans, fifeshire 7.1%100 visits
    4. 4 Night, most glorious night, thou wert not made for slumber 7.1%100 visits
    5. 5 'Night, most glorious night 7.1%100 visits
    6. 6 A highland harvest 7.1%100 visits
    7. 7 Autumn in the Highlands 7.1%100 visits
    8. 8 Highland scene 7.1%100 visits
    9. 9 An highland loch 7.1%100 visits
    10. 10 Landscape 7.1%100 visits
    11. 11 The Waters of Glen Affric 7.1%100 visits
    12. 12 Autumn, strathglass, invernesshire 7.1%100 visits
    13. 13 Broadford from the Mainland 7.1%100 visits
    14. — Cornfield with Figures this painting 0.0%0 visits

    Together these works take 99.5% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 69 works by this artist, of which 13 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    John Macwhirter

    Born in Slateford, United Kingdom

    A Life Rooted in the Scottish Landscape

    Born in Slateford, Edinburgh, John MacWhirter emerged as a profound voice within the realm of Scottish landscape painting. His early years were marked by a transition from the world of commerce to the pursuit of fine art; following his father's passing, he briefly served an apprenticeship with the booksellers Oliver & Boyd in Edinburgh. However, the call of the canvas proved irresistible. In 1851, he enrolled at the Trustees Academy, where he studied under the guidance of Robert Scott Lauder and John Ballantyne. This formative period instilled in him a deep reverence for nature, leading him to spend extensive durations sketching and studying the outdoors, a practice that would become the heartbeat of his creative output.

    MacWhirter's artistic journey was one of continuous expansion, both geographically and stylistically. While his roots remained firmly planted in the hilly countryside of Perthshire, his curiosity led him to traverse much of Europe and beyond. He sought inspiration in the rugged majesty of the Alps, the sun-drenched landscapes of Italy and Sicily, as well as the atmospheric vistas of Norway, Turkey, and even the U.S.A. These travels enriched his palette and broadened his perspective, allowing him to bring a worldly grandeur to his depictions of the natural world.

    Evolution of Style and Artistic Vision

    The development of MacWhirter's technique reveals an artist in constant dialogue with the prevailing movements of his era. In his early stages, he experimented with the meticulous detail and vibrant imagery characteristic of the Pre-Raphaelites, influenced significantly by the works of John Everett Millais. Yet, as his career matured, he moved away from such rigid precision, instead embracing a more sweeping and atmospheric style. This evolution allowed him to capture not just the physical form of a landscape, but its very soul—the mist clinging to a mountain or the light filtering through a dense canopy of trees.

    His work is often characterized by a romantic sensibility, particularly in his treatment of light and texture. Whether painting a serene Venetian canal with Impressionistic brushwork or capturing the melancholic power of Mist on the Mountains, MacWhirter possessed a unique ability to evoke emotion through color and tone. His fascination with trees and the rugged textures of the countryside became a hallmark of his oeuvre, creating scenes that felt both intimately connected to the earth and grandly cinematic.

    Legacy and Recognition

    Throughout his life, MacWhirter achieved significant professional milestones that cemented his status within the British art establishment. His talent was recognized early; at the tender age of 14, he exhibited 'Old Cottage at Braid' at the Royal Scottish Academy. His dedication to his craft led to numerous honors, including being named an Honorary Member of the Royal Scottish Academy in 1880 and eventually being elected a Royal Academician in 1893.

    Beyond his individual accolades, MacWhirter's contribution to the visual narrative of his time remains evident in the collections that house his work. His paintings continue to reside in prestigious institutions such as:

    The Tate

    Royal Holloway University of London

    The Wilson, Cheltenham

    Derby Museums

    Through his ability to blend the romanticism of the landscape with a sophisticated command of light and atmosphere, John MacWhirter left an indelible mark on the tradition of landscape painting, ensuring that his vision of the natural world continues to resonate with viewers long after his passing in London.

    Where to read more

    Find this online

    QR code linking to the download page for Cornfield with Figures

    wahooart.com/en/art/download/john-macwhirter-cornfield-with-figures-A2A86D-en/

    Cite this artwork

    MLA
    Macwhirter, John. Cornfield with Figures. n.d., https://wahooart.com/en/art/john-macwhirter-cornfield-with-figures-A2A86D-en/
    APA
    Macwhirter, John (n.d.). Cornfield with Figures [Painting]. https://wahooart.com/en/art/john-macwhirter-cornfield-with-figures-A2A86D-en/
    Chicago
    John Macwhirter. Cornfield with Figures. n.d. https://wahooart.com/en/art/john-macwhirter-cornfield-with-figures-A2A86D-en/
    Harvard
    Macwhirter, John (n.d.) Cornfield with Figures. Available at: https://wahooart.com/en/art/john-macwhirter-cornfield-with-figures-A2A86D-en/

    Look closely

    Cornfield with Figures — John Macwhirter

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. How many faces can you find? ____ (our catalogue counts 2 — do you agree?)
    4. Our catalogue files this work under: rural life, golden fields, family portrait. Do you agree? What would you add, or take away?
    5. Look back at June in the Austrian Tyrol, earlier in this guide. Name two things it shares with this work, and one that is different.

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    How can I get a print of "Cornfield with Figures" by John Macwhirter?

    To get a print of "Cornfield with Figures" by John Macwhirter, simply order it on its Fine Art Print page: a fine art print on cotton canvas or archival canvas paper.

    Is "Cornfield with Figures" by John Macwhirter in the public domain?

    The copyright answer for "Cornfield with Figures" by John Macwhirter: the work is in the public domain - its copyright has expired. This determines whether reproductions of the image may be freely made.

    Is "Cornfield with Figures" typical of what John Macwhirter usually created?

    "Cornfield with Figures" depicts rural life, golden fields, family portrait, scottish landscape, impressionist art, nature scene”, “countryside charm”, while John Macwhirter's recorded themes are pre-raphaelite echoes, impressionist light study, romantic landscape views, rural british life", simple family values, connection to land, "scotti, emphasis on light & color. Comparing the two shows how the work relates to the artist's usual subjects.