Student Artwork Guide
Copyright This work is still under copyright. john hultberg died in 2005; copyright lasts 70 years after the artist’s death, so it remains in force until 2075. The image is shown here for classroom reference; rights remain with the rights holder.
In context
Squall — john hultberg
Shaded: the lifetime of john hultberg (1922–2005)
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Measured from the image
Main colour
White #e8e6e4
Catalogued palette
Artist and museum
Born in Berkeley, United States of America
In the vibrant tapestry of twentieth-century American art, few threads are as intricately woven into the fabric of the Abstract Expressionist movement as those belonging to John Hultberg. Born in 1922 in Berkeley, California, Hultberg emerged from a landscape of profound transformation, both personally and artistically. His journey was one of constant evolution, moving between the raw energy of the West Coast figurative movements and the deep, meditative realms of abstract realism. To understand Hultermg is to understand a man who navigated the turbulent waters of mid-century modernism with a unique sensitivity, blending the structural rigor of his training with an emotive, almost surrealist approach to the canvas.
Hultberg’s artistic identity was forged in the crucible of post-war academic excellence. After serving as a Navy Lieutenant during World War II, he utilized the G.I. Bill to pursue formal studies at the California School of Fine Arts, an institution that would become a legendary epicenter for avant-garde thought. It was here that Hultberg walked alongside giants; his mentors included the titans of Color Field painting, Mark Rothko and Clyfford Still. This lineage is vital to comprehending his technique, as he absorbed their mastery of scale, texture, and the spiritual weight of color. His time in San Francisco also placed him in the company of contemporaries like Richard Diebenkorn, fostering a creative environment that would eventually lead to the formation of the celebrated "Sausalito Six."
One of Hultberg’s most enduring contributions to art history lies not just in his paintings, but in his revolutionary approach to printmaking. In 1948, he participated in a collaborative portfolio titled Drawings, a project that featured several artists from the Sausalito group, including James Budd Dixon and Walter Kuhlman. This collection is widely acknowledged by historians as a landmark achievement in abstract expressionist printmaking, demonstrating how the spontaneous, gestural language of painting could be translated into the more disciplined medium of lithography. Through this work, Hultberg helped redefine the boundaries of graphic arts, proving that abstraction could possess both structural permanence and visceral movement.
As his career progressed, Hultberg’s style began to drift away from the purely gestural toward a more nuanced Abstract Realism. While he remained deeply connected to the Bay Area Figurative movement, his work often sought a middle ground between the recognizable world and the subconscious mind. His landscapes, though often stripped of literal detail, retained a haunting, surrealist quality that suggested a deeper, psychological truth beneath the surface of nature. This period of his life was marked by a restless search for form, where the boundaries between object and atmosphere became beautifully blurred.
The narrative of Hultberg’s life was also one of profound personal connection and geographic wandering. His marriage to fellow artist Lynne Mapp Drexler created a powerful creative partnership that saw them traversing Mexico, Hawaii, and the American West Coast. Their time spent living in New York’s iconic Chelsea Hotel during the late 1960s placed them at the very heart of the international art scene, surrounded by the intense debates and energies of the era's most influential painters. This period of cosmopolitan existence provided a rich reservoir of visual stimuli that would later inform his more contemplative works.
Ultimately, Hultberg found a sense of peace in the rugged, salt-sprayed landscapes of New England. In 1971, seeking an escape from the urban intensity of New York, he and Drexler established a home on Monhegan Island, Maine. The stark, dramatic beauty of the Atlantic coast became a profound influence on his later years. While the harsh winters of the island presented challenges, the seasonal rhythm of the Maine coast offered a sanctuary for his developing minimalist tendencies. In these final chapters of his life, Hultberg’s work achieved a quiet, dark minimalism—a testament to a lifetime spent exploring the delicate tension between the seen and the unseen, leaving behind a legacy that continues to resonate within the annals of American abstraction.
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Look closely
Squall — john hultberg
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