Paper

Student Artwork Guide

Oranges

Name Class Date

John Frederick Peto, Oranges (1892). Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
John Frederick Peto wahooart.com/en/artists/john-frederick-peto/
Artist’s dates
1854 – 1907
Painted
1892
Movement
Contemporary Realism Living artists painting the real world with traditional skill, often from photographs as well as from life.

In context

Oranges — John Frederick Peto

When was this painted?

  1. 1850
  2. 1860
  3. 1870
  4. 1880
  5. 1890
  6. 1900

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 53 at death.

Painted when the artist was 38. The artist lived to 53. 56 of the 102 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of John Frederick Peto (1854–1907) ▲ this work, 1892 every dated painting, decade by decade

First works: up to 1888 Main working years: 1888–1900 Late works: from 1900

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: wahooart.com/en/art/similar/john-frederick-peto-oranges-8YDKTP-en/

Colours

Measured from the image

    Main colour

    Mahogany #af5724

    Catalogued palette

    • #AF5724
    • #181712
    • #E3D2A4
    • #D59F35

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Mahogany
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Deep_shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Subtle Color How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by John Frederick Peto over the last twelve months — 6 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 83.0%
    2. 2 United States of America 8.5%
    3. 3 Argentina 2.1%
    4. 4 Hong Kong 2.1%
    5. 5 Romania 2.1%
    6. 6 Singapore 2.1%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by John Frederick Peto

    1. 1 Discarded Treasures, 1904 5.7%
    2. 2 Things to Adore, (painting), 1895 5.7%
    3. 3 The Artist's Signboard, (painting), 1904 5.7%
    4. 4 Still Life with Pipe, Beer Stein, Newspaper, Book and Matches 3.8%
    5. 5 Still Life with Books and Inkwell, 1899 3.8%
    6. 6 Peanuts - Fresh Roasted, Well Toasted, 1900 3.8%
    7. 7 Oranges, 1892 this painting 3.8%
    8. 8 For the Track, 1895 1.9%
    9. 9 Office Board for Smith Brothers Coal, 1879 1.9%
    10. 10 Violin, Fan and Books, 1880 1.9%
    11. 11 Toms River, 1905 1.9%
    12. 12 Inkwell and Plume on Old Book, 1880 1.9%
    13. 13 Job Lot Cheap, 1901 1.9%
    14. 14 Still Life with Oranges and Banana, 1880 1.9%
    15. 15 Fruit, Vase and Statuette, 1876 1.9%
    16. 16 The Old Violin, 1890 1.9%
    17. 17 Letter Rack on a Black Door, (painting), 1875 1.9%
    18. 18 Still Life with Candlestick, Pipe and Book 1.9%
    19. 19 The Blue Envelope, 1890 1.9%
    20. 20 Still LIfe with Books and Inkwell, 1899 1.9%

    Together these works take 57.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 155 works by this artist, of which 43 were looked at at least once. This painting ranks 7 of them, with 3.8% of that attention. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    John Frederick Peto

    Born in Philadelphia, United States of America

    John Frederick Peto: A Rediscovered Master of American Trompe l'oeil

    Born: Philadelphia, United States of America (1854)

    Died: 1907

    John Frederick Peto was an American artist renowned for his mastery of trompe l'oeil painting – a technique that aims to deceive the viewer into believing that painted objects are real. For many years, Peto’s work remained largely forgotten until it was rediscovered in the late 20th century alongside that of fellow trompe l'oeil artist William Harnett. His paintings offer a unique glimpse into everyday life and material culture of the late 19th century.

    Early Life and Artistic Training

    Peto received his early artistic training at the Pennsylvania Academy of the Fine Arts, where he studied alongside William Harnett.

    He regularly submitted works to the annual exhibitions at the Philadelphia Academy during his early career.

    In 1889, Peto relocated to Island Heights, New Jersey, a pivotal moment that significantly shaped his artistic style and subject matter.

    Artistic Style and Characteristics

    Trompe l'oeil Technique: Peto’s defining characteristic was his exceptional skill in trompe l'oeil. He meticulously rendered ordinary objects – pistols, horseshoes, scraps of paper, keys, books – creating an illusion of three-dimensionality on a two-dimensional surface.

    Shallow Space and Composition: His paintings typically feature arrangements of these objects within a shallow space, enhancing the sense of depth and realism.

    Emphasis on Shadow and Texture: Peto paid close attention to shadow play and texture, further contributing to the deceptive quality of his work. He used subtle gradations of light and shade to create the illusion of tangible surfaces.

    Color Palette & Technique: Peto's mature works are characterized by an opaque and powdery texture, often compared to that of Jean-Baptiste-Siméon Chardin, a renowned 18th-century French painter. His color palettes were generally muted and earthy, reflecting the tones of aged objects and worn surfaces.

    Rediscovery and Legacy

    Forgotten Years: After moving to Island Heights, Peto largely withdrew from the mainstream art world. He lived a quiet life, supplementing his income with painting for tourists and playing music at local events. His work was essentially forgotten for decades.

    Posthumous Recognition: The rediscovery of Peto’s paintings in the late 20th century brought renewed attention to his talent. Scholars began to recognize his unique contribution to American art.

    Comparison with Harnett: While often compared to William Harnett, Peto's style is generally considered more abstract and emotionally resonant than Harnett's technically brilliant but sometimes rigid approach. Peto’s compositions are less formal, and his objects tend to be older and more worn.

    Museums and Collections: Today, Peto’s paintings can be found in prominent museums across the United States, including the John F. Peto Studio Museum, dedicated to preserving his legacy.

    Notable Works

    Take Your Choice (1885)

    Reminiscences of 1865 (1901)

    Job Lot Cheap (1901)

    Still Life with Mug, Pipe and Book (1870)

    Still Life with Oranges and Banana (c. 1880)

    For further information on John Frederick Peto's life and work, please visit AllPaintingsStore.com.

    Where to read more

    Find this online

    QR code linking to the download page for Oranges

    wahooart.com/en/art/download/john-frederick-peto-oranges-8YDKTP-en/

    Cite this artwork

    MLA
    Peto, John Frederick. Oranges. 1892, https://wahooart.com/en/art/john-frederick-peto-oranges-8YDKTP-en/
    APA
    Peto, John Frederick (1892). Oranges [Painting]. https://wahooart.com/en/art/john-frederick-peto-oranges-8YDKTP-en/
    Chicago
    John Frederick Peto. Oranges. 1892. https://wahooart.com/en/art/john-frederick-peto-oranges-8YDKTP-en/
    Harvard
    Peto, John Frederick (1892) Oranges. Available at: https://wahooart.com/en/art/john-frederick-peto-oranges-8YDKTP-en/

    Look closely

    Oranges — John Frederick Peto

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: citrus fruits, still life art, dark background. Do you agree? What would you add, or take away?
    4. Look back at Office Board (1885), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Contemporary Realism: Living artists painting the real world with traditional skill, often from photographs as well as from life. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    Can I see "Oranges" by John Frederick Peto on my own wall before buying?

    "Oranges" has an augmented reality preview: the artwork's AR Preview page shows it in your own space on a compatible device.

    Is "Oranges" typical of what John Frederick Peto usually created?

    Among John Frederick Peto's recorded themes - dutch golden age realism, classical still life tradition, emphasis on natural beauty, symbolic fruit imagery, domestic tranquility theme, peto's trompe l'oeil mastery, exploring everyday objects, reflecting american aesthetics - "Oranges" brings its own focus on citrus fruits, still life art, dark background, realistic depiction, dutch golden age, fruit composition, quiet contemplation.

    Who created "Oranges" and in what year?

    John Frederick Peto made "Oranges" in 1892.