Paper

Student Artwork Guide

Snuffbox

Name Class Date

Jean Formey, Snuffbox (1757), Metropolitan Museum of Art. Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Jean Formey wahooart.com/en/artists/jean-formey/
Artist’s dates
1728 – 1797
Painted
1757
Medium
Painting
Original size
4 x 8 cm
Movement
Rococo Light, playful, pastel-coloured pictures of leisure, made for private rooms rather than public halls.
Held at
Metropolitan Museum of Art wahooart.com/en/museums/metropolitan-museum-of-art-new-york/
Artistic style
Rococo
Notable elements or techniques
Gold trim, enamel decoration
Subject or theme
Snuffbox with fruit arrangement

In context

Snuffbox — Jean Formey

How big is it?

The original measures 4 × 8 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1720
  2. 1730
  3. 1740
  4. 1750
  5. 1760
  6. 1770
  7. 1780
  8. 1790

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 69 at death.

Painted when the artist was 29. The artist lived to 69. 0 of the 1 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Jean Formey (1728–1797) ▲ this work, 1757 every dated painting, decade by decade

Colours

Measured from the image

    Main colour

    Celadon #b6b3b0

    Catalogued palette

    • #B6B3B0
    • #3C3836
    • #846A46
    • #9E896A

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Neutrals The dominant colour family in the image.
    Main colour name
    Celadon
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Gentle How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    About this artwork

    Snuffbox — Jean Formey

    In eighteenth-century Europe, Paris led the production of high-quality luxury goods. Parisian goldsmiths made a wide range of small, personal articles such as snuffboxes; étuis to hold sealing wax, tweezers, or utensils for sewing; souvenirs, which contained thin ivory tablets for note taking; and shuttles for knotting lace. Gold snuffboxes and boxes decorated with portrait miniatures were prized and frequently given as royal gifts, often to ambassadors or members of the court in lieu of cash payments for their services. Coveted and admired, these boxes were produced from a variety of materials. The best were skillfully made of gold and embellished with diamonds, enameled decoration, lacquer, and other luxurious materials. By the middle of the century, the taking of snuff had become an entrenched social ritual, and the snuffbox, too, had become an important social prop. Snuffboxes were considered highly fashionable accessories, with some merchants advertising new boxes with each change of season. The popularity of snuffboxes extended to all levels of society, and for those who could not afford gold, boxes were produced in less expensive materials such as silver, tortoiseshell, porcelain, or domestically produced lacquer.

    Artist and museum

    Artist

    Jean Formey

    Born in Paris, France

    early life and career

    jean formey, a french artist born in paris in 1728, is renowned for his exquisite work as a master goldsmith and enameler. formey's early life is marked by his apprenticeship, which he completed before becoming a compagnon at the gobelins between 1741 and 1754. he officially became a master in paris on july 17, 1754, under the sponsorship of antoine-lazare clérin.

    artistic style and notable works

    formey's work is characterized by its high quality and attention to detail, making him highly sought after by collectors and museums worldwide. his expertise in goldsmithing led to his appointment as prime warden in 1778, a testament to his respected position within the goldsmiths' corporation.

    tabatière d'époque louis xv en or de quatre couleurs: a stunning example of formey's work, this oval-shaped snuff-box features panels of musical trophies on scalework ground, surrounded by laurel leaf borders. (view on AllPaintingsStore: [https://AllPaintingsStore.com/@/jean-formey](https://AllPaintingsStore.com/@/jean-formey))

    boîte à double ouverture en or de louis xv: this double-opening box, also attributed to formey, showcases his mastery of vari-colored gold. (view on AllPaintingsStore: /en/art/show/art-d3aujm-en/

    museums and collections featuring formey's work

    formey's pieces can be found in various museums, including the musée du petit palais (france), which houses an impressive collection of artworks from different periods. (discover more about musée du petit palais on AllPaintingsStore: [https://AllPaintingsStore.com/@@/a@d3aujm](https://AllPaintingsStore.com/@@/a@d3aujm))

    legacy and influence

    jean formey's legacy as a master goldsmith and enameler continues to inspire artists and collectors alike. his work, characterized by its exceptional quality and attention to detail, remains a significant part of france's rich artistic heritage.

    view more of jean formey's artworks on AllPaintingsStore: [https://AllPaintingsStore.com/@/jean-formey](https://AllPaintingsStore.com/@/jean-formey)

    explore the musée du petit palais collection on AllPaintingsStore: [https://AllPaintingsStore.com/@@/a@d3aujm](https://AllPaintingsStore.com/@@/a@d3aujm)

    conclusion

    jean formey's remarkable career as a master goldsmith and enameler has left an indelible mark on the world of art. through his exquisite pieces, he continues to captivate audiences, offering a glimpse into 18th century france's rich artistic landscape.

    Museum

    Metropolitan Museum of Art

    On show in new york, United States of America

    A Legacy in Stone and Light

    The Fifth Avenue facade of the Metropolitan Museum of Art beckons visitors into a realm where ancient civilizations resonate alongside modern innovations. The primary building, a magnificent embodiment of Beaux-Arts style completed between 1902 and 1914, exudes an air of classical grandeur. Colossal columns frame the entrance, inviting people into soaring galleries bathed in natural light. This monumental structure was deliberately designed as a homage to European palaces, creating a space that feels both imposing and welcoming. Beyond the main site, The Cloisters offers an intimate serenity in Fort Tryon Park, transporting visitors to medieval Europe through reconstructed chapende and gardens.

    The architecture tells a story of expansion and change. While the current Fifth Avenue location is synonymous with the institution, the museum briefly resided in the Douglas Mansion estate on West 14th Street. The original structure, designed by Calvert Vaux and Jacob Wrey Mould, featured a red-brick facade that remains partially visible today within the Robert Lehman Wing. This glimpse of the past provides a connection to an era when the surrounding area was far from the gilded mansions of the Upper East Side.

    Treasures Across Five Millennia

    Within these halls, one feels the weight of centuries. The collection spans 5,000 years of human creativity, housing over two million art objects. Visitors encounter the imposing Assyrian reliefs, depicting scenes of royal power and divine ritual carved into stone. Greek sculptures embody idealized form and proportion, including the Parthenon Marbles. The museum also holds significant works from diverse cultures:

    Chinese ceramics and intricate Japanese screens.

    African, Oceanic, and American art collections.

    The Cesnola Collection, comprising approximately 35,000 Cypriot art objects.

    A blue-glazed lotus-decorated hippopotamus statuette from Egypt, ca. 1961–1878 B.C.

    The transition from realism to modernism is visible in works like Édouard Manet’s Boating, which captures leisure on the Seine through its use of light and color. The psychological depth of Rembrandt's 1660 self-portrait offers a study in chiaroscuro, using dramatic shadow to reveal introspection. In the modern galleries, the scale of Jackson Pollock’s Autumn Rhythm (Number 30) commands attention, with its eight-foot-tall canvas and seventeen-foot length displaying a web of drips.

    Modernity and the Living City

    The museum continues to engage with the present through contemporary artists and large-scale events. Pablo Picasso’s portrait of Gertrude Stein prefigures his evolution into Cubism, capturing the essence of the American expat community in Paris. Vincent Van Gogh’s Self-Portrait with a Straw Hat remains a focal point, where intense eyes are encircled by controlled brushstrokes. The institution also recognizes contemporary figures such as Wangechi Mutu, whose humanoid sculptures occupy niches on the museum's facade.

    Beyond the permanent galleries, the museum serves as a center for social and cultural gatherings. The annual Met Gala, held on the first Monday in May, brings fashion designers and celebrities to Manhattan for an evening of glamour. On other nights, programs like Date Night at the Met occur every Friday and Saturday, ensuring the halls remain a vital part of New York life. Through conservation laboratories and digital initiatives, the museum safeguards its vast holdings for future generations.

    Where to read more

    Find this online

    QR code linking to the download page for Snuffbox

    wahooart.com/en/art/download/jean-formey-snuffbox-D2YQYX-en/

    Cite this artwork

    MLA
    Formey, Jean. Snuffbox. 1757, Metropolitan Museum of Art. https://wahooart.com/en/art/jean-formey-snuffbox-D2YQYX-en/
    APA
    Formey, Jean (1757). Snuffbox [Painting]. Metropolitan Museum of Art. https://wahooart.com/en/art/jean-formey-snuffbox-D2YQYX-en/
    Chicago
    Jean Formey. Snuffbox. 1757. Metropolitan Museum of Art. https://wahooart.com/en/art/jean-formey-snuffbox-D2YQYX-en/
    Harvard
    Formey, Jean (1757) Snuffbox. Metropolitan Museum of Art. Available at: https://wahooart.com/en/art/jean-formey-snuffbox-D2YQYX-en/

    Look closely

    Snuffbox — Jean Formey

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: snuffbox, still life, luxury goods. Do you agree? What would you add, or take away?
    4. Rococo: Light, playful, pastel-coloured pictures of leisure, made for private rooms rather than public halls. Where can you see that in this work?
    5. Jean Formey was about 29 when this was made. What in it looks like the work of an artist at that stage?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Art quiz

    Snuffbox — Jean Formey

    How well do you know this artwork?

    Tick one answer for each of the 5 questions below. Each has exactly one correct answer.

    1. 1. What type of luxury item is the artwork titled 'Snuffbox' depicting?

      • A A sewing kit
      • B A small container for holding snuff
      • C A note-taking souvenir
    2. 2. In what European city was the production of high-quality luxury goods, like those featured here, particularly prominent in the eighteenth century?

      • A London
      • B Paris
      • C Rome
    3. 3. According to the photo description, what materials are artistically arranged inside the snuffbox alongside a cup?

      • A Jewels and enamelwork
      • B Various fruits such as apples, oranges, and bananas
      • C Feathers and exotic woods
    4. 4. Jean Formey was renowned for his expertise in which two artistic fields?

      • A Painting and sculpture
      • B Goldsmithing and enameling
      • C Carving and painting miniatures
    5. 5. What was the social significance of owning a decorated snuffbox during this period?

      • A It was only used by royalty for ceremonial purposes.
      • B It became an important and highly fashionable social prop.
      • C Its value depended solely on the rarity of the wood it was made from.

    My score: ____ out of 5

    Answer key — for the teacher

    This starts a fresh printed page, so it can simply be left out of the copies.

    1A · 2A · 3A · 4A · 5A

    Check any answer against the catalogue record for this painting

    Questions & Answers

    Where in the home does a reproduction of "Snuffbox" fit well?

    The recommended space for "Snuffbox" by Jean Formey is a living room. The suggestion can of course be adapted to your interior.

    Is "Snuffbox" by Jean Formey in the public domain, and why?

    "Snuffbox" by Jean Formey is in the public domain - its copyright has expired. Copyright duration runs from the artist's death, which occurred in 1797.

    What feeling does "Snuffbox" bring as a present?

    The calm tone of "Snuffbox" by Jean Formey matches its recommended gift occasion: birthday.