Paper

Student Artwork Guide

Leopard Hunter

Name Class Date

Jean Charlot, Leopard Hunter (1933). Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Jean Charlot wahooart.com/en/artists/jean-charlot/
Artist’s dates
1898 – 1979
Painted
1933
Original size
15 x 20 cm

In context

Leopard Hunter — Jean Charlot

How big is it?

The original measures 15 × 20 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1890
  2. 1900
  3. 1910
  4. 1920
  5. 1930
  6. 1940
  7. 1950
  8. 1960
  9. 1970

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 81 at death.

Painted when the artist was 35. The artist lived to 81. 3 of the 46 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Jean Charlot (1898–1979) ▲ this work, 1933 every dated painting, decade by decade

First works: up to 1933 Main working years: 1933–1947 Late works: from 1947

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: wahooart.com/en/art/similar/jean-charlot-leopard-hunter-AQTGV2-en/

Colours

Measured from the image

    Main colour

    Espresso #38261f

    Catalogued palette

    • #38261F
    • #EFE1D0
    • #776A4E
    • #BDA775

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Neutrals The dominant colour family in the image.
    Main colour name
    Espresso
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Balanced Harmony How well the colours work together, from clashing to fully unified.
    Brightness
    Bright How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Balanced Soft How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Jean Charlot over the last twelve months — 4 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 76.5%1,300 visits
    2. 2 United States of America 11.8%200 visits
    3. 3 Mexico 5.9%100 visits
    4. 4 Peru 5.9%100 visits

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 17 most looked-at works by Jean Charlot

    1. 1 Building the Pyramids (Construyendo las pirámides), 1933 8.7%200 visits
    2. 2 Arches, 1933 8.7%200 visits
    3. 3 Mock Victory, 1956 8.7%200 visits
    4. 4 The Sunday Dress, 1947 8.7%200 visits
    5. 5 Woman Standing, Child on Back, 1933 8.7%200 visits
    6. 6 Embrace, 1935 8.7%200 visits
    7. 7 Lavendera, 1933 8.7%200 visits
    8. 8 Building the Pyramids (Construyendo las pirámides), 1933 4.3%100 visits
    9. 9 Sacrifice of Isaac, 1933 4.3%100 visits
    10. 10 Distaff Side (Mexican Kitchen), 1951 4.3%100 visits
    11. 11 Veronica's Veil, 1956 4.3%100 visits
    12. 12 The Distaff Side, 1951 4.3%100 visits
    13. 13 Tortilla Lesson, 1947 4.3%100 visits
    14. 14 Tondo III, 1933 4.3%100 visits
    15. 15 Station of the Cross Christ Crucified, 1934 4.3%100 visits
    16. 16 Chichen Itzá Relief (Relieve de Chichen Itzá), 1927 4.3%100 visits
    17. — Leopard Hunter, 1933 this painting 0.0%0 visits

    Together these works take 99.6% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 47 works by this artist, of which 16 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Jean Charlot

    Born in Paris, France

    The Visionary Synthesis of Jean Charlot

    Jean Charlot stands as a pivotal figure in the artistic landscape of the 20th century, particularly celebrated for his profound contribution to the burgeoning Mexican Mural Renaissance alongside luminaries like Diego Rivera and José Clemente Orozco. Born in Paris, France, in 1898, Charlot’s journey toward becoming an internationally recognized artist began amidst the intellectual ferment of Belle Époque Europe—a period marked by Symbolism, Impressionism, and a fervent fascination with mythology and ancient civilizations. His formative years instilled within him a profound appreciation for artistic experimentation and a dedication to exploring themes rooted in spirituality and cultural heritage.

    The foundations of his aesthetic were laid under the tutelage of the legendary Gustave Moreau, a prominent Symbolist painter who championed the pursuit of esoteric knowledge. Moreau’s teachings profoundly shaped Charlot’s sensibilities, emphasizing meticulous observation, tonal subtlety, and the incorporation of symbolic imagery—elements that would become hallmarks of his distinctive style. This early training encouraged Charlot to delve into the realms of mythology and folklore, creating a bridge between European intellectualism and the raw, vibrant energy of the Americas.

    From New York Avant-Garde to Mexican Muralism

    Charlot’s artistic career gained considerable momentum during his relocation to New York City in 1923. In the bustling heart of the American art scene, he quickly established himself as a respected instructor at Cooper Union and became instrumental in fostering the careers of numerous emerging artists, including Willem de Kooning and Philip Guston. This period witnessed Charlot's deep engagement with avant-garde movements such as Surrealism and Cubism, which broadened his visual vocabulary through fragmented perspectives and dreamlike compositions.

    However, it was his connection to the Mexican identity that would ultimately define his legacy. As a key participant in the Mexican Muralist movement, Charlot moved beyond the confines of traditional canvas to embrace the monumental scale of fresco painting. His work became a tapestry of cultural synthesis, where he masterfully wove together:

    Indigenous Heritage: A deep reverence for Mayan art and the structural beauty of pre-Columbian civilizations.

    Cultural Identity: Vivid depictions of indigenous culture and the daily rhythms of Mexican life.

    Spiritual Symbolism: The integration of religious themes and mythological motifs that echoed his Symbolist roots.

    A Legacy of Line and Emotion

    Throughout his diverse body of work, which spans from intricate lithographs like the tender 1935 masterpiece Embrace to large-scale sculptures and paintings, Charlot maintained a unique ability to radiate warmth and emotion through precise line work. Whether capturing the quiet dignity in works such as Sunday Hat or exploring more abstract, untitled compositions, his art remains a testament to the power of cultural fusion.

    His historical significance lies not only in his technical mastery of fresco and printmaking but in his role as a cultural mediator. By blending the sophisticated Symbolist traditions of his French upbringing with the powerful, earth-bound narratives of Mexican indigenous life, Jean Charlot created a visual language that was both profoundly local and universally resonant. His life's work remains an enduring exploration of how ancient mythologies can breathe new life into modern artistic expression.

    Where to read more

    • The artist Jean Charlot wahooart.com/en/artists/jean-charlot/
    • Similar works More works to compare wahooart.com/en/art/similar/jean-charlot-leopard-hunter-AQTGV2-en/

    Find this online

    QR code linking to the download page for Leopard Hunter

    wahooart.com/en/art/download/jean-charlot-leopard-hunter-AQTGV2-en/

    Cite this artwork

    MLA
    Charlot, Jean. Leopard Hunter. 1933, https://wahooart.com/en/art/jean-charlot-leopard-hunter-AQTGV2-en/
    APA
    Charlot, Jean (1933). Leopard Hunter [Painting]. https://wahooart.com/en/art/jean-charlot-leopard-hunter-AQTGV2-en/
    Chicago
    Jean Charlot. Leopard Hunter. 1933. https://wahooart.com/en/art/jean-charlot-leopard-hunter-AQTGV2-en/
    Harvard
    Charlot, Jean (1933) Leopard Hunter. Available at: https://wahooart.com/en/art/jean-charlot-leopard-hunter-AQTGV2-en/

    Look closely

    Leopard Hunter — Jean Charlot

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Building the Pyramids (Construyendo las pirámides) (1933), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. Jean Charlot was about 35 when this was made. What in it looks like the work of an artist at that stage?
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    How do the colors of "Leopard Hunter" relate to each other?

    The colors of "Leopard Hunter" by Jean Charlot show a balanced harmony harmony. Harmony describes how the colors relate to each other.

    How is the color composition of "Leopard Hunter" by Jean Charlot built?

    The color analysis of "Leopard Hunter" by Jean Charlot records a statement contrast and a balanced harmony harmony.

    Who created "Leopard Hunter"?

    The artist behind "Leopard Hunter" is Jean Charlot. The work is catalogued under Jean Charlot's name.