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Student Artwork Guide

Fruit Trees in Odenwald

Name Class Date

hermann struck, Fruit Trees in Odenwald (1919), Leo Baeck Institute. Public domain.

The facts

Artist
hermann struck wahooart.com/en/artists/hermann-struck/
Artist’s dates
1876 – 1944
Painted
1919
Medium
Painting
Original size
38 x 23 cm
Movement
Impressionism Painters working fast and outdoors to catch how light actually looked at one moment, rather than finishing smoothly in a studio.
Period
Modern
Held at
Leo Baeck Institute wahooart.com/en/museums/leo-baeck-institute-new-york-city/
Notable elements
Trees, benches, chair, and a person
Subject or theme
Serene landscape with fruit trees

In context

Fruit Trees in Odenwald — hermann struck

How big is it?

The original measures 38 × 23 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1870
  2. 1880
  3. 1890
  4. 1900
  5. 1910
  6. 1920
  7. 1930
  8. 1940

Shaded: the lifetime of hermann struck (1876–1944) ▲ this work, 1919

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: wahooart.com/en/art/similar/hermann-struck-fruit-trees-in-odenwald-D7RQQS-en/

Colours

Measured from the image

    Main colour

    Rosy Brown #a89978

    Catalogued palette

    • #A89978
    • #ECECE5
    • #746851
    • #C8B896
    Palette
    Neutrals The dominant colour family in the image.
    Main colour name
    Rosy Brown
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Serene How much the colours differ in lightness and saturation across the picture.
    Harmony
    Unified Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Subtle Color How pure and strong the colours are, from near-grey to fully vivid.

    Artist and museum

    Artist

    hermann struck

    Born in Berlin, Germany

    early life and education

    hermann struck, a renowned german-jewish artist, was born on march 6, 1876, in berlin, germany. he studied at the berlin academy of fine arts, where he honed his skills in painting and etching.

    artistic career

    struck's artistic career was marked by his exceptional talent in lithographs and etchings, which often featured jewish subjects and landscapes. his work was widely recognized, and he became a respected figure in the art world. notably, struck published "die kunst des radierens" ("the art of etching") in 1908, a seminal work that offered both theory and practical instruction.

    notable works and associations

    some of struck's notable works include:

    portraits of ibsen, nietzsche, freud, albert einstein, herzl, oscar wilde, showcasing his ability to capture the essence of prominent figures.

    landscape etchings from his travels, which demonstrated his skill in capturing scenic beauty.

    commissioned portraits, including those of theodor herzl, which became an iconic representation of zionism.

    zionist activism and military service

    struck was a fervent zionist and jewish activist. he visited the land of israel in 1903 and displayed his art at the fifth zionist congress. during world war i, he served as a translator, liaison officer, and military artist.

    legacy and later life

    struck's legacy is preserved through his numerous etchings and paintings, which can be found in various museums, including the kaiser-wilhelm-museum (krefeld, germany). he passed away on january 11, 1944, in haifa, israel.

    view struck's art at AllPaintingsStore

    explore hermann struck's artwork on AllPaintingsStore, featuring a collection of his etchings and paintings. for more information on struck's life and work, visit wikipedia. discover the art of hermann struck:

    the museum wayne highlands school district (united states)

    hermann struck | AllPaintingsStore

    hermann struck - wikipedia

    Museum

    Leo Baeck Institute

    On show in New York City, United States of America

    A Sanctuary of Memory: The Leo Baeck Institute

    In the vibrant tapestry of New York City, nestled within the prestigious Center for Jewish History, lies a sanctuary that transcends the traditional boundaries of a museum. The

    Leo Baeck Institute

    serves as a profound beacon of remembrance, a place where the echoes of a vanished world are preserved with meticulous care and reverence. Established in 1955 by survivors who bore witness to the unimaginable devastation of the Holocaust, the institute was born from a poignant necessity: to safeguard the rich, multifaceted legacy of German-speaking Jewry. It is not merely a repository for artifacts but a living, breathing hub of scholarly investigation, where the shadows of the past are illuminated by the light of rigorous research and cultural engagement.

    The architecture of the institute reflects its solemn yet forward-looking mission. Designed with a deliberate and striking simplicity, the space avoids unnecessary ornamentation to prioritize the intellectual exploration within its walls. This architectural restraint creates an atmosphere of focused contemplation, allowing the weight of history to resonate through every corridor. For the visitor, the building acts as a bridge between eras, offering modern research spaces that coexist harmoniously with the profound gravity of the archives it protects. It is a structure that speaks volumes about the importance of honoring what was lost while fostering the growth of new knowledge.

    To wander through the collections of the Leo Baeck Institute is to embark on an intimate journey through the soul of a culture. The holdings are nothing short of extraordinary, offering unparalleled insights into the vibrancy of German-Jewish life before the darkness of the mid-twentieth century. Collectors and historians alike find themselves captivated by the rare Jewish books—exquisitely crafted manuscripts from centuries past that bear witness to profound religious scholarship and delicate artistic expression. These precious volumes are complemented by poignant personal papers and photographic archives that capture the faces, families, and landscapes of communities forever changed. Each photograph and letter serves as a window into an era of resilience and adaptation, presenting portraits of everyday individuals whose lives were woven into the cultural fabric of Europe.

    What truly distinguishes the Leo Baeck Institute is its unwavering dedication to the nuance of identity. Unlike institutions that seek breadth, the LBI focuses deeply on the specificities of German-speaking Jewry, ensuring that the intricate details of their history are never lost to generalization. Through notable exhibitions that explore everything from the intellectual currents of the Weimar Republic to the artistic responses to wartime trauma, the institute fosters a vital dialogue between the past and the present. For the art lover and the scholar alike, the Institute offers more than just a glimpse into history; it provides an enduring connection to a legacy of profound cultural significance, ensuring that the indelible mark of German-Jewish culture continues to inspire, educate, and move generations to come.

    Where to read more

    Find this online

    QR code linking to the download page for Fruit Trees in Odenwald

    wahooart.com/en/art/download/hermann-struck-fruit-trees-in-odenwald-D7RQQS-en/

    Cite this artwork

    MLA
    struck, hermann. Fruit Trees in Odenwald. 1919, Leo Baeck Institute. https://wahooart.com/en/art/hermann-struck-fruit-trees-in-odenwald-D7RQQS-en/
    APA
    struck, hermann (1919). Fruit Trees in Odenwald [Painting]. Leo Baeck Institute. https://wahooart.com/en/art/hermann-struck-fruit-trees-in-odenwald-D7RQQS-en/
    Chicago
    hermann struck. Fruit Trees in Odenwald. 1919. Leo Baeck Institute. https://wahooart.com/en/art/hermann-struck-fruit-trees-in-odenwald-D7RQQS-en/
    Harvard
    struck, hermann (1919) Fruit Trees in Odenwald. Leo Baeck Institute. Available at: https://wahooart.com/en/art/hermann-struck-fruit-trees-in-odenwald-D7RQQS-en/

    Look closely

    Fruit Trees in Odenwald — hermann struck

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: fruit trees, odenwald, landscape. Do you agree? What would you add, or take away?
    4. Look back at Duomo and Baptistery, Florence, plate from Hesse (1923), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Impressionism: Painters working fast and outdoors to catch how light actually looked at one moment, rather than finishing smoothly in a studio. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.