Paper

Student Artwork Guide

Diana

Name Class Date

Herbert Davis Richter, Diana (1936), Sunderland Museum - Winter Gardens. Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Herbert Davis Richter wahooart.com/en/artists/herbert-davis-richter/
Artist’s dates
1874 – 1955
Painted
1936
Original size
125 x 75 cm
Held at
Sunderland Museum - Winter Gardens wahooart.com/en/museums/sunderland-museum-winter-gardens-sunderland/

In context

Diana — Herbert Davis Richter

How big is it?

The original measures 125 × 75 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1870
  2. 1880
  3. 1890
  4. 1900
  5. 1910
  6. 1920
  7. 1930
  8. 1940
  9. 1950

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 81 at death.

Painted when the artist was 62. The artist lived to 81. 6 of the 10 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Herbert Davis Richter (1874–1955) ▲ this work, 1936 every dated painting, decade by decade

First works: up to 1928 Main working years: 1928–1936 Late works: from 1936

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: wahooart.com/en/art/similar/herbert-davis-richter-diana-AQVCQF-en/

Colours

Measured from the image

    Main colour

    Rosy Brown #c5b6a1

    Catalogued palette

    • #C5B6A1
    • #5C4D43
    • #C8972F
    • #847A6E

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Rosy Brown
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Gentle How much the colours differ in lightness and saturation across the picture.
    Harmony
    Softly Mixed Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Bright How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Balanced Soft How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Herbert Davis Richter over the last twelve months — 3 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 55.6%
    2. 2 United Kingdom 33.3%
    3. 3 France 11.1%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 10 most looked-at works by Herbert Davis Richter

    1. 1 The Indian Shawl 25.0%
    2. 2 Reflections in a Silver Ball, 1932 16.7%
    3. 3 A Cottage Interior 8.3%
    4. 4 First Class Lounge of the 'Queen Mary', 1936 8.3%
    5. 5 The Flower Show 8.3%
    6. 6 A Charming Interior 8.3%
    7. 7 Domestic Interior 8.3%
    8. 8 The Bull 8.3%
    9. 9 Things Supplementary 8.3%
    10. — Diana, 1936 this painting 0.0%

    Together these works take 99.8% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 24 works by this artist, of which 9 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Herbert Davis Richter

    The Quiet Elegance of Herbert Davis Richter

    Herbert Davis Richter (1874–1955) remains a distinguished figure in the annals of British art, celebrated for a body of work that breathes with an understated grace and a profound sensitivity to the domestic sphere. Born in Worcestershire, England, Richter’s artistic journey was one of meticulous observation and a lifelong pursuit of tonal harmony. His early years were defined by a rigorous dedication to the craft, shaped significantly by his time under the tutelage of Sir George Clausen. This mentorship provided Richter with a foundational mastery of realism, yet it also instilled in him an appreciation for the subtle interplay of light and shadow—a quality that would become the heartbeat of his later compositions.

    As he progressed through his studies at the prestigious Slade School of Fine Art in London, Richter found himself immersed in the vibrant currents of the Impressionist movement. The works of Claude Monet and Pierre-Auguste Renoir served as luminous inspirations, encouraging him to look beyond mere representation toward the capture of atmosphere and ephemeral light. This period of development was crucial, as it allowed him to blend the structural discipline of his classical training with a more fluid, emotive approach to color and texture, ultimately forging a style that felt both timeless and deeply intimate.

    Mastery of Light and Interiority

    Richter’s true genius lay in his ability to transform ordinary domestic spaces into extraordinary vessels of tranquility. He possessed an uncanny knack for rendering interiors bathed in soft, diffused light, creating scenes that feel as though they are suspended in a moment of eternal peace. His canvases often feature meticulously detailed furniture, rich fabrics, and delicate decorative objects, all positioned with a painterly precision that guides the viewer’s eye through a narrative of quiet refinement. Whether depicting a sun-drenched corner of a room or a cozy, shadowed nook, his work evokes a palpable sense of atmosphere that transcends the physical boundaries of the setting.

    Beyond the architectural confines of the home, Richter’s botanical studies stand as testament to his technical prowess. His floral paintings, particularly those featuring lilies and roses, are far more than mere still lifes; they are explorations of luminosity and form. Through a masterful command of color palettes and delicate brushstrokes, he captured the ephemeral beauty of nature, imbuing each petal and leaf with a lifelike vitality. This ability to find the extraordinary within the everyday—be it a single bloom or a well-loved music room—is what defines his enduring legacy.

    A Lasting Artistic Legacy

    The significance of Herbert Davis Richter’s work is found in its emotional resonance and its ability to offer a sanctuary of calm to the observer. His paintings, such as the evocative An Artist's Music Room (1929), showcase his skill in creating intimate, serene environments that invite deep contemplation. Through his use of warm colors and soft textures, he achieved a level of impressionistic realism that remains highly regarded by collectors and art historians alike.

    Throughout his career, Richter’s contributions to British painting helped bridge the gap between traditional realism and the more experimental light-focused techniques of the modern era. His notable achievements include:

    Technical Innovation: The seamless integration of classical tonal harmony with Impressionistic light effects.

    Atmospheric Depth: A unique ability to use natural light to define texture, space, and mood within domestic settings.

    Botanical Artistry: Elevating floral subjects through a sophisticated command of color and botanical form.

    Historical Presence: Creating works that capture the essence of Edwardian and early 20th-century British life with dignity and grace.

    Today, Richter’s oeuvre continues to inspire, serving as a reminder of the power of art to find beauty in the quiet, the still, and the profoundly simple.

    Museum

    Sunderland Museum - Winter Gardens

    On show in Sunderland, United Kingdom

    A Sanctuary of Light and Legacy

    In the heart of Tyne and Wear, where the industrial pulse of North East England meets a profound reverence for the past, stands the

    Sunderland Museum & Winter Gardens

    . It is morever than a mere repository of artifacts; it is a living narrative of civic pride and evolutionary wonder. To walk through its doors is to step into a space where the geological epochs of our planet converge with the delicate artistry of the Victorian era, creating an atmosphere that is simultaneously scholarly and deeply emotive. The architectural soul of the museum is perhaps its most enchanting feature, particularly the integrated Winter Garden which serves as a luminous sanctuary. Beneath soaring glass ceilings, inspired by the ethereal lightness of the

    Crystal Palace

    , the boundary between the indoors and the natural world dissolves, offering a masterclass in how light and greenery can transform a structural monument into a breathing, organic experience.

    Treasures of Science and Decorative Craft

    Within these walls, the collection offers a breathtaking duality between the prehistoric and the decorative. Collectors of natural history will find themselves spellbound by the museum’s singular jewel: the only known British specimen of

    Coelurosauravus

    . This fossilized gliding reptile serves as a hauntingly beautiful window into ancient flight, reminding every visitor of the miraculous adaptations that have shaped life over millennia. Yet, as one moves from the ancient to the industrial, the museum reveals the shimmering brilliance of

    Sunderland Lustreware

    . This celebrated pottery tradition features mesmerizing iridescent glazes that capture the light with a spectral glow. These pieces, often characterized by their delicate pink hues and intricate transfer-printed scenes, represent a pinnacle of nineteenth-century decorative craft, offering an exquisite tactile connection to the city's industrial heritage.

    The Poetic Soul of the Industrial Landscape

    The artistic prestige of the collection is further cemented by its unparalleled holdings of works by

    L.S. Lowry

    . In these canvases, the grit of the industrial landscape is transformed into something profoundly poetic. The museum’s collection of Lowry’s work presents a profound exploration of the human condition through his iconic depictions of ordinary individuals amidst the sprawling machinery of progress. For the art enthusiast or the interior designer seeking emotional resonance, these paintings are not merely observations of life; they are emotional landscapes that resonate with a timeless, melancholic beauty. To visit the Sunderland Museum & Winter Gardens is to engage in a dialogue with history, science, and soul—a journey through layers of time that leaves an indelible mark on the spirit.

    Where to read more

    Find this online

    QR code linking to the download page for Diana

    wahooart.com/en/art/download/herbert-davis-richter-diana-AQVCQF-en/

    Cite this artwork

    MLA
    Richter, Herbert Davis. Diana. 1936, Sunderland Museum - Winter Gardens. https://wahooart.com/en/art/herbert-davis-richter-diana-AQVCQF-en/
    APA
    Richter, Herbert Davis (1936). Diana [Painting]. Sunderland Museum - Winter Gardens. https://wahooart.com/en/art/herbert-davis-richter-diana-AQVCQF-en/
    Chicago
    Herbert Davis Richter. Diana. 1936. Sunderland Museum - Winter Gardens. https://wahooart.com/en/art/herbert-davis-richter-diana-AQVCQF-en/
    Harvard
    Richter, Herbert Davis (1936) Diana. Sunderland Museum - Winter Gardens. Available at: https://wahooart.com/en/art/herbert-davis-richter-diana-AQVCQF-en/

    Look closely

    Diana — Herbert Davis Richter

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at An Artist's Music Room (1929), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. Herbert Davis Richter was about 62 when this was made. What in it looks like the work of an artist at that stage?
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    What kind of colors does "Diana" use?

    The palette of "Diana" by Herbert Davis Richter is described as earthy. It is a compact description of the work's colors.

    What is the color identity of "Diana" by Herbert Davis Richter?

    "Diana" by Herbert Davis Richter uses an earthy palette, with rosy brown (#c5b6a1) as the dominant color.

    How strong are the colors of "Diana"?

    The color of "Diana" is balanced soft in saturation and balanced in intensity.