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Student Artwork Guide

Last Check

Name Class Date

Henry C Pitz, Last Check (1969). Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Henry C Pitz wahooart.com/en/artists/henry-c-pitz/
Artist’s dates
1895 – 1976
Painted
1969

In context

Last Check — Henry C Pitz

When was this painted?

  1. 1890
  2. 1900
  3. 1910
  4. 1920
  5. 1930
  6. 1940
  7. 1950
  8. 1960
  9. 1970

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 81 at death.

Painted when the artist was 74. The artist lived to 81. 0 of the 5 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Henry C Pitz (1895–1976) ▲ this work, 1969 every dated painting, decade by decade

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: wahooart.com/en/art/similar/henry-c-pitz-last-check-ARACAY-en/

Colours

Measured from the image

    Main colour

    Steel Blue #456798

    Catalogued palette

    • #456798
    • #1B1B33
    • #D5D8BD
    • #8B9FA7

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Neutrals The dominant colour family in the image.
    Main colour name
    Steel Blue
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Discordant Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Balanced Soft How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Henry C Pitz over the last twelve months — 1 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 100.0%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 3 most looked-at works by Henry C Pitz

    1. 1 Apollo Launch Pad, 1969 50.0%
    2. 2 Last Check, 1969 this painting 25.0%
    3. 3 Lifiting the First Stage in the VAB, 1969 25.0%

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 5 works by this artist, of which 3 were looked at at least once. This painting ranks 2 of them, with 25.0% of that attention. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Henry C Pitz

    Henry C. Pitz: Pioneer of American Space Art

    Henry C. Pitz (1895-1976) stands as a singular figure in the history of American art, recognized primarily for his groundbreaking contributions to space exploration illustration and his masterful depictions of military life. Born in San Francisco during a period of burgeoning industrialization and artistic experimentation, Pitz’s career unfolded against the backdrop of significant societal shifts—the Great Depression, World War II, and the dawn of the Space Age—influencing both his subject matter and stylistic choices. He wasn't merely documenting events; he was translating complex scientific concepts into emotionally resonant visual narratives that captivated audiences worldwide.

    Early Life & Artistic Training:

    Pitz’s formative years were marked by a fascination with drawing and painting, nurtured initially through informal instruction at the California School of Fine Arts. He honed his skills under renowned instructors like William Wendt and Kenyon Hitchcock, absorbing influences from Impressionism and Symbolism—movements that championed capturing fleeting moments of beauty and conveying subjective experience. These foundational principles would permeate his subsequent artistic endeavors.

    Military Service & Illustration Career:

    Pitz enlisted in the United States Army during World War II, serving as a combat artist tasked with documenting the realities of war for Scripps Howard Newspapers. This experience profoundly shaped his worldview and solidified his commitment to portraying heroism, resilience, and the human spirit amidst adversity. His wartime illustrations—particularly those depicting scenes from Guadalcanal and Okinawa—became iconic representations of American courage and determination.

    Space Exploration & NASA Commissions:

    Following the war, Pitz transitioned into a prolific freelance illustrator, securing prestigious commissions from NASA to depict pivotal moments in space exploration. His meticulous attention to detail and his ability to convey scientific accuracy combined with artistic sensitivity resulted in breathtaking images of rockets launching, astronauts traversing lunar landscapes, and missions unfolding against the vastness of space—images that fueled public enthusiasm for the Space Race and cemented Pitz’s legacy as a visionary artist.

    Style & Technique:

    Pitz's artistic style was characterized by a distinctive blend of realism and expressive brushwork. He employed a technique known as "atmospheric perspective," skillfully rendering depth and luminosity to create immersive landscapes that evoked the grandeur of nature—a hallmark evident in his depictions of Yosemite National Park, where he spent considerable time capturing its sublime beauty. His use of bold colors and dynamic compositions conveyed emotion and energy, mirroring the excitement surrounding technological advancements.

    Legacy & Recognition:

    Pitz’s work continues to inspire artists and audiences alike, serving as a testament to the power of art to communicate complex ideas and evoke profound feelings. His NASA illustrations remain treasured artifacts of an era defined by ambition, innovation, and a shared fascination with venturing beyond Earth's boundaries. He was inducted into the Society of Illustrators Hall of Fame in 1968, recognizing his enduring contribution to American visual culture.

    Notable Works & Artistic Influences

    Pitz’s artistic output spanned a remarkable range of subjects—from landscapes and portraits to military scenes and depictions of scientific endeavors. Among his most celebrated paintings include “Yosemite Valley” (1934), showcasing the majesty of California's wilderness, and “Lunar Module Landing” (1969), capturing the historic moment of Apollo 11’s touchdown on the Moon—a masterpiece of space art that captured the imagination of millions. His stylistic influences encompassed Impressionism, Symbolism, and German Expressionism, reflecting a broader artistic dialogue during his time. Artists like Albert Bierstadt and Frederic Remington served as models for his compositional choices and tonal palettes.

    Where to read more

    Find this online

    QR code linking to the download page for Last Check

    wahooart.com/en/art/download/henry-c-pitz-last-check-ARACAY-en/

    Cite this artwork

    MLA
    Pitz, Henry C. Last Check. 1969, https://wahooart.com/en/art/henry-c-pitz-last-check-ARACAY-en/
    APA
    Pitz, Henry C (1969). Last Check [Painting]. https://wahooart.com/en/art/henry-c-pitz-last-check-ARACAY-en/
    Chicago
    Henry C Pitz. Last Check. 1969. https://wahooart.com/en/art/henry-c-pitz-last-check-ARACAY-en/
    Harvard
    Pitz, Henry C (1969) Last Check. Available at: https://wahooart.com/en/art/henry-c-pitz-last-check-ARACAY-en/

    Look closely

    Last Check — Henry C Pitz

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Activity in the VAB (1969), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. Henry C Pitz was about 74 when this was made. What in it looks like the work of an artist at that stage?
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    How many people view "Last Check"?

    Statistics about "Last Check" by Henry C Pitz are on the artwork's Stats page: monthly visits of the artwork, visits of the artist's works, and country and language breakdowns of recent visitors.

    Are there works similar to "Last Check"?

    Artworks similar to "Last Check" by Henry C Pitz are gathered on the artwork's Similars page.

    Are the colors of "Last Check" by Henry C Pitz vivid or muted?

    The colors of "Last Check" by Henry C Pitz show a balanced soft saturation with a balanced intensity.