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Student Artwork Guide

Albert Gallatin

Name Class Date

Gilbert Stuart Newton, Albert Gallatin (1803), Metropolitan Museum of Art. Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Gilbert Stuart Newton wahooart.com/en/artists/gilbert-stuart-newton/
Artist’s dates
1795 – 1835
Painted
1803
Medium
Oil On Canvas
Original size
75 x 63 cm
Movement
Neoclassicism A deliberate return to the calm balance and clear outlines of ancient Greek and Roman art.
Held at
Metropolitan Museum of Art wahooart.com/en/museums/metropolitan-museum-of-art-new-york/
Artistic style
Neoclassical
Influences
Stuart, Enlightenment
Notable elements
Detailed portraiture
Subject or theme
Political figure

In context

Albert Gallatin — Gilbert Stuart Newton

How big is it?

The original measures 75 × 63 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1790
  2. 1800
  3. 1810
  4. 1820
  5. 1830

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 40 at death.

Painted when the artist was 8. The artist lived to 40. 0 of the 30 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Gilbert Stuart Newton (1795–1835) ▲ this work, 1803 every dated painting, decade by decade

First works: up to 1815 Main working years: 1815–1825 Late works: from 1825

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: wahooart.com/en/art/similar/gilbert-stuart-newton-albert-gallatin-D2WRWC-en/

Colours

Measured from the image

    Main colour

    Espresso #542c25

    Catalogued palette

    • #542C25
    • #292321
    • #DFBF83
    • #957D4E

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Espresso
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Gentle How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Deep_shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Subtle Color How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Gilbert Stuart Newton over the last twelve months — 5 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 70.0%1,400 visits
    2. 2 United States of America 15.0%300 visits
    3. 3 Belarus 5.0%100 visits
    4. 4 Hong Kong 5.0%100 visits
    5. 5 Singapore 5.0%100 visits

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 18 most looked-at works by Gilbert Stuart Newton

    1. 1 A Dutch Girl ('The Window'), 1829 15.0%300 visits
    2. 2 Olivia's Return, 1828 10.0%200 visits
    3. 3 Abigail Smith Adams (Mrs. John Adams), 1815 5.0%100 visits
    4. 4 The Gentle Student, 1829 5.0%100 visits
    5. 5 Mrs. Andrew Sigourney, 1820 5.0%100 visits
    6. 6 Henrietta Marchant Liston (Mrs. Robert Liston), 1800 5.0%100 visits
    7. 7 George Washington (Vaughan-Sinclair portrait), 1795 5.0%100 visits
    8. 8 Sarah Homes Tappan (Mrs. Benjamin Tappan), 1814 5.0%100 visits
    9. 9 John Bill Ricketts, 1799 5.0%100 visits
    10. 10 Horace Binney, 1800 5.0%100 visits
    11. 11 Captain Joseph Anthony, 1794 5.0%100 visits
    12. 12 Edward Stow, 1803 5.0%100 visits
    13. 13 Commodore Thomas Macdonough, 1818 5.0%100 visits
    14. 14 James DeLancey, 1785 5.0%100 visits
    15. 15 Stephen Van Rensselaer III, 1795 5.0%100 visits
    16. 16 Henry Rice, 1815 5.0%100 visits
    17. 17 George Washington, 1800 5.0%100 visits
    18. — Albert Gallatin, 1803 this painting 0.0%0 visits

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 74 works by this artist, of which 17 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    Albert Gallatin — Gilbert Stuart Newton

    A Portrait of Statesmanship: Gilbert Stuart Newton’s Albert Gallatin

    Gilbert Stuart Newton's “Albert Gallatin,” painted in 1803, is more than just a likeness; it’s a carefully constructed portrait of a pivotal figure in early American history. Commissioned during the nascent years of the republic, this oil-on-canvas work captures not only the physical appearance of Albert Gallatin, the Secretary of the Treasury under Thomas Jefferson, but also embodies the qualities deemed essential for leadership and financial stability within a young nation grappling with its identity.

    Newton’s style leans heavily into the conventions of the era's portraiture, drawing inspiration from the grand tradition established by Gilbert Stuart himself. The composition is formally balanced, placing Gallatin centrally within a richly textured background—a deliberate choice that elevates his status and suggests his importance to the republic. Note the meticulous rendering of his attire: the dark waistcoat, crisp white shirt, and dignified coat speak volumes about his position and the seriousness of his responsibilities. The subtle use of light and shadow sculpts his features, revealing a thoughtful countenance—a gaze that seems both resolute and contemplative.

    The Man Behind the Money

    Albert Gallatin was a crucial architect of America’s financial foundation. A Swiss immigrant who arrived in Philadelphia in 1780, he quickly rose through the ranks of American politics, serving as a Congressman, diplomat, and ultimately, Secretary of the Treasury. His tenure under Jefferson was marked by prudent fiscal management, navigating the complexities of the Louisiana Purchase and establishing a system designed to promote economic growth. Newton’s portrait seeks to immortalize this man of considerable intellect and unwavering dedication to public service.

    Gallatin's background is particularly relevant to understanding the painting. He represented a bridge between Europe and America, bringing with him a sophisticated understanding of finance and trade—qualities highly valued in a nation striving for economic independence. The portrait subtly conveys this connection, reflecting a blend of European formality and American pragmatism.

    Symbolism and Artistic Technique

    Beyond the straightforward depiction of Gallatin’s features, Newton employs several artistic techniques to imbue the painting with deeper meaning. The red wall in the background, for instance, is not merely a decorative element; it symbolizes the burgeoning power and influence of the United States. The careful attention to detail—the texture of the fabric, the sheen of the waistcoat, the subtle wrinkles around Gallatin’s eyes—demonstrates Newton's mastery of oil painting and his commitment to capturing the nuances of human expression.

    Newton’s use of color is restrained yet effective. The predominantly dark tones create a sense of gravitas and seriousness, while carefully placed highlights draw attention to key features – particularly Gallatin’s face—emphasizing his intelligence and authority. The overall effect is one of dignified composure, reflecting the man's role as a stabilizing force in a nation undergoing rapid transformation.

    A Legacy Preserved

    “Albert Gallatin” stands as a testament to Newton’s skill and a valuable historical document. It offers a glimpse into the character of a key figure in American history—a man who played a vital role in shaping the nation's financial future. Reproductions of this painting, like those offered by Ocean’s Bridge, allow us to appreciate not only Newton’s artistic talent but also the significance of Gallatin’s contributions to the United States. It is a piece that speaks volumes about ambition, responsibility, and the enduring legacy of early American leadership.

    Artist and museum

    Artist

    Gilbert Stuart Newton

    Gilbert Stuart Newton: Life & Legacy

    Early Life and Family Background

    Birth and Origins: Gilbert Stuart Newton was born on September 2, 1795, in Halifax, Nova Scotia. He was the youngest of twelve children.

    Family Connections: His father, Henry Newton, was a customs official, and his mother, Ann, held a significant artistic lineage – she was the daughter of Gilbert Stuart, the renowned American portrait painter.

    Early Years & Return to America: The family initially resided in Boston but returned to Charlestown near Boston in 1803 following his father’s death.

    Artistic Training and Influences

    Initial Path & Uncle's Guidance: Though initially intended for a commercial career, Newton was apprenticed to his uncle, Gilbert Stuart, marking the beginning of his artistic journey.

    European Studies: He traveled to Europe with an elder brother and studied painting in Florence. Later visits to Paris (1817) introduced him to artists like Charles Robert Leslie, Washington Allston, and David Wilkie.

    Royal Academy & Formal Training: Newton continued his education at the Royal Academy in London after a period spent in the Netherlands.

    Artistic Style and Major Themes

    Romantic Sensibilities: Newton’s work is generally categorized within the Romantic movement, characterized by emotional intensity and dramatic narratives.

    Literary & Poetic Inspirations: He became particularly known for paintings inspired by literature and poetry. Subjects drawn from works like Don Quixote and Shakespeare were prominent in his oeuvre.

    Portraiture & Genre Scenes: While he painted portraits, including those of notable figures such as Washington Irving, Newton also excelled in genre scenes depicting moments from literary narratives.

    Key Achievements and Recognition

    Royal Academy Affiliation: Newton was elected an Honorary Academician of the National Academy of Design (1827), an Associate of the Royal Academy (1829), and a full Academician in 1832.

    Exhibitions & Patronage: He regularly exhibited at the Royal Academy from 1818 onwards, gaining recognition and attracting patrons like the Marquis of Lansdowne.

    Public Collections: His works found their way into prominent public collections, including the National Gallery and the South Kensington Museum (now V&A).

    Later Life and Legacy

    Mental Health & Final Years: Shortly after his election to the Royal Academy, Newton began to suffer from mental illness. He was admitted to an asylum at Chelsea where he continued to paint until his death on August 5, 1835.

    Burial Site: He is buried in St Mary’s Church Wimbledon, London.

    Historical Significance: Though overshadowed by his uncle Gilbert Stuart, Newton carved a niche for himself as a skilled and imaginative artist of the Romantic period. His literary-inspired paintings offer insights into the cultural tastes and artistic trends of 19th-century Britain.

    Museum

    Metropolitan Museum of Art

    On show in new york, United States of America

    A Legacy in Stone and Light

    The Fifth Avenue facade of the Metropolitan Museum of Art beckons visitors into a realm where ancient civilizations resonate alongside modern innovations. The primary building, a magnificent embodiment of Beaux-Arts style completed between 1902 and 1914, exudes an air of classical grandeur. Colossal columns frame the entrance, inviting people into soaring galleries bathed in natural light. This monumental structure was deliberately designed as a homage to European palaces, creating a space that feels both imposing and welcoming. Beyond the main site, The Cloisters offers an intimate serenity in Fort Tryon Park, transporting visitors to medieval Europe through reconstructed chapende and gardens.

    The architecture tells a story of expansion and change. While the current Fifth Avenue location is synonymous with the institution, the museum briefly resided in the Douglas Mansion estate on West 14th Street. The original structure, designed by Calvert Vaux and Jacob Wrey Mould, featured a red-brick facade that remains partially visible today within the Robert Lehman Wing. This glimpse of the past provides a connection to an era when the surrounding area was far from the gilded mansions of the Upper East Side.

    Treasures Across Five Millennia

    Within these halls, one feels the weight of centuries. The collection spans 5,000 years of human creativity, housing over two million art objects. Visitors encounter the imposing Assyrian reliefs, depicting scenes of royal power and divine ritual carved into stone. Greek sculptures embody idealized form and proportion, including the Parthenon Marbles. The museum also holds significant works from diverse cultures:

    Chinese ceramics and intricate Japanese screens.

    African, Oceanic, and American art collections.

    The Cesnola Collection, comprising approximately 35,000 Cypriot art objects.

    A blue-glazed lotus-decorated hippopotamus statuette from Egypt, ca. 1961–1878 B.C.

    The transition from realism to modernism is visible in works like Édouard Manet’s

    Boating

    , which captures leisure on the Seine through its use of light and color. The psychological depth of Rembrandt's 1660 self-portrait offers a study in chiaroscuro, using dramatic shadow to reveal introspection. In the modern galleries, the scale of Jackson Pollock’s

    Autumn Rhythm (Number 30)

    commands attention, with its eight-foot-tall canvas and seventeen-foot length displaying a web of drips.

    Modernity and the Living City

    The museum continues to engage with the present through contemporary artists and large-scale events. Pablo Picasso’s portrait of

    Gertrude Stein

    prefigures his evolution into Cubism, capturing the essence of the American expat community in Paris. Vincent Van Gogh’s

    Self-Portrait with a Straw Hat

    remains a focal point, where intense eyes are encircled by controlled brushstrokes. The institution also recognizes contemporary figures such as Wangechi Mutu, whose humanoid sculptures occupy niches on the museum's facade.

    Beyond the permanent galleries, the museum serves as a center for social and cultural gatherings. The annual Met Gala, held on the first Monday in May, brings fashion designers and celebrities to Manhattan for an evening of glamour. On other nights, programs like

    Date Night at the Met

    occur every Friday and Saturday, ensuring the halls remain a vital part of New York life. Through conservation laboratories and digital initiatives, the museum safeguards its vast holdings for future generations.

    Where to read more

    Find this online

    QR code linking to the download page for Albert Gallatin

    wahooart.com/en/art/download/gilbert-stuart-newton-albert-gallatin-D2WRWC-en/

    Cite this artwork

    MLA
    Newton, Gilbert Stuart. Albert Gallatin. 1803, Metropolitan Museum of Art. https://wahooart.com/en/art/gilbert-stuart-newton-albert-gallatin-D2WRWC-en/
    APA
    Newton, Gilbert Stuart (1803). Albert Gallatin [Painting]. Metropolitan Museum of Art. https://wahooart.com/en/art/gilbert-stuart-newton-albert-gallatin-D2WRWC-en/
    Chicago
    Gilbert Stuart Newton. Albert Gallatin. 1803. Metropolitan Museum of Art. https://wahooart.com/en/art/gilbert-stuart-newton-albert-gallatin-D2WRWC-en/
    Harvard
    Newton, Gilbert Stuart (1803) Albert Gallatin. Metropolitan Museum of Art. Available at: https://wahooart.com/en/art/gilbert-stuart-newton-albert-gallatin-D2WRWC-en/

    Look closely

    Albert Gallatin — Gilbert Stuart Newton

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: portrait, politics, american history. Do you agree? What would you add, or take away?
    4. Look back at James Monroe (1820), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Neoclassicism: A deliberate return to the calm balance and clear outlines of ancient Greek and Roman art. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Art quiz

    Albert Gallatin — Gilbert Stuart Newton

    How well do you know this artwork?

    Tick one answer for each of the 5 questions below. Each has exactly one correct answer.

    1. 1. What is the primary subject of Gilbert Stuart Newton’s painting, ‘Albert Gallatin’?

      • A A portrait of Thomas Jefferson
      • B A depiction of Albert Gallatin, a prominent American politician and diplomat
      • C A landscape scene from Gallatin's travels in Europe
    2. 2. According to the description, what artistic technique is prominently featured in ‘Albert Gallatin’?

      • A Watercolor
      • B Oil on canvas
      • C Pastel drawing
    3. 3. In what year was the painting ‘Albert Gallatin’ created, as indicated in the provided information?

      • A 1794
      • B 1803
      • C 1816
    4. 4. Gilbert Stuart Newton’s artistic lineage is significant. Who was his uncle, and what role did he hold in the art world?

      • A Gilbert Stuart, a renowned American portrait painter
      • B Benjamin Franklin, a Founding Father and diplomat
      • C George Washington, the first President of the United States
    5. 5. The painting’s background features a red wall. What effect does this detail likely have on the viewer's perception of the subject?

      • A It creates a sense of depth and drama
      • B It distracts from the figure’s appearance
      • C It provides a neutral backdrop with no impact

    My score: ____ out of 5

    Answer key — for the teacher

    This starts a fresh printed page, so it can simply be left out of the copies.

    1B · 2B · 3B · 4A · 5A

    Check any answer against the catalogue record for this painting

    Questions & Answers

    Where and for what purpose is "Albert Gallatin" recommended?

    Use (statement) and space (living room) are the two recommendations recorded for "Albert Gallatin" by Gilbert Stuart Newton.

    Where can I find artworks similar to "Albert Gallatin" by Gilbert Stuart Newton?

    The Similars page of "Albert Gallatin" by Gilbert Stuart Newton presents related artworks.

    What technique and style characterize "Albert Gallatin" by Gilbert Stuart Newton?

    "Albert Gallatin" by Gilbert Stuart Newton combines the oil on canvas technique with the Neoclassicism style. Technique and movement describe the making and the style of the work.