Paper

Student Artwork Guide

Angry Waves

Name Class Date

Gabor Peterdi, Angry Waves (1958). Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Gabor Peterdi wahooart.com/en/artists/gabor-peterdi/
Artist’s dates
1915 – 2001
Painted
1958
Original size
51 x 61 cm

In context

Angry Waves — Gabor Peterdi

How big is it?

The original measures 51 × 61 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1910
  2. 1920
  3. 1930
  4. 1940
  5. 1950
  6. 1960
  7. 1970
  8. 1980
  9. 1990
  10. 2000

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 86 at death.

Painted when the artist was 43. The artist lived to 86. 6 of the 74 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Gabor Peterdi (1915–2001) ▲ this work, 1958 every dated painting, decade by decade

First works: up to 1961 Main working years: 1961–1967 Late works: from 1967

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: wahooart.com/en/art/similar/gabor-peterdi-angry-waves-AQTFNP-en/

Colours

Measured from the image

    Main colour

    Phthalo Green #1c2025

    Catalogued palette

    • #1C2025
    • #E7E6E5
    • #48585D
    • #929D9B

    These colours inside the artist’s whole palette Find other paintings by colour

    Main colour name
    Phthalo Green
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Discordant Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Gabor Peterdi over the last twelve months — 2 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 69.6%
    2. 2 United States of America 30.4%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by Gabor Peterdi

    1. 1 Pacific, 1971 17.6%
    2. 2 Morning After 8.8%
    3. 3 The Big Tree II, 1957 5.9%
    4. 4 Heralds of Awakening, 1952 5.9%
    5. 5 Thicket, from the portfolio A Genesis, 1967 5.9%
    6. 6 Tommy's Pond, from the portfolio A Genesis, 1967 5.9%
    7. 7 Stonework, State 4, from the portfolio A Genesis, 1967 2.9%
    8. 8 The Dark Mountain, 1961 2.9%
    9. 9 A Universe, State 2, from the portfolio A Genesis, 1967 2.9%
    10. 10 The Sea Shines, State 2 (center plate only), from the portfolio A Genesis, 1967 2.9%
    11. 11 A Genesis, State 2, from the portfolio A Genesis, 1967 2.9%
    12. 12 Elegy, from the portfolio A Genesis, 1967 2.9%
    13. 13 Haiku Garden, 1972 2.9%
    14. 14 Desert I, 1961 2.9%
    15. 15 A Genesis, State 4, from the portfolio A Genesis, 1967 2.9%
    16. 16 Catalpa II, from the portfolio A Genesis, 1967 2.9%
    17. 17 Stonework, from the portfolio A Genesis, 1967 2.9%
    18. 18 Iris, from the portfolio Of Earth and Water, 1955 2.9%
    19. 19 The Sea Shines, State 1 (center plate only), from the portfolio A Genesis, 1967 2.9%
    20. — Angry Waves, 1958 this painting 0.0%

    Together these works take 87.7% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 75 works by this artist, of which 23 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Gabor Peterdi

    Gabor Peterdi: A Master of Intaglio and Arctic Light

    Gabor Peterdi (1915-2001) was a Hungarian-American painter and printmaker whose career spanned nearly seven decades, marked by an evolving exploration of biblical themes, evocative landscapes, and a deeply expressive mastery of intaglio techniques. Born in Pestújhely, Hungary, during a period of significant political and social change, Peterdi’s artistic journey reflects both the turmoil of his early life and a profound connection to the natural world – particularly the stark beauty of the Arctic.

    Early influences shaped Peterdi's distinctive style. He began his artistic training at fifteen, winning a prestigious Prix de Rome to study painting in Italy. This initial exposure to classical art provided a foundation before he sought out the innovative printmaking methods championed by Stanley William Hayter and his Atelier 17 in Paris. It was within this influential workshop that Peterdi honed his skills in techniques like drypoint, etching, and aquatint, learning to manipulate ink and pressure to achieve astonishing textural complexity and tonal range – a hallmark of his later work. His time at Atelier 17 instilled in him a deep appreciation for the physicality of printmaking and the potential for layering and manipulation within the medium.

    The Impact of War and Migration

    World War II dramatically altered Peterdi’s trajectory, leading to his emigration to the United States in 1939. Enlisting in the U.S. Army, he served with distinction during the war, an experience that profoundly impacted his artistic vision. The horrors of conflict and the resilience of the human spirit became recurring themes in his work, often expressed through powerful depictions of biblical narratives – particularly scenes of suffering and redemption. Following the war, Peterdi established the Graphic Workshop at the Brooklyn Museum Art School, a crucial role in nurturing the next generation of printmakers. He later taught at Hunter College and Yale University, leaving an indelible mark on countless students who were inspired by his dedication to craft and his belief in the transformative power of art.

    A Shift Towards the Arctic

    In the 1960s, Peterdi embarked on a significant shift in his subject matter, turning his attention to the vast, unforgiving landscapes of Alaska. This period marked a departure from his earlier biblical themes and represented a deep engagement with the raw beauty and elemental forces of nature. His Alaskan series – exemplified by works like “Elegy” and “Eclipse IV” – are characterized by their dramatic lighting, stark contrasts between light and shadow, and an almost palpable sense of isolation. These paintings aren’t merely representations of the Arctic; they are meditations on human vulnerability in the face of overwhelming natural power. The muted palette, achieved through meticulous layering of ink, evokes the cold, ethereal atmosphere of the region, while the dynamic compositions convey a feeling of both awe and apprehension.

    Technique and Legacy

    Peterdi’s technical prowess was central to his artistic success. He was a master of intaglio printing, utilizing a wide range of techniques to create incredibly rich and nuanced surfaces. His use of drypoint, in particular, allowed him to achieve a velvety texture and a sense of immediacy that is rarely matched by other printmaking methods. He also experimented with layering and manipulating the image through multiple states, creating works that are both visually complex and deeply layered in meaning. Gabor Peterdi’s legacy extends beyond his individual artworks; he was a dedicated educator who shaped the careers of many influential artists. His work continues to be exhibited and studied today, serving as a testament to his unique vision and enduring artistic power.

    Notable Works

    Elegy, from the portfolio A Genesis: (Link: /en/art/gabor-peterdi-elegy-from-the-portfolio-a-genesis-AQTFNR-en/) – Demonstrates his mastery of tonal range and textural complexity.

    Eclipse IV: (Link: /en/art/gabor-peterdi-eclipse-iv-AQTFLZ-en/) – A powerful example of his Arctic landscapes, capturing the drama of light and shadow.

    Awakening: (Link: /en/art/gabor-peterdi-awakening-AQTFLP-en/) – Illustrates his ability to convey emotion through subtle shifts in color and form.

    For further information, explore the articles and resources available on WahooArt.com and Wikipedia: Wikipedia and WahooArt.com Article

    Where to read more

    Find this online

    QR code linking to the download page for Angry Waves

    wahooart.com/en/art/download/gabor-peterdi-angry-waves-AQTFNP-en/

    Cite this artwork

    MLA
    Peterdi, Gabor. Angry Waves. 1958, https://wahooart.com/en/art/gabor-peterdi-angry-waves-AQTFNP-en/
    APA
    Peterdi, Gabor (1958). Angry Waves [Painting]. https://wahooart.com/en/art/gabor-peterdi-angry-waves-AQTFNP-en/
    Chicago
    Gabor Peterdi. Angry Waves. 1958. https://wahooart.com/en/art/gabor-peterdi-angry-waves-AQTFNP-en/
    Harvard
    Peterdi, Gabor (1958) Angry Waves. Available at: https://wahooart.com/en/art/gabor-peterdi-angry-waves-AQTFNP-en/

    Look closely

    Angry Waves — Gabor Peterdi

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Eclipse IV (1966), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. Gabor Peterdi was about 43 when this was made. What in it looks like the work of an artist at that stage?
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    Is Gabor Peterdi, creator of "Angry Waves", known under other names?

    Gabor Peterdi is also known as Peterdi.

    How strong are the colors of "Angry Waves"?

    "Angry Waves" by Gabor Peterdi is recorded with a muted saturation and a monochromatic intensity.

    Where can I see a preview of "Angry Waves"?

    To preview a reproduction of "Angry Waves" by Gabor Peterdi, open the artwork's Preview page.