Paper

Student Artwork Guide

Design for double window

Name Class Date

Frederick Wilson, Design for double window (1908). Public domain.

The facts

Artist
Frederick Wilson wahooart.com/en/artists/frederick-wilson/
Artist’s dates
1858 – 1932
Painted
1908
Original size
26 x 31 cm

In context

Design for double window — Frederick Wilson

How big is it?

The original measures 26 × 31 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1850
  2. 1860
  3. 1870
  4. 1880
  5. 1890
  6. 1900
  7. 1910
  8. 1920
  9. 1930

Shaded: the lifetime of Frederick Wilson (1858–1932) ▲ this work, 1908

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: wahooart.com/en/art/similar/frederick-wilson-design-for-double-window-D32C4U-en/

Colours

Measured from the image

    Main colour

    Quinacridone Magenta #785e44

    Catalogued palette

    • #785E44
    • #D9D8D6
    • #8E7151
    • #766B61
    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Quinacridone Magenta
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Serene How much the colours differ in lightness and saturation across the picture.
    Harmony
    Unified Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Balanced How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Subtle Color How pure and strong the colours are, from near-grey to fully vivid.

    Artist and museum

    Artist

    Frederick Wilson

    Born in Dublin, Ireland

    Frederick Wilson: A Visionary of Stained Glass and Victorian Elegance

    Frederick Wilson (1858 – 1932) stands as a pivotal figure in the history of British stained glass artistry, particularly during its flourishing period in America. Born in Dublin to English parents, Charles and Elizabeth Wilson, his early life instilled within him an appreciation for craftsmanship and artistic expression that would define his illustrious career spanning over five decades. Moving to England later, Wilson honed his skills as a designer and craftsman, establishing himself as ‘known and accepted as an important artist in his field,’ leaving behind a legacy of breathtaking ecclesiastical windows and decorative objects that continue to inspire admiration today.

    Early Life & Training: Wilson’s formative years were spent absorbing the artistic traditions of Dublin, where he gained invaluable experience working alongside skilled artisans. This exposure undoubtedly nurtured his innate talent for intricate design and meticulous execution – qualities that would prove crucial to his future endeavors.

    Tiffany Studios Collaboration: Wilson's professional breakthrough arrived with his association with Louis Comfort Tiffany Studios in New York City. He became a celebrated designer of monumental stained glass windows, contributing significantly to the aesthetic grandeur of iconic buildings like St. John’s Episcopal Church in Cornwall, NY and the Naval Academy Chapel in Annapolis, MD. His designs skillfully blended Gothic Revival influences with Art Nouveau sensibilities, reflecting the broader artistic currents of the era.

    Notable Achievements: Wilson's contribution extended beyond ecclesiastical commissions; he created exquisite decorative objects – chandeliers, lamps, and panels – showcasing his mastery of glassblowing techniques and sculptural artistry. The Forbes Memorial Window at St. Saviour’s Cathedral in Brooklyn exemplifies his exceptional skill and artistic vision.

    Style & Technique: Embracing Victorian Ornamentation

    Wilson's aesthetic was firmly rooted in the Victorian era, characterized by opulent ornamentation and a fascination with natural forms. He skillfully employed techniques such as etching, enameling, and gilding to elevate glass into a medium of unparalleled beauty and sophistication. His designs frequently incorporated stylized floral motifs—roses, lilies, and irises—representing purity, grace, and divine love – themes that resonated deeply within the spiritual context of his commissions. The meticulous attention to detail evident in his creations underscores his commitment to upholding the highest standards of craftsmanship.

    Tiffany Studios Influence: Tiffany’s innovative use of colored glass and dramatic lighting profoundly impacted Wilson's artistic sensibilities, encouraging him to experiment with bold palettes and inventive compositions.

    Decorative Objects: Beyond stained glass windows, Wilson produced stunning chandeliers and lamps that showcased his sculptural prowess and mastery of glassblowing. These pieces often featured elaborate geometric patterns combined with organic forms—leaves, branches, and blossoms—creating harmonious visual experiences.

    Legacy & Historical Significance

    Frederick Wilson’s work stands as a testament to the enduring power of craftsmanship and artistic vision during the Victorian period. His stained glass windows continue to illuminate churches across America and beyond, transporting viewers into realms of ethereal beauty and spiritual contemplation. Furthermore, his sculptures—particularly ‘The Spirit of Detroit,’ commissioned for the revitalization of downtown Detroit—demonstrate his versatility as an artist and solidify his place among the most influential sculptors of his time. Wilson’s legacy extends beyond individual artworks; he embodies the spirit of artistic innovation and dedication to preserving cultural heritage – qualities that continue to inspire artists and scholars alike.

    Further Exploration

    For a deeper understanding of Frederick Wilson's oeuvre, consider visiting Marshall M. Fredericks Sculpture Museum in Michigan or exploring The President Woodrow Wilson House in Washington D.C., where his designs are prominently displayed. Also, delve into the archives of Judson Studios to examine original design drawings and photographs documenting his creative process. Finally, immerse yourself in the beauty of ‘Iago’ at Marshall M. Fredericks Sculpture Museum.

    Where to read more

    • The artist Frederick Wilson wahooart.com/en/artists/frederick-wilson/
    • Similar works More works to compare wahooart.com/en/art/similar/frederick-wilson-design-for-double-window-D32C4U-en/

    Find this online

    QR code linking to the download page for Design for double window

    wahooart.com/en/art/download/frederick-wilson-design-for-double-window-D32C4U-en/

    Cite this artwork

    MLA
    Wilson, Frederick. Design for double window. 1908, https://wahooart.com/en/art/frederick-wilson-design-for-double-window-D32C4U-en/
    APA
    Wilson, Frederick (1908). Design for double window [Painting]. https://wahooart.com/en/art/frederick-wilson-design-for-double-window-D32C4U-en/
    Chicago
    Frederick Wilson. Design for double window. 1908. https://wahooart.com/en/art/frederick-wilson-design-for-double-window-D32C4U-en/
    Harvard
    Wilson, Frederick (1908) Design for double window. Available at: https://wahooart.com/en/art/frederick-wilson-design-for-double-window-D32C4U-en/

    Look closely

    Design for double window — Frederick Wilson

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. How many faces can you find? ____ (our catalogue counts 2 — do you agree?)
    4. Look back at Untitled (D2X2TQ) (1922), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Frederick Wilson was about 50 when this was made. What in it looks like the work of an artist at that stage?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.