Student Artwork Guide
Copyright This work is in the public domain. Frederick Goodall died in 1904; copyright lasts 70 years after the artist’s death, so it ended in 1974.
In context
Bazaar in Cairo — Frederick Goodall
Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 82 at death.
Shaded: the lifetime of Frederick Goodall (1822–1904) every dated painting, decade by decade
First works: up to 1852 Main working years: 1852–1882 Late works: from 1882
Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them
This record has no exact year on file — using the artist's lifetime and the work's style, what decade would you guess?
Pick one work above: name two things it shares with this one, and one thing that's different.
More works to set beside this one: wahooart.com/en/art/similar/frederick-goodall-bazaar-in-cairo-9GEKTN-en/
Measured from the image
Main colour
Clay #a57145
Catalogued palette
These colours inside the artist’s whole palette Find other paintings by colour
The ten leading countries
Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.
Together these works take 54.7% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 208 works by this artist, of which 45 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month
Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.
Artist and museum
Born in London, United Kingdom
London, 1822. Frederick Goodall enters a world of precise lines and technical craft as the second son of Edward Goodall, a steel line engraver. This familial connection to the mechanics of engraving provides a foundational understanding of detail. He receives his formal education at the Wellington Road Academy, a period of study that prepares him for the rigors of professional representation.
The transition from student to professional arrives with startling speed. At just sixteen years old, Goodall secures a significant commission from Isambard Brunel. The task involves documenting the construction of the Rotherhithe Tunnel through six watercolor paintings. These works do more than record engineering; they place his emerging talent on a public stage. Four of these watercolors find their way to the Royal Academy, marking his first major encounter with the institution that would define his career.
The trajectory of Goodall's career begins with a striking early success. At just sixteen years old, he produces six watercolor paintings documenting the construction of Isambard Kingdom Brunel’s Thames Tunnel, works that find their way into the Royal Academy in 1838. This early momentum carries into his oil paintings, where his first work in the medium earns a silver medal from the Society of Arts. He quickly establishes a presence within the London art establishment, exhibiting at the Royal Academy 27 times between 1838 and 1859.
Institutional recognition follows his growing reputation. In 1852, he is elected an Associate of the Royal Academy (ARA). This ascent continues until 1863, when he achieves the status of a full Royal Academician (RA). His influence within the Academy remains steady for decades; over a span of 46 years, he exhibits a total of 170 paintings at the institution. His output often focuses on large-scale figure subjects, ranging from historical narratives to contemporary scenes of Egyptian life.
The Drinking Trough: A Scene in Brittany
A camel in a crowded street, Cairo
The Egyptian theme dominates Goodall's body of work. During his first visit in 1858, he shares a house and studio in Cairo with the artist Carl Haag. They sketch together in the streets and in the outskirts of the city. This period marks a shift toward the ethnographic detail that would define his career. He does not merely observe from a distance; he camps with Bedouin tribesmen to capture the authentic textures of their lives.
In 1870, he returns to Egypt. This second trip finds him living at Saqqara, near the Pyramids. His commitment to accuracy drives him to bring sheep and goats back to England to ensure he renders the animals correctly in his paintings. He seeks the specific light and movement of the desert, moving beyond the familiar landscapes of his youth to document a culture he views with intense scrutiny.
Egyptian Woman and Child
Marchande de pigeons egyptienne
Egyptian nomad
An egyptian flower girl
In 1846, Goodall enters a marriage that links him to the technical traditions of engraving. He marries Anne Thomson, the daughter of the engraver James Thomson. Together, they build a household that becomes a significant hub for artistic talent. Their five children grow up in an environment defined by visual study; among them are Frederick Trevelyan and Howard Goodall, both of whom pursue careers as artists.
The stability of this family life shifts in 1869 when Anne passes away. The period of mourning is followed by a second marriage in 1872. His new wife, Alice May Tarry, is an artist herself. This union continues the pattern of domestic life being closely intertwined with the practice of painting and professional artistic circles.
The height of Goodall's social standing is marked by the construction of Grims Dyke in Harrow Weald. Built between 1870 and 1872, the house became a center for his social circle, hosting guests such as the Prince of Wales. This period represents the peak of his domestic and professional stability, a stark contrast to the financial shifts that would follow.
The later years bring a sharp decline. By 1902, the artist faced the harsh reality of bankruptcy. The prosperity that once defined his career vanished, leaving a legacy marked by both significant achievement and sudden fiscal hardship. He died on July 29, 1904. His remains lie in the family vault on the western side of Highgate Cemetery.
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Look closely
Bazaar in Cairo — Frederick Goodall
Answer in your own words. There are no wrong answers here — only answers you can explain.
Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.
Other names recorded for Frederick Goodall, creator of "Bazaar in Cairo", include Edward Angelo Goodall.
"Bazaar in Cairo" can be examined layer by layer on the artwork's X-Ray page, a viewer inspired by a conservator's light bench with eleven optical readings of the image.
"Bazaar in Cairo" by Frederick Goodall can be downloaded from the artwork's Download page, as a high-resolution digital image download.