Paper

Student Artwork Guide

The Parley

Name Class Date

Frederic Remington, The Parley (1903), Thyssen-Bornemisza Museum. Public domain.

The facts

Artist
Frederic Remington wahooart.com/en/artists/frederic-remington/
Artist’s dates
1861 – 1909
Painted
1903
Medium
Oil On Canvas
Movement
Impressionism Painters working fast and outdoors to catch how light actually looked at one moment, rather than finishing smoothly in a studio.
Period
19th Century
Held at
Thyssen-Bornemisza Museum wahooart.com/en/museums/thyssen-bornemisza-museum-madrid/
Artistic style
Romanticism
Influences
American Landscape Painting
Notable elements or techniques
Detailed realism; Cowboy portraiture
Subject or theme
Western Encounter

In context

The Parley — Frederic Remington

When was this painted?

  1. 1860
  2. 1870
  3. 1880
  4. 1890
  5. 1900

Shaded: the lifetime of Frederic Remington (1861–1909) ▲ this work, 1903

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: wahooart.com/en/art/similar/frederic-remington-the-parley-8DP6DB-en/

Colours

Measured from the image

    Main colour

    Rosy Brown #a59a79

    Catalogued palette

    • #A59A79
    • #767562
    • #222B39
    • #E0C8B0
    Palette
    Neutrals The dominant colour family in the image.
    Main colour name
    Rosy Brown
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Gentle How much the colours differ in lightness and saturation across the picture.
    Harmony
    Balanced Harmony How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Subtle Color How pure and strong the colours are, from near-grey to fully vivid.

    About this artwork

    The Parley — Frederic Remington

    A Moment Frozen in Time: The Essence of Frontier Diplomacy

    In the vast, untamed expanse of the American West, moments of profound significance often occurred not amidst the thunder of cavalry charges, but in the quiet, heavy silences of negotiation. Frederic Remington’s 1903 masterpiece, The Parley, captures such a delicate equilibrium. This monumental oil on canvas serves as a poignant window into the late 19th century, portraying a pivotal encounter between U.S. Cavalry officers and Native American leaders. As the golden light of a setting sun washes over the rolling hills, the painting invites the viewer to witness a fragile attempt at diplomacy—a struggle to resolve deep-seated land disputes through dialogue rather than bloodshed. It is a scene that transcends mere historical documentation, offering instead a deeply human study of tension, respect, and the uncertain future of a changing frontier.

    The composition of the work is a masterclass in balanced storytelling. At the heart of the canvas, Remington places two central figures: a grizzled cavalry officer mounted upon a horse, his gaze unwavering and resolute, and an Indigenous man seated beside him, engaged in earnest, focused conversation. This central axis of communication is surrounded by a carefully orchestrated landscape that breathes life into the narrative. Horses are strategically positioned to lend scale and weight to the encounter, while subtle details—a hawk circling high above in a display of silent vigilance and a loyal dog resting peacefully at a man's feet—add layers of symbolic depth. The hawk mirrors the watchful eyes of both parties, embodying the heightened awareness required in such a precarious setting, while the presence of the dog offers a grounding sense of companionship amidst the formal gravity of the parley.

    Mastery of Light and the Spirit of the West

    Remington’s technical prowess is on full display through his signature use of atmospheric perspective and bold, expressive brushwork. While his roots in illustration provided him with an unparalleled eye for detail, his mature style leans into a vibrant, almost Impressionistic palette that captures the true essence of the American landscape. The artist employs rich, warm tones to depict the sun-drenched terrain, creating a sense of heat and dust that one can almost feel against the skin. His ability to manipulate light—allowing it to catch the texture of a horse's coat or the rugged fabric of a uniform—anchors the scene in a profound realism. This technique does more than just replicate nature; it imbues the landscape with an emotional resonance, making the environment itself a silent participant in the negotiation.

    For the discerning collector or interior designer, The Parley offers much more than visual beauty; it provides a narrative anchor for any sophisticated space. The painting’s ability to evoke both the ruggedness of the frontier and the quiet dignity of human interaction makes it a versatile piece for high-end decor. Whether placed in a study filled with leather-bound books or as a focal point in a contemporary gallery, a high-quality reproduction of this work brings with it a sense of historical weight and timeless elegance. It is an invitation to contemplate the complexities of history and the enduring power of the human spirit to seek peace amidst the shadows of conflict.

    Artist and museum

    Artist

    Frederic Remington

    Born in Canton, United States of America

    A Chronicler of the Vanishing West: The Life and Art of Frederic Remington

    Frederic Sackrider Remington, born in Canton, New York, on October 4, 1861, wasn’t a product of the Wild West he so vividly depicted; rather, he was an Easterner who forged his artistic identity through fascination and dedicated study. His lineage hinted at a life far removed from dusty trails and cavalry charges – French Basque ancestry mingled with staunchly Republican New England roots, a father who was a Civil War colonel and newspaper editor, and connections to the famed Remington Arms dynasty through distant cousins. Yet, it was an early exposure to military themes, coupled with a restless spirit and a keen eye for storytelling, that set him on a path toward becoming arguably the most recognizable artist of the American West. His childhood moved to Bloomington, Illinois, then back to Canton and finally Ogdensburg, New York, but his imagination remained captivated by tales of frontier life. Though initially steered towards a military education at Vermont Episcopal Institute, Remington’s true calling lay not in following orders, but in observing and interpreting the world around him through art. A brief stint at Yale University confirmed this; football and sketching held far more appeal than formal academic pursuits.

    From Illustrator to Painter: Forging an Artistic Vision

    Remington’s artistic journey began not with grand canvases, but with ink and paper. His first published work, a cartoon for the Yale Courant, signaled an early aptitude for capturing action and narrative. A pivotal trip to Montana in 1881 ignited his lifelong obsession with the West. This wasn't merely a tourist’s gaze; Remington sought to immerse himself in the culture, observing cowboys, Native Americans, and the landscape itself. He initially attempted ranching and mining ventures, but these proved unsuccessful, freeing him to fully dedicate himself to art. Returning East, he quickly established himself as an illustrator for magazines like Harper's Weekly and Collier’s, his dynamic depictions of Western scenes captivating a national audience hungry for stories of the frontier. These illustrations weren’t simply reportage; they were infused with drama, energy, and a romanticized vision of the West that resonated deeply with the public imagination. It was through this work that Remington honed his skills in composition, capturing movement, and conveying emotion – qualities that would later define his paintings. He received minimal formal training beyond some drawing classes at Yale and a short period at the Art Students League, developing instead a distinctive style characterized by energetic brushwork, bold colors, and a focus on realism blended with dramatic flair.

    Capturing a Vanishing World: Themes and Style

    Remington’s art is inextricably linked to a specific moment in American history – the twilight of the Old West. His canvases are populated by iconic figures: rugged cowboys driving cattle, stoic Native Americans facing displacement, and U.S. Cavalry soldiers engaged in both heroic battles and tragic conflicts. He didn't shy away from depicting the harsh realities of frontier life, but his work often leans towards a romanticized portrayal, emphasizing courage, adventure, and the clash of cultures. His paintings aren’t simply historical documents; they are evocative narratives that explore themes of heroism, loss, and the inevitable march of progress. Remington's style evolved over time, moving from tighter, more academic renderings to looser, more expressive brushwork. He was a master of capturing movement – horses galloping across the plains, cowboys wrestling steers, soldiers charging into battle. He often employed quick sketches and photographs as reference material, but his art always transcended mere imitation, imbued with his own unique vision and emotional intensity. Notable works like My Ranch, Waiting in the Moonlight, Ridden Down (1905), and The Long-Horn Cattle Sign (1908) exemplify his ability to capture both the grandeur and the vulnerability of the American West.

    Legacy and Enduring Influence

    Frederic Remington died unexpectedly in 1909 at the age of 48, leaving behind a vast body of work that continues to captivate audiences today. His impact on Western art is undeniable; he didn’t just depict the West, he helped define it for generations of Americans. He established a visual language for the frontier – an iconography of cowboys, Indians, and cavalrymen that became deeply ingrained in popular culture.

    His work inspired countless other artists, including N.C. Wyeth and Zane Grey.

    The Frederic Remington Art Museum in Ogdensburg, New York, stands as a testament to his enduring legacy, preserving an extensive collection of his paintings, sculptures, and archival materials.

    His art continues to be exhibited in major museums across the country, including the Metropolitan Museum of Art and the Amon Carter Museum of American Art.

    Remington’s depictions, while sometimes criticized for their romanticized portrayal of the West, offer a valuable glimpse into a pivotal era in American history. He captured not just what was, but also what people believed about the West – its myths, its legends, and its enduring appeal. He remains a powerful symbol of the American spirit—a chronicler of a vanishing world who transformed it into an enduring artistic legacy.

    Museum

    Thyssen-Bornemisza Museum

    On show in Madrid, Spain

    A Legacy of Passion: Unveiling the Thyssen-Bornemisza Museum

    Nestled within the heart of Madrid’s vibrant cultural landscape, alongside the grandeur of the Prado and the revolutionary spirit of the Reina Sofía, lies the Thyssen-Bornemisza National Museum – a truly exceptional institution born from a singular vision. More than simply a collection of masterpieces, it represents a deliberate act of preservation, a passionate defense of European artistic heritage against the tides of exile following World War I, and a testament to the discerning eye of Heinrich Baron Thyssen-Bornemisza. The museum’s story begins not in Spain, but in Lugano, Switzerland, where the Baron embarked on his ambitious quest to assemble a collection that would encompass the entirety of European artistic achievement – a conscious decision to safeguard its legacy within Europe's borders.

    Heinrich Thyssen-Bornemisza, driven by an almost obsessive desire for completeness, tirelessly pursued works spanning centuries and styles. From the Byzantine icons shimmering with otherworldly light, hinting at ancient mysteries, to the bold Surrealist sculptures challenging conventional forms, and crucially, the groundbreaking canvases of Pablo Picasso – his collection became a breathtaking tapestry of artistic expression. The relocation to Madrid in 1943 wasn’t merely a logistical shift; it was a profound statement of commitment, a desire to share this extraordinary inheritance with Spain and foster a deeper appreciation for art on a global scale. This move solidified the museum's place within the “Golden Triangle of Art,” creating a synergistic experience for visitors exploring these three iconic institutions.

    Architectural Harmony: A Palace of Reflection

    The Thyssen-Bornemisza resides within a beautifully restored neoclassical palace, originally designed as a royal residence for Alfonso XIII and his family – a space intended to embody grandeur and inspire artistic contemplation. This building, conceived by Narciso III Ortiz y Montenegro, stands as a harmonious counterpoint to the more modern structures of its neighbors, offering visitors an immediate sense of serenity and beauty. The soaring ceilings, adorned with intricate stucco decorations, and the expansive windows flooding the galleries with natural light create an environment perfectly suited for showcasing the museum’s treasures. The proportions are meticulously considered, reflecting a deep understanding of classical aesthetics – a subtle yet powerful reminder of the enduring influence of artistic tradition. The integration with Parque del Buen Retiro further enhances the experience, providing a tranquil backdrop and panoramic views that complement the art within.

    A Chronological Journey Through European Art

    Visitors embark on a chronological journey through European painting, beginning with early Renaissance works by Duccio and Luca di Tommè – delicate beauty and spiritual depth. The collection then progresses through the vibrant hues of the Italian Primitives: Giotto, Masaccio, Botticelli, and Bellini, offering a profound insight into the foundations of Western art. A significant section is dedicated to Dutch Masters – Rembrandt’s dramatic portraits and self-portraits alongside Vermeer, Hals, and Frans Hals, revealing the nuances of light and color. The Spanish Masters showcase Goya's later works, including his iconic “Saturn” series, providing a glimpse into the artist’s turbulent life and artistic vision. The museum culminates in its impressive holdings of Impressionist and Post-Impressionist art – featuring Monet’s luminous landscapes, Renoir’s intimate portraits, Degas’ captivating dancers, and Van Gogh’s emotionally charged brushstrokes.

    Beyond the Permanent Collection: A Dynamic Experience

    What truly distinguishes the Thyssen-Bornemisza is its remarkable ability to complement and enrich the collections of the Prado and Reina Sofía. While the Prado champions Spanish artistic tradition – showcasing the mastery of Velázquez, Goya, and El Greco – and the Reina Sofía celebrates modern innovation with Picasso’s “Guernica” and Warhol’s vibrant prints, the Thyssen fills historical gaps with an astonishing breadth of European painting. The museum is renowned for its dynamic programming of exhibitions that delve into specific themes and artists, fostering intellectual engagement and broadening perspectives on art history. These temporary exhibits often draw upon international collaborations, ensuring that visitors encounter cutting-edge scholarship and innovative interpretations – a testament to the museum’s commitment to remaining relevant in an ever-evolving cultural landscape. Notably, the ongoing loan of Carmen Cervera’s personal collection further expands the museum's offerings, guaranteeing its continued appeal for generations to come.

    Highlights & Artistic Treasures

    Early Renaissance:

    A stunning array of works by Duccio, Fra Angelico, and Piero della Francesca, showcasing the delicate beauty and spiritual depth of this era.

    Italian Primitives:

    Masterpieces by Giotto, Masaccio, Botticelli, and Bellini, offering a profound insight into the foundations of Western art.

    Dutch Masters:

    Rembrandt’s dramatic portraits and self-portraits, alongside works by Vermeer, Hals, and Frans Hals, revealing the nuances of light and color.

    Spanish Masters:

    A significant collection of Goya's later works, including his iconic “Saturn” series, providing a glimpse into the artist’s turbulent life and artistic vision.

    Impressionist & Post-Impressionist:

    Featuring Monet’s luminous landscapes, Renoir’s intimate portraits, Degas’ captivating dancers, and Van Gogh’s emotionally charged brushstrokes – showcasing the revolutionary techniques and emotional intensity of these movements.

    The Thyssen-Bornemisza Museum stands as a vibrant testament to the power of art and the enduring legacy of one man's passionate pursuit of beauty.

    Where to read more

    Find this online

    QR code linking to the download page for The Parley

    wahooart.com/en/art/download/frederic-remington-the-parley-8DP6DB-en/

    Cite this artwork

    MLA
    Remington, Frederic. The Parley. 1903, Thyssen-Bornemisza Museum. https://wahooart.com/en/art/frederic-remington-the-parley-8DP6DB-en/
    APA
    Remington, Frederic (1903). The Parley [Painting]. Thyssen-Bornemisza Museum. https://wahooart.com/en/art/frederic-remington-the-parley-8DP6DB-en/
    Chicago
    Frederic Remington. The Parley. 1903. Thyssen-Bornemisza Museum. https://wahooart.com/en/art/frederic-remington-the-parley-8DP6DB-en/
    Harvard
    Remington, Frederic (1903) The Parley. Thyssen-Bornemisza Museum. Available at: https://wahooart.com/en/art/frederic-remington-the-parley-8DP6DB-en/

    Look closely

    The Parley — Frederic Remington

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: american west, cowboy culture, landscape painting. Do you agree? What would you add, or take away?
    4. Look back at The Grass Fire (1908), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Impressionism: Painters working fast and outdoors to catch how light actually looked at one moment, rather than finishing smoothly in a studio. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Art quiz

    The Parley — Frederic Remington

    How well do you know this artwork?

    Tick one answer for each of the 5 questions below. Each has exactly one correct answer.

    1. 1. What is Frederic Remington known for?

      • A He was a sculptor.
      • B He painted landscapes.
      • C He primarily depicted the American West.
    2. 2. In what museum can you find 'The Parley'?

      • A Louvre Museum
      • B Metropolitan Museum of Art
      • C Thyssen-Bornemisza Museum
    3. 3. What artistic movement is Remington’s style associated with?

      • A Impressionism.
      • B Cubism.
      • C Romanticism.
    4. 4. The painting depicts a scene featuring two men on horseback engaged in conversation. What element contributes to the tranquil atmosphere of this artwork?

      • A Dramatic lighting.
      • B Complex geometric shapes.
      • C Birds and a dog.
    5. 5. What year was 'The Parley' created?

      • A 1861
      • B 1903
      • C 1880

    My score: ____ out of 5

    Answer key — for the teacher

    This starts a fresh printed page, so it can simply be left out of the copies.

    1B · 2C · 3B · 4C · 5B