Paper

Student Artwork Guide

Mr Pocock

Name Class Date

Francis James Barraud, Mr Pocock (1886), Southwark Art Collection. Public domain.

The facts

Artist
Francis James Barraud wahooart.com/en/artists/francis-james-barraud/
Artist’s dates
1856 – 1924
Painted
1886
Original size
91 x 71 cm
Held at
Southwark Art Collection wahooart.com/en/museums/southwark-art-collection-london/

In context

Mr Pocock — Francis James Barraud

How big is it?

The original measures 91 × 71 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1850
  2. 1860
  3. 1870
  4. 1880
  5. 1890
  6. 1900
  7. 1910
  8. 1920

Shaded: the lifetime of Francis James Barraud (1856–1924) ▲ this work, 1886

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: wahooart.com/en/art/similar/francis-james-barraud-mr-pocock-AQZRNH-en/

Colours

Measured from the image

    Main colour

    Driftwood #927c48

    Catalogued palette

    • #927C48
    • #B29D70
    • #6A5B3E
    • #3D3934
    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Driftwood
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Gentle How much the colours differ in lightness and saturation across the picture.
    Harmony
    Unified Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Balanced How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Balanced Soft How pure and strong the colours are, from near-grey to fully vivid.

    Artist and museum

    Artist

    Francis James Barraud

    The Painter of a Sonic Icon

    Francis James Barraud (1856–1924) occupies a unique, almost ethereal space in the annals of art history. While many of his contemporaries sought immortality through the grand narratives of historical painting or the avant-garde movements of the late Victorian era, Barraud achieved a form of global permanence through a single, evocative image that bridged the gap between fine art and commercial legend. Born in London into a lineage deeply embedded in the visual arts, Barraud was the son of Henry Barraud, a celebrated portrait photographer, and the nephew of notable animal painters. This pedigree provided him with an early, intimate education in the nuances of light, texture, and the profound ability to capture the essence of a subject—a skill that would eventually define his most enduring contribution to visual culture.

    His artistic journey was shaped by rigorous classical training, absorbing the prestigious traditions of the Slade School of Fine Art under the tutelage of Frederic Leighton. From this academic foundation, Barraud developed a technique characterized by meticulous detail and a luminous approach to color, reminiscent of the Beaux Arts ideals he encountered during his studies in Antwerp. His early works focused heavily on landscapes and animal portraiture, genres that allowed him to explore the delicate interplay between nature and observation. This period of development was marked by a refined sensitivity to form, as he learned to imbende his subjects with a quiet, soulful dignity that transcended mere representation.

    The Birth of an Icon

    The turning point in Barraud’s career—and indeed, in the history of modern branding—occurred in 1899 with the creation of His Master’s Voice. The painting, which depicts a Jack Russell terrier named Nipper listening intently to a gramophone, was born from a deeply personal place. Originally, the scene featured Barraud's beloved, deceased dog listening to an Edison phonograph cylinder. However, through a serendipitous encounter with William Barry Owen of the Gramophone Company, the composition was subtly altered to feature a disc machine instead. This small adjustment transformed a private moment of mourning and curiosity into a universal symbol of technological wonder.

    The impact of this single work cannot be overstated. As the image was adopted as the trademark for HMV, RCA Victor, and several other major recording corporations, Barraud’s name became inextricably linked to the dawn of the sound recording era. The painting did more than just advertise a product; it captured the very spirit of innovation, portraying the moment when human technology began to capture the ephemeral beauty of sound. For decades, this image served as a visual shorthand for progress, making Barraud one of the most widely recognized—if often uncredited—artists of his time.

    Legacy and Artistic Significance

    Beyond the fame of his most famous trademark, Barraud’s career was characterized by a dedicated pursuit of excellence in corporate and private commissions. He established himself as a sought-after artist for various clients, producing numerous copies of his iconic masterpiece to meet global demand. His ability to blend the charm of animal portraiture with the burgeoning aesthetic of the industrial age allowed him to navigate the shifting tides of the late 19th and early 20th centuries with remarkable grace.

    To reflect on the life of Francis James Barraud is to witness the intersection of fine art and the modern age. His work remains a testament to several key artistic elements:

    Technical Mastery: A refined ability to render texture, particularly the soft fur of his subjects and the polished surfaces of new technology.

    Emotional Resonance: The capacity to imbue a commercial subject with a sense of curiosity, loyalty, and profound connection.

    Historical Impact: The creation of a visual legacy that helped popularize the nascent field of sound recording across the globe.

    Though he may be remembered by many as the man behind a logo, Barraud was, fundamentally, a painter of great sensitivity. He possessed the rare gift of capturing a fleeting moment of attention—a dog’s tilted ear, a listener's focus—and elevating it into an eternal symbol of the human connection to art and innovation.

    Museum

    Southwark Art Collection

    On show in London, United Kingdom

    A Hidden Treasury of Time: Unveiling the Southwark Art Collection

    Nestled within the vibrant heart of London’s Southwark district lies a remarkable secret – the Southwark Art Collection. More than just a museum, it's an intimate journey through centuries of history, artistry, and cultural evolution, offering a rare glimpse into the soul of this historic area. The collection, housed in a building that whispers tales of its own, is a carefully curated assemblage of coins, ceramics, prints, and paintings, each piece acting as a silent witness to London’s enduring story. It's a place where Roman legacies intertwine with Victorian elegance, and the echoes of everyday life resonate through the ages.

    The collection’s origins trace back to 1878, initially conceived as a series of exhibitions showcasing the rich heritage of Southwark. Over time, these exhibitions blossomed into a permanent collection, accumulating treasures through generous gifts, bequests, and strategic acquisitions. The Cuming Museum, now managed by Southwark Council's Arts and Heritage unit, serves as the current custodian of this remarkable legacy. A fascinating aspect of its history is its close relationship with the South London Gallery (SLG), which, since 2003, has operated under a 25-year management agreement, ensuring the continuity and evolution of the collection’s narrative.

    A Mosaic of Artistic Forms

    The Southwark Art Collection isn't defined by a single artistic style; rather, it presents a diverse tapestry of art forms. Early coins offer tangible evidence of London’s economic power throughout the ages – from Roman denarii to Victorian pennies, each bearing witness to shifts in trade, governance, and social structure. The ceramics section is equally captivating, showcasing exquisite craftsmanship spanning numerous periods. You'll find intricately decorated pieces reflecting the styles of the Arts and Crafts movement alongside more traditional examples, offering a visual timeline of ceramic artistry. The collection’s prints – engravings, etchings, and lithographs – are particularly noteworthy, providing invaluable insights into artistic movements and cultural shifts within London itself. These images capture not just scenes but also the spirit of an era.

    Coins:

    A chronological record of London's economic history.

    Ceramics:

    Demonstrating diverse styles from medieval to modern.

    Prints:

    Visual documentation of artistic movements and social change.

    Echoes of a Strategic Location

    Southwark’s significance has been inextricably linked to its location at the southern end of London Bridge – for centuries, the sole crossing point over the River Thames. This strategic position fueled the district's growth and prosperity, attracting merchants, traders, and artisans from across Europe. The collection reflects this history through artifacts related to trade, shipbuilding, and the bustling river life that defined Southwark’s identity. The area’s historical importance extends back to Roman times, as evidenced by archaeological finds unearthed in the vicinity of the museum. This rich past is not merely a backdrop but an integral element woven into the very fabric of the collection.

    A Sanctuary for Art and History

    The building housing the Southwark Art Collection possesses its own understated charm, reflecting the architectural character of the surrounding area. It’s a space designed to foster contemplation and immersion, offering visitors a respite from the city's bustle. The museum’s commitment to education is evident in the detailed descriptions accompanying each exhibit, providing valuable context and insights for both seasoned art enthusiasts and curious newcomers. The Southwark Art Collection isn’t simply a display of objects; it’s an invitation to engage with history, explore artistic expression, and connect with the enduring spirit of London.

    Notable Highlights & Ongoing Exhibitions

    Among the collection's most prized possessions are works by renowned artists such as John Piper, Stanley Spencer, and Evelyn De Morgan. The Arts and Crafts period ceramics, particularly those created by the Martin brothers, William de Morgan, and Walter Crane, represent a significant highlight. The museum regularly hosts temporary exhibitions showcasing specific themes or artistic movements, ensuring that there’s always something new to discover. Currently, the collection is undergoing digital enhancement, with many works being added to online exhibitions, making this historical treasure accessible to a wider audience.

    Where to read more

    Find this online

    QR code linking to the download page for Mr Pocock

    wahooart.com/en/art/download/francis-james-barraud-mr-pocock-AQZRNH-en/

    Cite this artwork

    MLA
    Barraud, Francis James. Mr Pocock. 1886, Southwark Art Collection. https://wahooart.com/en/art/francis-james-barraud-mr-pocock-AQZRNH-en/
    APA
    Barraud, Francis James (1886). Mr Pocock [Painting]. Southwark Art Collection. https://wahooart.com/en/art/francis-james-barraud-mr-pocock-AQZRNH-en/
    Chicago
    Francis James Barraud. Mr Pocock. 1886. Southwark Art Collection. https://wahooart.com/en/art/francis-james-barraud-mr-pocock-AQZRNH-en/
    Harvard
    Barraud, Francis James (1886) Mr Pocock. Southwark Art Collection. Available at: https://wahooart.com/en/art/francis-james-barraud-mr-pocock-AQZRNH-en/

    Look closely

    Mr Pocock — Francis James Barraud

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at James McCall, FRCVS, Founder and Principal of Glasgow Veterinary College (1904), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. Francis James Barraud was about 30 when this was made. What in it looks like the work of an artist at that stage?
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.