Paper

Student Artwork Guide

Basmalah

Name Class Date

foad jihad, Basmalah (1988), Ibrahimi Collection. Reproduced for reference; rights reserved by the rights holder.

The facts

Artist
foad jihad wahooart.com/en/artists/foad-jihad/
Artist’s dates
1988 – ?
Painted
1988
Medium
Oil
Original size
90 x 120 cm
Movement
Contemporary Realism Living artists painting the real world with traditional skill, often from photographs as well as from life.
Period
Contemporary
Held at
Ibrahimi Collection wahooart.com/en/museums/ibrahimi-collection-amman/
Artistic style
Expressive realism
Notable elements or techniques
Mural, oil painting, expressive realism
Subject or theme
Group of people and birds in outdoor scene

In context

Basmalah — foad jihad

How big is it?

The original measures 90 × 120 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1980

Shaded: the lifetime of foad jihad (1988–?) ▲ this work, 1988

Colours

Measured from the image

    Main colour

    Putty #dbcda3

    Catalogued palette

    • #DBCDA3
    • #593922
    • #A57C49
    • #F0931D
    Palette
    Dark The dominant colour family in the image.
    Main colour name
    Putty
    Intensity
    Vivid How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Bright How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Clear Color Presence How pure and strong the colours are, from near-grey to fully vivid.

    About this artwork

    Basmalah — foad jihad

    A Tapestry of Life: The Soulful Narrative of Basmalah

    In the vibrant landscape of contemporary Lebanese art, few works capture the communal heartbeat as poignantly as Foad Jihad’s Basmalah. Created in 1988, a year that resonates with the complex historical textures of Beirut, this expansive mural-style painting serves as a profound window into the human condition. At its heart, the composition centers on a tender, intimate moment: a woman cradling her child, an image of primal connection and continuity. This central nucleus is surrounded by a rhythmic assembly of figures—men and women in various states of repose and movement—that weave together to form a living tapestry of social existence. The painting does not merely depict a crowd; it orchestrates a symphony of shared humanity, where every brushstroke contributes to a larger story of togetherness.

    The technique employed by Jihad is a masterful display of expressive realism, a style deeply influenced by the legendary Lebanese masters such as Paul Guiragossian. Through the medium of oil on canvas, the artist utilizes a rich, layered approach to color and light that breathes life into the scene. The sun, shining brightly in the sky above, acts as more than just a light source; it is a symbolic benediction, casting a warm, golden glow that unifies the disparate figures under a single, radiant atmosphere. This luminosity, paired with the delicate inclusion of birds drifting through the composition, introduces an element of ethereal freedom, suggesting that even within the structured bonds of society, there exists a soaring, spiritual liberty.

    For the discerning collector or interior designer, Basmalah offers much more than mere aesthetic beauty; it provides a profound emotional anchor for any space. The painting’s scale and its sweeping, panoramic narrative make it an ideal centerpiece for grand halls or sophisticated galleries seeking to evoke warmth, heritage, and depth. The interplay between the grounded, earthy presence of the people and the celestial brightness of the sky creates a balanced tension that invites prolonged contemplation. To possess a reproduction of this work is to invite a piece of Beirut’s resilient soul into one's environment—a celebration of life, family, and the enduring light that persists through the complexities of history.

    Artist and museum

    Artist

    foad jihad

    Born in Beirut, Lebanon

    Foad Jihad: Capturing Lebanon’s Soul Through Vibrant Oil Paintings

    Lebanese artist Foad Jihad emerged from Beirut in 1988, inheriting a rich artistic heritage that profoundly shaped his distinctive style and vision. His journey into painting began amidst the complexities of Lebanese society, fostering an appreciation for storytelling through visual mediums—a tradition deeply rooted in the region’s cultural tapestry. Early Life and Artistic Foundations

    Jihad's formative years were marked by exposure to diverse artistic expressions, nurturing a passion that propelled him toward formal education at Beirut Art Institute. There, he honed his skills in oil painting techniques, mastering brushstrokes and color palettes that would become hallmarks of his oeuvre. This disciplined training instilled not only technical proficiency but also an understanding of artistic history—particularly the influence of Lebanese masters like Habib Serour and Paul Guiragossian—who championed expressive realism and imbued their canvases with symbolic depth.

    The Art of Basmalah: A Reflection of Faith and Emotion

    Foad Jihad’s debut work, “Basmalah,” exemplifies his artistic philosophy. Executed in 1988, this oil painting on canvas captures a moment of profound contemplation—likely inspired by Islamic calligraphy and its significance as a blessing preceding prayer. The artist skillfully employs bold brushstrokes and luminous colors to convey an emotional resonance that transcends mere representation; it speaks to the universal human experience of faith and introspection. This piece immediately established Jihad’s reputation for conveying complex feelings with visual grace, cementing his commitment to portraying narratives imbued with spiritual undertones.

    Exploring Lebanese Folklore Through Canvas

    Beyond individual portraits, Jihad's artistic explorations delve into the traditions and customs of Lebanon. His painting “A Folkloric Lebanese Wedding” vividly illustrates scenes from traditional celebrations—a celebration of family unity and cultural heritage. The artist’s meticulous attention to detail—from the ornate costumes to the expressive faces of participants—demonstrates a dedication to preserving cultural memory through artistic representation. Like many Lebanese artists before him, Jihad draws inspiration from the cedar tree—a symbol of Lebanon's resilience and enduring spirit—incorporating its imagery into his compositions as a visual metaphor for strength and continuity.

    Influences and Artistic Style

    Jihad’s stylistic sensibilities are undeniably shaped by the legacy of prominent Lebanese painters such as Nabil Nahas and Jamil Molaeb, who championed figurative painting with an emphasis on capturing psychological nuance. His technique blends realism with expressive brushwork—a deliberate choice that allows him to convey both visual accuracy and emotional depth. The artist’s palette is characterized by vibrant hues—particularly reds, yellows, and blues—reflecting the vibrancy of Lebanese landscapes and traditions.

    Recognition and Legacy

    Foad Jihad's artwork has garnered acclaim at prestigious galleries across Jordan, including the Ibrahimi Collection, showcasing his talent and dedication to preserving Lebanese artistic heritage. His paintings are currently available on AllPaintingsStore.com alongside other celebrated Lebanese artists—a testament to his contribution to the region’s visual culture. Foad Jihad continues to create compelling canvases that resonate with viewers worldwide, ensuring his place as a significant voice in contemporary Lebanese art.

    Museum

    Ibrahimi Collection

    On show in Amman, Jordan

    A Sanctuary of Iraqi Resilience

    In the vibrant heart of Amman, Jordan, lies a sanctuary that transcends the boundaries of a traditional gallery, serving instead as a profound testament to the enduring spirit of Iraqi creativity. The Ibrahimi Collection is not merely an exhibition space but a carefully curated refuge dedicated to safeguarding and disseminating the luminous artistic legacy of modern and contemporary Iraq. Founded by Hasanain Al-Ibrahimy, this private institution acts as a vital bridge between the storied past of Baghdad and the global art community. While many museums attempt to capture the breadth of human history, the Ibrahimi Collection possesses the rare courage of singular focus, concentrating its immense energy on the evolution of Iraqi art from the early twentieth century onward. This deliberate depth allows visitors to witness a nation's soul through its brushstrokes and sculptures, tracing a journey marked by both unparalleled imaginative leaps and the profound challenges of a changing political landscape.

    The architectural essence of the museum is as intentional as the art it houses. Designed to harmonize seamlessly with its precious contents, the building prioritizes clean, modern lines and an abundance of natural light, creating an atmosphere of contemplative serenity. This luminous environment provides the perfect stage for works that demand both scrutiny and emotion. Within these walls, the collection breathes through the monumental sculptural visions of Jewad Selim, arguably Iraq’s most iconic figure. His pioneering works embody a modernist impulse to reimagine form and materiality, seeking to forge a new Iraqi identity through bold, tactile expressions. In dialogue with such strength, one finds the evocative paintings of Widad Al-Orfali, whose pieces are imbued with powerful social commentary. Her distinctive style, characterized by intricate layering and symbolic imagery, invites the viewer into the complex, multifaceted layers of the Iraqi experience, making her work an essential cornerstone for any serious student of Middle Eastern modernism.

    What truly distinguishes the Ibrahimi Collection is its dual identity as both a public treasure and a rigorous research center. Beyond the aesthetic pleasure offered to collectors and interior designers seeking pieces of profound cultural weight, the institution serves as a vital archive for scholars and academics. Its halls hold invaluable documents, exhibition catalogs, and images that contribute to the global understanding of Iraqi artistic history. By providing access to these archives, the museum fosters a continuous dialogue between Iraqi heritage and international art discourse. Whether one is visiting during its dedicated Monday and Wednesday afternoon hours or delving into its digital presence, the collection offers an immersive encounter with a culture that refuses to be silenced. It stands as a beacon of cultural resilience, ensuring that the vibrant colors, symbols, and stories of Iraq continue to inspire generations of artists and art lovers worldwide.

    Where to read more

    Find this online

    QR code linking to the download page for Basmalah

    wahooart.com/en/art/download/foad-jihad-basmalah-D73JQT-en/

    Cite this artwork

    MLA
    jihad, foad. Basmalah. 1988, Ibrahimi Collection. https://wahooart.com/en/art/foad-jihad-basmalah-D73JQT-en/
    APA
    jihad, foad (1988). Basmalah [Painting]. Ibrahimi Collection. https://wahooart.com/en/art/foad-jihad-basmalah-D73JQT-en/
    Chicago
    foad jihad. Basmalah. 1988. Ibrahimi Collection. https://wahooart.com/en/art/foad-jihad-basmalah-D73JQT-en/
    Harvard
    jihad, foad (1988) Basmalah. Ibrahimi Collection. Available at: https://wahooart.com/en/art/foad-jihad-basmalah-D73JQT-en/

    Look closely

    Basmalah — foad jihad

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: mother and child, people, birds. Do you agree? What would you add, or take away?
    4. Contemporary Realism: Living artists painting the real world with traditional skill, often from photographs as well as from life. Where can you see that in this work?
    5. Themes that come back through the work of foad jihad: lebanese masters influence, expressive realism style, cultural storytelling. Which of them do you see here?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.