Artist
Born in Beirut, Lebanon
Foad Jihad: Capturing Lebanon’s Soul Through Vibrant Oil Paintings
Lebanese artist Foad Jihad emerged from Beirut in 1988, inheriting a rich artistic heritage that profoundly shaped his distinctive style and vision. His journey into painting began amidst the complexities of Lebanese society, fostering an appreciation for storytelling through visual mediums—a tradition deeply rooted in the region’s cultural tapestry. Early Life and Artistic Foundations
Jihad's formative years were marked by exposure to diverse artistic expressions, nurturing a passion that propelled him toward formal education at Beirut Art Institute. There, he honed his skills in oil painting techniques, mastering brushstrokes and color palettes that would become hallmarks of his oeuvre. This disciplined training instilled not only technical proficiency but also an understanding of artistic history—particularly the influence of Lebanese masters like Habib Serour and Paul Guiragossian—who championed expressive realism and imbued their canvases with symbolic depth.
The Art of Basmalah: A Reflection of Faith and Emotion
Foad Jihad’s debut work, “Basmalah,” exemplifies his artistic philosophy. Executed in 1988, this oil painting on canvas captures a moment of profound contemplation—likely inspired by Islamic calligraphy and its significance as a blessing preceding prayer. The artist skillfully employs bold brushstrokes and luminous colors to convey an emotional resonance that transcends mere representation; it speaks to the universal human experience of faith and introspection. This piece immediately established Jihad’s reputation for conveying complex feelings with visual grace, cementing his commitment to portraying narratives imbued with spiritual undertones.
Exploring Lebanese Folklore Through Canvas
Beyond individual portraits, Jihad's artistic explorations delve into the traditions and customs of Lebanon. His painting “A Folkloric Lebanese Wedding” vividly illustrates scenes from traditional celebrations—a celebration of family unity and cultural heritage. The artist’s meticulous attention to detail—from the ornate costumes to the expressive faces of participants—demonstrates a dedication to preserving cultural memory through artistic representation. Like many Lebanese artists before him, Jihad draws inspiration from the cedar tree—a symbol of Lebanon's resilience and enduring spirit—incorporating its imagery into his compositions as a visual metaphor for strength and continuity.
Influences and Artistic Style
Jihad’s stylistic sensibilities are undeniably shaped by the legacy of prominent Lebanese painters such as Nabil Nahas and Jamil Molaeb, who championed figurative painting with an emphasis on capturing psychological nuance. His technique blends realism with expressive brushwork—a deliberate choice that allows him to convey both visual accuracy and emotional depth. The artist’s palette is characterized by vibrant hues—particularly reds, yellows, and blues—reflecting the vibrancy of Lebanese landscapes and traditions.
Recognition and Legacy
Foad Jihad's artwork has garnered acclaim at prestigious galleries across Jordan, including the Ibrahimi Collection, showcasing his talent and dedication to preserving Lebanese artistic heritage. His paintings are currently available on AllPaintingsStore.com alongside other celebrated Lebanese artists—a testament to his contribution to the region’s visual culture. Foad Jihad continues to create compelling canvases that resonate with viewers worldwide, ensuring his place as a significant voice in contemporary Lebanese art.
Museum
On show in Amman, Jordan
A Sanctuary of Iraqi Resilience
In the vibrant heart of Amman, Jordan, lies a sanctuary that transcends the boundaries of a traditional gallery, serving instead as a profound testament to the enduring spirit of Iraqi creativity. The Ibrahimi Collection is not merely an exhibition space but a carefully curated refuge dedicated to safeguarding and disseminating the luminous artistic legacy of modern and contemporary Iraq. Founded by Hasanain Al-Ibrahimy, this private institution acts as a vital bridge between the storied past of Baghdad and the global art community. While many museums attempt to capture the breadth of human history, the Ibrahimi Collection possesses the rare courage of singular focus, concentrating its immense energy on the evolution of Iraqi art from the early twentieth century onward. This deliberate depth allows visitors to witness a nation's soul through its brushstrokes and sculptures, tracing a journey marked by both unparalleled imaginative leaps and the profound challenges of a changing political landscape.
The architectural essence of the museum is as intentional as the art it houses. Designed to harmonize seamlessly with its precious contents, the building prioritizes clean, modern lines and an abundance of natural light, creating an atmosphere of contemplative serenity. This luminous environment provides the perfect stage for works that demand both scrutiny and emotion. Within these walls, the collection breathes through the monumental sculptural visions of Jewad Selim, arguably Iraq’s most iconic figure. His pioneering works embody a modernist impulse to reimagine form and materiality, seeking to forge a new Iraqi identity through bold, tactile expressions. In dialogue with such strength, one finds the evocative paintings of Widad Al-Orfali, whose pieces are imbued with powerful social commentary. Her distinctive style, characterized by intricate layering and symbolic imagery, invites the viewer into the complex, multifaceted layers of the Iraqi experience, making her work an essential cornerstone for any serious student of Middle Eastern modernism.
What truly distinguishes the Ibrahimi Collection is its dual identity as both a public treasure and a rigorous research center. Beyond the aesthetic pleasure offered to collectors and interior designers seeking pieces of profound cultural weight, the institution serves as a vital archive for scholars and academics. Its halls hold invaluable documents, exhibition catalogs, and images that contribute to the global understanding of Iraqi artistic history. By providing access to these archives, the museum fosters a continuous dialogue between Iraqi heritage and international art discourse. Whether one is visiting during its dedicated Monday and Wednesday afternoon hours or delving into its digital presence, the collection offers an immersive encounter with a culture that refuses to be silenced. It stands as a beacon of cultural resilience, ensuring that the vibrant colors, symbols, and stories of Iraq continue to inspire generations of artists and art lovers worldwide.
Find this online
wahooart.com/en/art/download/foad-jihad-basmalah-D73JQT-en/
Cite this artwork
- MLA
- jihad, foad. Basmalah. 1988, Ibrahimi Collection. https://wahooart.com/en/art/foad-jihad-basmalah-D73JQT-en/
- APA
- jihad, foad (1988). Basmalah [Painting]. Ibrahimi Collection. https://wahooart.com/en/art/foad-jihad-basmalah-D73JQT-en/
- Chicago
- foad jihad. Basmalah. 1988. Ibrahimi Collection. https://wahooart.com/en/art/foad-jihad-basmalah-D73JQT-en/
- Harvard
- jihad, foad (1988) Basmalah. Ibrahimi Collection. Available at: https://wahooart.com/en/art/foad-jihad-basmalah-D73JQT-en/