Paper

Student Artwork Guide

Scrapbook compiled by the Suffragette Ada Flatman (vol.2)\n\nPage 1

Name Class Date

flatman, ada, Scrapbook compiled by the Suffragette Ada Flatman (vol.2)\n\nPage 1 (1912), Museum of London. Public domain.

The facts

Artist
flatman, ada wahooart.com/en/artists/flatman-ada/
Artist’s dates
1876 – 1952
Painted
1912
Medium
Mixed Media
Period
Modern
Held at
Museum of London wahooart.com/en/museums/museum-of-london-london/

In context

Scrapbook compiled by the Suffragette Ada Flatman (vol.2)\n\nPage 1 — flatman, ada

When was this painted?

  1. 1870
  2. 1880
  3. 1890
  4. 1900
  5. 1910
  6. 1920
  7. 1930
  8. 1940
  9. 1950

Shaded: the lifetime of flatman, ada (1876–1952) ▲ this work, 1912

Colours

Measured from the image

    Main colour

    Sap Green #5d6038

    Catalogued palette

    • #5D6038
    • #EFF0E9
    • #77663D
    • #DBD7C9
    Palette
    Neutrals The dominant colour family in the image.
    Main colour name
    Sap Green
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Bold How much the colours differ in lightness and saturation across the picture.
    Harmony
    Unified Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Bright How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Balanced Soft How pure and strong the colours are, from near-grey to fully vivid.

    About this artwork

    Scrapbook compiled by the Suffragette Ada Flatman (vol.2)\n\nPage 1 — flatman, ada

    Scrapbook compiled by the Suffragette Ada Flatman. This is volume 2 of 3 scrapbooks compiled by Ada during her years as a Suffragette. This volume covers the years 1910-1912 and incluces newscuttings, flyers and photographs relating to WSPU militancy. Significant cuttings include: Newscuttings collected by Ada whilst employed as WSPU in Liverpool including local press reports on militancy and Suffragettes imprisoned in Walton Gaol. Newscuttings and flyers collected by Ada whilst employed as WSPU Organiser in Cheltenham including local press reports of Suffragette activity in Cheltenham, Cirencester and Bath. Invitation to an

    Artist and museum

    Artist

    flatman, ada

    Born in United Kingdom

    The Art of Resistance: The Dual Legacy of Ada Flatman

    Ada Susan Flatman was far more than a mere observer of history; she was a primary architect of its most turbulent and transformative chapters. Born in the quiet landscapes of Suffolk in 1876, her life would eventually become a vibrant tapestry woven from threads of political defiance and meticulous artistic documentation. To understand Flatman is to understand the profound intersection where the fervor of the British suffragette movement met the delicate, deliberate hand of a chronicler. Her existence was defined by an unwavering commitment to justice, a passion that transformed her from a woman of independent means into a pivotal figure within the Women's Social and Political Union (WSPU).

    Her story is not one of solitary struggle but of a shared, radical intimacy. Living in the same Notting Hill rooms as fellow activist Jessie Stephenson, Flatman existed within a community where political strategy and personal connection were inextricably linked. This sense of solidarity fueled her transition from an interested observer to a frontline participant in the fight for equality, shaping a visual and historical legacy that remains as potent today as it was during the height of the suffrage movement.

    A Life Forging Through Protest and Peril

    The early twentieth century was a period of profound upheaval, and Flatman stood at the very heart of the storm. Her activism was not merely rhetorical; it was physical, daring, and often dangerous. Alongside legendary figures such as Marion Wallace Dunlop and Una Dugdale, she participated in the audacious raids on Parliament buildings in 1908, an act of militancy that would lead to her imprisonment in the notorious Holloway Prison. This period of incarceration did not dampen her spirit but rather served as a profound catalyst, deepening her resolve and sharpening her focus on the necessity of visibility.

    As the movement evolved, so did her role within it. Serving as an organizer for the WSPU in regions such as Liverpool and Cheltenham, she navigated the front lines of the struggle, facing police confrontations and managing the local repercussions of the movement's militant tactics. Her life was a testament to the courage required to confront oppression head-on, moving through the streets of England not just as a protester, but as a witness to the unfolding drama of a nation in transition.

    The Scrapbook as a Visual Manifesto

    While history often remembers the suffragettes for their marches and hunger strikes, Ada Flatman’s unique contribution lies in her role as a visual historian. Through her meticulously compiled scrapbooks, she elevated the act of collecting into a form of protest art, creating a tactile record of a revolution in progress. These volumes are not merely collections of paper; they are visceral, curated narratives that capture the raw energy of the era.

    Within these precious archives, one finds a carefully constructed mosaic of resistance:

    News cuttings from Liverpool and Cheltenham that capture the immediate, often inflammatory reporting of suffrage militancy.

    Flyers and propaganda that served as the urgent, rhythmic voice of the WSPU during its most intense periods of activity.

    Photographs and ephemeral fragments that freeze moments of struggle, imprisonment, and triumph in time.

    By curating these fragments, Flatman ensured that the ephemeral echoes of the movement were preserved with permanence. Her work serves as a vital bridge between the chaotic energy of the streets and the enduring memory of the archives, making her an essential figure for anyone seeking to grasp the true visual pulse of the fight for women's rights.

    Museum

    Museum of London

    On show in London, United Kingdom

    A Chronicle Etched in Stone and Spirit: Unveiling the Museum of London

    The Museum of London isn’t merely a repository of artifacts; it's a vibrant, breathing testament to the ceaseless evolution of one of the world’s most storied cities. From the whispers of Roman settlements beneath its pavements to the pulsating rhythms of contemporary London, the museum offers an unparalleled journey through time—a meticulously curated exploration of human experience woven into the very fabric of this metropolis. Its recent relocation to the historic Smithfield Market building marks a pivotal moment, promising expanded horizons and deeper engagement with the city’s complex narrative. The move itself is significant, not just as a change of address but as an embrace of place—a recognition that London's story isn’t confined to grand monuments or carefully preserved relics, but resides in the everyday lives lived across millennia.

    The museum’s collection is a breathtaking mosaic of eras and disciplines. The Roman treasures, unearthed from the very foundations of Londinium, are particularly compelling – shimmering mosaics hinting at imperial grandeur, sculpted figures offering intimate glimpses into the lives of those who walked these streets nearly two thousand years ago. Beyond the ancient world, the Cheapside Hoard, a dazzling collection of Elizabethan and Jacobean jewelry, speaks volumes about wealth, fashion, and social status during a period of burgeoning prosperity. Imagine the glittering silks, the intricate enamel work, reflecting the ambitions and desires of London’s elite. Nearby, the evocative remains of the London Mithraeum transport visitors to the shadowy world of Roman religious practice – a subterranean sanctuary dedicated to the god Mithras, offering a tangible connection to beliefs long past. More recently, the museum has embraced contemporary social commentary, showcasing objects like the infamous Whitechapel fatberg—a grotesque yet strangely fascinating testament to modern urban life—and the Trump baby blimp, a potent symbol of political dissent. These aren’t simply exhibits; they are cultural touchstones, prompting reflection on who we are and where we come from.

    A Building Reflecting Change: Past, Present & Future

    The Museum's physical evolution mirrors its expanding scope. For decades, the Barbican complex served as a fitting home—a modernist structure reflecting the post-war ambition to rebuild and reimagine London. However, the impending move to Smithfield Market represents more than just a change of address; it’s an opportunity for expansion and enhanced accessibility. The new space will allow a far greater proportion of the museum's astonishing six million objects to be displayed, offering visitors a richer, more immersive experience. This deliberate choice signifies a renewed commitment to engaging with the public and ensuring that London’s story is told in its entirety. The architectural grandeur of Smithfield Market itself—a Victorian masterpiece—provides a stunning backdrop for this next chapter, seamlessly blending historical context with modern museum design. The building's original purpose as a bustling marketplace – a hub of trade, social interaction, and everyday life – resonates deeply with the museum’s mission to document London’s social history.

    The World Within a City: A Unique Perspective

    What truly distinguishes the Museum of London is its singular focus—a concentrated dedication to the story of one city. It isn't attempting to encompass global art or universal history; instead, it dedicates itself entirely to the evolution of London – a city that has served as a microcosm for broader historical trends and societal shifts. This focused approach allows for an unparalleled depth of understanding, revealing the intricate connections between people, places, and events over centuries. The museum’s collection is not static; it's a living archive, constantly evolving to reflect the city’s ongoing story. It stands apart from other institutions by prioritizing the specific experiences and transformations within London itself, offering a unique lens through which to examine the broader currents of human history.

    A Tapestry of Time: Notable Exhibitions & Ongoing Exploration

    The Museum of London regularly hosts exhibitions that delve into specific facets of the city’s past. Currently, “London: Aftermath” explores the impact of World War II on London's social and cultural landscape, while future exhibits promise to illuminate themes ranging from Victorian innovation to the rise of multiculturalism. The museum also maintains a robust program of temporary displays featuring loans from other institutions and private collections, ensuring that visitors are continually exposed to new perspectives and discoveries. Beyond these curated exhibitions, the permanent galleries offer an ongoing exploration of London’s history—a chance to wander through recreated Victorian streets, examine ancient Roman artifacts, or contemplate the city's role in shaping global events. The museum actively encourages community engagement, hosting workshops, lectures, and family activities that foster a deeper appreciation for London’s rich heritage.

    Where to read more

    Find this online

    QR code linking to the download page for Scrapbook compiled by the Suffragette Ada Flatman (vol.2)\n\nPage 1

    wahooart.com/en/art/download/flatman-ada-scrapbook-compiled-by-the-suffragette-ada-flatman-D7FW49-en/

    Cite this artwork

    MLA
    ada, flatman,. Scrapbook compiled by the Suffragette Ada Flatman (vol.2)\n\nPage 1. 1912, Museum of London. https://wahooart.com/en/art/flatman-ada-scrapbook-compiled-by-the-suffragette-ada-flatman-D7FW49-en/
    APA
    ada, flatman, (1912). Scrapbook compiled by the Suffragette Ada Flatman (vol.2)\n\nPage 1 [Painting]. Museum of London. https://wahooart.com/en/art/flatman-ada-scrapbook-compiled-by-the-suffragette-ada-flatman-D7FW49-en/
    Chicago
    flatman, ada. Scrapbook compiled by the Suffragette Ada Flatman (vol.2)\n\nPage 1. 1912. Museum of London. https://wahooart.com/en/art/flatman-ada-scrapbook-compiled-by-the-suffragette-ada-flatman-D7FW49-en/
    Harvard
    ada, flatman, (1912) Scrapbook compiled by the Suffragette Ada Flatman (vol.2)\n\nPage 1. Museum of London. Available at: https://wahooart.com/en/art/flatman-ada-scrapbook-compiled-by-the-suffragette-ada-flatman-D7FW49-en/

    Look closely

    Scrapbook compiled by the Suffragette Ada Flatman (vol.2)\n\nPage 1 — flatman, ada

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: suffragette, scrapbook, wspu. Do you agree? What would you add, or take away?
    4. flatman, ada was about 36 when this was made. What in it looks like the work of an artist at that stage?
    5. Themes that come back through the work of flatman, ada: suffragette activism, wspu militancy, women's suffrage movement. Which of them do you see here?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.