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Student Artwork Guide

Temperance

Name Class Date

Filippo della Valle, Temperance (1732), San Giovanni in Laterano. Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Filippo della Valle wahooart.com/en/artists/filippo-della-valle/
Artist’s dates
1698 – 1768
Painted
1732
Held at
San Giovanni in Laterano wahooart.com/en/museums/san-giovanni-in-laterano-rome/

In context

Temperance — Filippo della Valle

When was this painted?

  1. 1690
  2. 1700
  3. 1710
  4. 1720
  5. 1730
  6. 1740
  7. 1750
  8. 1760

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 70 at death.

Painted when the artist was 34. The artist lived to 70. 0 of the 3 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Filippo della Valle (1698–1768) ▲ this work, 1732 every dated painting, decade by decade

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: wahooart.com/en/art/similar/filippo-della-valle-temperance-8Y3KQP-en/

Colours

Measured from the image

    Main colour

    Quinacridone Magenta #7f6055

    Catalogued palette

    • #7F6055
    • #DDCFCB
    • #392922
    • #B0948C

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Neutrals The dominant colour family in the image.
    Main colour name
    Quinacridone Magenta
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Subtle Color How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Filippo della Valle over the last twelve months — 3 countries in all. Where these figures come from

    The ten leading countries

    1. 1 United States of America 68.8%1,100 visits
    2. 2 Belgium 25.0%400 visits
    3. 3 China 6.2%100 visits

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 3 most looked-at works by Filippo della Valle

    1. 1 Annuciation, 1750 84.2%1,600 visits
    2. 2 St Therese of Avila, 1754 10.5%200 visits
    3. 3 Temperance, 1732 this painting 5.3%100 visits

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 4 works by this artist, of which 3 were looked at at least once. This painting ranks 3 of them, with 5.3% of that attention (100 visits). The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Filippo della Valle

    Born in Florence, Italy

    The Sculptor of Roman Grandeur

    Filippo della Valle stands as a pivotal figure in the artistic landscape of late Baroque and early Neoclassical Rome, remembered primarily for his contributions to monumental sculpture and his role in shaping the aesthetic sensibilities of the 18th century. Born in Florence in 1698 into an aristocratic Roman lineage, his life was destined for the heights of artistic achievement. His early years were shaped by a privileged education, deeply influenced by his father, Giovanni Battista Foggini, a celebrated sculptor who instilled in him a profound reverence for classical ideals and meticulous craftsmanship. This familial legacy provided the foundation upon which Filippo would build a career defined by both technical mastery and an intellectual pursuit of beauty.

    The trajectory of della Valle’s talent took him from the Florentine workshops to the heart of Rome, where he sought to refine his skills under the guidance of masters like Camillo Rusconi. His training was not merely a matter of learning to carve marble or cast bronze; it was an immersion into a stylistic evolution. Alongside contemporaries such as Pietro Bracci and Giovanni Battista Maini, della and Valle navigated the transition from the exuberant, swirling energy of the high Baroque toward a more restrained, balanced approach. This period of his life was marked by a growing fascination with the clarity and harmony found in ancient Roman art, a passion that would eventually lead him to become a respected director of the Academy of St. Luke.

    A Mastery of Form and Spirit

    The work of Filippo della Valle is characterized by a unique ability to convey profound emotion through a lens of classical grace. While his early influences leaned toward the dramatic, his mature style embraced a certain Neoclassical restraint, favoring balanced proportions and a serene clarity that avoided the excessive ornamentation of previous eras. This duality allowed him to create works that felt both spiritually uplifting and physically monumental. His sculptural reliefs, such as the celebrated Annunciation for the church of Sant'Ignazio, demonstrate a sophisticated command over depth and light, utilizing a flatter, more controlled relief technique that emphasized elegance over raw movement.

    His versatility extended across various mediums and subjects, from the delicate rendering of religious figures to the imposing presence of papal portraiture. Some of his most notable achievements include:

    The Bust of Pope Clement XII: A masterful bronze work that captures the solemnity and divine authority of the papacy through detailed textures and a commanding posture.

    St. Thérèse of Ávila: A breathtaking marble sculpture that exemplifies his ability to infuse stone with spiritual contemplation and soft, lifelike grace.

    The Trevi Fountain Contributions: His collaborative work on this iconic Roman landmark, specifically the allegorical statues of Health and Abundance, which helped define the fountain's narrative grandeur.

    Legacy in Stone and Spirit

    Beyond his individual masterpieces, Filippo della Valle’s historical significance lies in his role as a bridge between two monumental eras of art history. He lived through the twilight of the Baroque fervor and the dawn of Neoclassicism, acting as a conduit for the transition from emotional excess to structured harmony. His intellectual curiosity regarding antiquities and his dedication to the principles of balance helped prepare the Roman artistic community for the coming century of classical revival. Through his work in public spaces, churches, and private collections, he left an indelible mark on the very fabric of Rome, ensuring that his vision of grandeur would endure long after the chisel had fallen silent.

    Museum

    San Giovanni in Laterano

    On show in Rome, Italy

    A Legacy Etched in Stone: The Archbasilica of Saint John Lateran

    The Piazza di San Giovanni in Laterano does not merely host a building; it cradles an epoch. Standing as the venerable mother church of Christendom, the Archbasilica of Saint John Lateran whispers tales that stretch back to the very dawn of Western civilization. To approach its monumental presence is to feel the weight of millennia settle upon your shoulders—a profound sense of time made tangible in stone and soaring archways. Unlike some more immediately dazzling structures, the Lateran Basilica possesses a quiet, almost regal dignity; it invites the visitor not with a sudden burst of opulence, but with a slow, deliberate unfolding of history, revealing layers of artistic genius at every turn.

    Its architectural journey is itself a narrative. What began as a pagan temple dedicated to Jupiter Optimus Maximus underwent a miraculous transformation following Emperor Constantine’s decree in 313 AD. This pivotal moment allowed the site to become consecrated ground for Christianity, leading to successive renovations that blended the solemnity of Byzantine influence with the robust grandeur characteristic of Roman mastery. The very plan, with its octagonal echoes and soaring nave, speaks to an aspiration toward the divine—a physical manifestation of transcendence built to withstand the ravages of time, plague, fire, and empire.

    A Tapestry Woven Through Ages: Artistry in Flux

    The artistic soul of the Lateran Basilica is a breathtaking chronology. One can trace the evolution of human devotion through its decorative arts. Gaze upon the earliest mosaics adorning the apse, fragments whispering from the VII century; here, the vibrant, stylized majesty of Christ Pantocrator anchors the space in Byzantine tradition. As centuries turned, so did the artistic dialogue within these walls. The culmination of this stylistic journey is breathtakingly evident in the Baroque splendor championed by masters like Alessandro Galilei in 1735. Consider the façade itself: fifteen colossal statues depicting Christ and his apostles gaze outward, a dramatic, sculptural sermon designed to inspire immediate awe and deep reverence.

    Moving inside, the vaulted ceiling of the nave captivates with intricate frescoes that narrate biblical epics, showcasing the ambitious reach of Baroque painting. Yet, for those seeking an intimate communion with sacred history, one must journey to the Sancta Sanctorum. This sanctuary is a treasure trove where relics—fragments of the True Cross and portions of Christ’s tunic—are housed alongside mosaics depicting scenes from the Gospels. It is here that the focus shifts from grand spectacle to profound, emotional piety; a contemplative space designed for deep spiritual immersion.

    The Enduring Heart of Faith

    More than just an architectural museum piece, the Lateran Basilica remains the beating heart of papal tradition. Its ongoing significance as the seat of the papacy means that every corner echoes with living history—the solemn liturgies continue to unfold within its sacred embrace. For the art lover, the collector, or the designer seeking inspiration in enduring beauty, the Lateran offers a unique dialogue: it is a place where the monumental weight of empire meets the delicate intimacy of personal faith. To wander these halls is not merely an exhibition viewing; it is a pilgrimage through the very soul of Western Christendom.

    Where to read more

    Find this online

    QR code linking to the download page for Temperance

    wahooart.com/en/art/download/filippo-della-valle-temperance-8Y3KQP-en/

    Cite this artwork

    MLA
    Valle, Filippo della. Temperance. 1732, San Giovanni in Laterano. https://wahooart.com/en/art/filippo-della-valle-temperance-8Y3KQP-en/
    APA
    Valle, Filippo della (1732). Temperance [Painting]. San Giovanni in Laterano. https://wahooart.com/en/art/filippo-della-valle-temperance-8Y3KQP-en/
    Chicago
    Filippo della Valle. Temperance. 1732. San Giovanni in Laterano. https://wahooart.com/en/art/filippo-della-valle-temperance-8Y3KQP-en/
    Harvard
    Valle, Filippo della (1732) Temperance. San Giovanni in Laterano. Available at: https://wahooart.com/en/art/filippo-della-valle-temperance-8Y3KQP-en/

    Look closely

    Temperance — Filippo della Valle

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at St Therese of Avila (1754), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. Filippo della Valle was about 34 when this was made. What in it looks like the work of an artist at that stage?
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    Is there a slideshow for "Temperance" by Filippo della Valle?

    The diaporama of "Temperance" can be watched on the artwork's Diaporama page.

    Where can I download "Temperance" by Filippo della Valle?

    A download is available for "Temperance": the artwork's Download page offers a high-resolution digital image download.

    What color leads the composition of "Temperance" by Filippo della Valle?

    The color that stands out most in "Temperance" is quinacridone magenta (#7f6055). The dominant color is useful when matching an artwork to an interior.