Paper

Student Artwork Guide

Study for banknote

Name Class Date

Ferdinand Hodler, Study for banknote (1909), National Gallery of Bosnia and Herzegovina. Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Ferdinand Hodler wahooart.com/en/artists/ferdinand-hodler/
Artist’s dates
1853 – 1918
Painted
1909
Original size
34 x 47 cm
Movement
Symbolism Pictures where objects stand for ideas — a flower or a door meaning something beyond itself.
Held at
National Gallery of Bosnia and Herzegovina wahooart.com/en/museums/national-gallery-of-bosnia-and-herzegovina-sarajevo/
Artistic style
Gestural sketching
Influences
Romanticism
Notable elements or techniques
Hatching and cross-hatching
Subject or theme
Muscular man landscape

In context

Study for banknote — Ferdinand Hodler

How big is it?

The original measures 34 × 47 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1850
  2. 1860
  3. 1870
  4. 1880
  5. 1890
  6. 1900
  7. 1910

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 65 at death.

Painted when the artist was 56. The artist lived to 65. 190 of the 311 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Ferdinand Hodler (1853–1918) ▲ this work, 1909 every dated painting, decade by decade

First works: up to 1895 Main working years: 1895–1911 Late works: from 1911

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: wahooart.com/en/art/similar/ferdinand-hodler-study-for-banknote-D7SAJ3-en/

Colours

Measured from the image

    Main colour

    Putty #e5e4d9

    Catalogued palette

    • #E5E4D9
    • #8E8C83
    • #3C3C38
    • #C0BEB3

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Neutrals The dominant colour family in the image.
    Main colour name
    Putty
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Gentle How much the colours differ in lightness and saturation across the picture.
    Harmony
    Unified Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Ferdinand Hodler over the last twelve months — 16 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 62.4%
    2. 2 Singapore 10.9%
    3. 3 United States of America 9.6%
    4. 4 Hong Kong 8.8%
    5. 5 Mexico 1.5%
    6. 6 Switzerland 1.3%
    7. 7 Netherlands 1.3%
    8. 8 Brazil 0.8%
    9. 9 Spain 0.8%
    10. 10 Italy 0.8%
    11. · 6 other countries 1.8%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by Ferdinand Hodler

    1. 1 Study for, 1908 1.3%
    2. 2 Sunset on Lake Geneva, 1915 1.1%
    3. 3 Figure study, 1909 1.1%
    4. 4 Self portrait, 1916 1.1%
    5. 5 Composition study, 1899 1.1%
    6. 6 Communication with the Infinite, 1892 1.1%
    7. 7 Study of a standing figure, 1910 1.1%
    8. 8 Four Couples in Love, 1908 1.1%
    9. 9 Figure study, 1899 1.1%
    10. 10 Lauterbrunnen Valley and dust stream in the moonlight, 1894 1.1%
    11. 11 Valentine Godé-Darel on her Deathbed, 1915 1.1%
    12. 12 On the Bank of the Maggia in the Evening, 1893 0.9%
    13. 13 Dents du Midi from Champéry, 1916 0.9%
    14. 14 Landscape of the Swiss Alps, 1918 0.9%
    15. 15 Lumberjack, study, 1910 0.9%
    16. 16 Boy picking flowers, 1895 0.9%
    17. 17 Composition study, 1887 0.9%
    18. 18 Portrait of a woman, 1912 0.9%
    19. 19 Lake Geneva at Sunset, 1914 0.9%
    20. — Study for banknote, 1909 this painting 0.0%

    Together these works take 19.5% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 570 works by this artist, of which 234 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    Study for banknote — Ferdinand Hodler

    Study for banknote - Ferdinand Hodler

    Ferdinand Hodler’s “Study for Banknote” stands as a testament to the artist's pioneering approach to Symbolism and his profound engagement with the anxieties of the fin de siècle—a period marked by rapid industrialization, social upheaval, and an increasing fascination with the subconscious. Completed in 1909, this monochrome pen and ink drawing transcends mere representation; it embodies Hodler’s signature “parallelism,” a stylistic method designed to capture not just visual appearance but also underlying emotional currents and spiritual significance.

    Subject Matter: The artwork depicts a muscular man standing in an open landscape—a motif recurrent throughout Hodler's oeuvre, reflecting his fascination with the human form as both physical vessel and conduit for inner experience. Notably, he included himself as one of the figures, emphasizing introspection and confronting mortality – themes central to Symbolist thought.

    Style & Technique: Hodler’s loose, gestural sketching style is immediately recognizable. The drawing eschews meticulous detail in favor of expressive lines and shading—a deliberate choice intended to convey dynamism and immediacy rather than photographic accuracy. Thick hatching and cross-hatching techniques skillfully build up tonal values, creating a palpable sense of texture and depth.

    Historical Context: Hodler’s work emerged during the Belle Époque, Switzerland's golden age of artistic innovation and cultural optimism. However, beneath the veneer of prosperity lay simmering anxieties about societal change and the looming shadow of impending war—concerns that find subtle articulation in the melancholic atmosphere of “Study for Banknote.”

    Symbolism & Emotion: The drawing’s symbolism is multilayered. Hodler's deliberate inclusion of himself, coupled with the landscape backdrop, invites contemplation on themes of solitude and vulnerability. The posture of the man—firm yet slightly hesitant—suggests a confrontation with existential questions. The overall impression is one of raw energy and emotional intensity, capturing the artist’s preoccupation with conveying psychological states through visual form.

    Impact & Legacy: “Study for Banknote” exemplifies Hodler's commitment to exploring the complexities of human consciousness and confronting universal anxieties—a legacy that continues to resonate within contemporary art discourse. Its stylistic boldness and emotive power solidify Hodler’s position as a pivotal figure in the Symbolist movement, influencing subsequent generations of artists who sought to express inner realities beyond the confines of observable phenomena.

    Size: 34 x 47 cm

    Date: 1909

    Additional Research:

    Study for banknote - Ferdinand Hodler — Google Arts & Culture: Explore this artwork’s detailed description and imagery on Google Arts & Culture.

    Ferdinand Hodler: Discover biographical information about Hodler's life, artistic development, and influence on Swiss art history.

    Study for banknote: Admire Ferdinand Hodler’s “Study for Banknote.” A striking black & white pen drawing of a muscular figure in a serene landscape. Explore its gestural style and timeless appeal.

    Francis Ferdinand Maurice Cook: A Study in Victorian Aestheticism & Landscape Evolution: Gain insight into the broader artistic context of Hodler’s era through this article exploring Victorian aestheticism.

    Ferdinand Delacroix: Romanticism's Revolutionary Brush – A Study of Passion, Politics, and Painterly Innovation: Compare Hodler’s style to that of Delacroix—another influential Romantic artist—to appreciate stylistic differences.

    Ferdinand Hodler: Symbolism, Parallelism & the Quest for Universal Harmony: Delve deeper into Hodler’s artistic philosophy and stylistic innovations through this comprehensive analysis.

    The Zurich Art Controversy: Ferdinand Hodler and the Swiss National Museum: Learn about the public reaction to Hodler’s “Night” fresco—a pivotal moment in Swiss art history.

    Artist and museum

    Artist

    Ferdinand Hodler

    Born in Bern, Switzerland

    A Life Etched in Symbolism: The World of Ferdinand Hodler

    Ferdinand Hodler, a name intrinsically linked to the landscape of Swiss painting and the potent language of symbolism, rose from modest beginnings to become one of the most significant artists of the late 19th and early 20th centuries. Born in Bern, Switzerland, in 1853, his life was profoundly shaped by early loss – a recurring theme that would permeate his artistic vision. The untimely deaths of his father and two younger brothers before he reached adolescence cast a long shadow, instilling within him a deep contemplation of mortality and the fleeting nature of existence. These experiences, interwoven with an acute sensitivity to the beauty and power of the natural world, became central tenets of his evolving oeuvre. Initially apprenticed to decorative painters, Hodler’s innate talent quickly transcended mere craftsmanship; he yearned for formal training and artistic exploration beyond the constraints of commercial work. This ambition led him to Geneva in 1871, where he immersed himself in study, attending science lectures alongside diligently copying masterpieces at the city's museum – a rigorous education that laid the foundation for his future innovations.

    From Realism to ‘Parallelism’: Forging a Unique Vision

    Hodler’s artistic journey was characterized by constant evolution and a relentless pursuit of expressive power. His early works reflected the prevailing realist style of the time – portraits, landscapes, and genre scenes executed with meticulous detail. However, he soon found himself constrained by these conventions, seeking a means to convey deeper emotional truths and philosophical ideas. This quest led him towards Symbolism, a movement that rejected naturalistic representation in favor of subjective experience and evocative imagery. Yet Hodler didn’t simply adopt the tenets of Symbolism; instead, he forged his own unique path, developing what he termed “parallelism.” This distinctive style involved arranging figures and forms in rhythmic, almost geometric patterns, creating a sense of both harmony and tension – a visual representation of interconnectedness. It was an attempt to depict not just what he saw, but how he felt – the underlying emotional currents that connected all things. The Night, completed in 1890, proved to be a pivotal work, marking his definitive turn towards symbolist imagery and sparking considerable controversy with its depiction of recumbent figures suggestive of death and repose. Despite initial criticism, the painting garnered attention in Paris, establishing Hodler’s reputation beyond Switzerland's borders and signaling the arrival of a truly original voice.

    Landmarks in Paint: Key Works and Their Significance

    Throughout his prolific career, Hodler produced a remarkable body of work that continues to resonate with audiences today. The Day, completed in 1893, stands as one of his most ambitious and celebrated achievements – a monumental historical painting showcasing his mastery of composition and symbolism. Housed at the Kunsthaus Zürich, this artwork is a powerful meditation on life, death, and renewal, rendered with an arresting blend of realism and visionary intensity. The sheer scale and emotional weight of The Day cemented Hodler’s position as a leading figure in European art. Other notable works include numerous depictions of the Swiss Alps, imbued with a sense of awe-inspiring grandeur, and portraits that reveal his profound understanding of human psychology. He frequently revisited themes of loss and mourning, perhaps reflecting his own childhood traumas, but always infused them with a sense of dignity and resilience. His paintings weren’t merely representations; they were emotional landscapes, inviting viewers to contemplate the fundamental questions of existence. Works like Truth II (1897) demonstrate Hodler's ability to blend classical forms with modern sensibilities, creating images that are both timeless and strikingly contemporary – a testament to his innovative spirit.

    A Lasting Legacy: Influence and Historical Context

    Ferdinand Hodler’s influence extended far beyond the borders of Switzerland. His innovative use of symbolism and his development of “parallelism” paved the way for Expressionism, with its emphasis on subjective emotion and distorted forms. Artists who followed in his footsteps recognized him as a precursor to their own explorations of inner experience. Hodler's work also resonated with broader cultural currents of the late 19th and early 20th centuries – a period marked by rapid social change, scientific advancements, and a growing sense of existential anxiety. His paintings offered a visual language for grappling with these complex issues, providing solace and insight in an increasingly uncertain world. Today, Hodler’s works are held in major museums across Europe and beyond, ensuring that his artistic vision continues to inspire and challenge generations of viewers. He remains a towering figure in Swiss art history, celebrated not only for his technical skill but also for his profound emotional depth and unwavering commitment to exploring the mysteries of the human condition.

    Exploring Hodler Further

    For an in-depth look at his life and work: Wikipedia - Ferdinand Hodler

    Discover more of his paintings at: AllPaintingsStore - Ferdinand Hodler Collection

    View The Day (1893) here: AllPaintingsStore - The Day

    Museum

    National Gallery of Bosnia and Herzegovina

    On show in Sarajevo, Bosnia and Herzegovina

    A Sanctuary of Resilience: The Soul of Sarajevo

    In the beating heart of Sarajevo, a city that has weathered the most profound storms of the twentieth century, stands the

    National Gallery of Bosnia and Herzegovina

    as a luminous testament to the enduring power of human creativity. To walk through its doors is to enter a space where the scars of history meet the triumph of the artistic spirit, offering a profound dialogue between a turbulent past and an aspirational future. It serves as a sanctuary where the collective memory of a people is preserved within the delicate strokes of paint and the heavy textures of stone. The gallery remains a crucial platform where the echoes of history meet the pulse of the present, continuing to serve as a vital organ for a nation seeking to redefine itself through beauty and cultural continuity.

    The soul of the collection lies in its remarkable ability to weave together diverse threads of identity, ranging from the sacred to the avant-garde. Collectors and art enthusiasts will find themselves captivated by the

    Ferdinand Hodler Collection

    , where the profound influence of Swiss Symbolism breathes life into landscapes that feel both deeply grounded in nature and spiritually transcendent. This ethereal quality is balanced by the robust presence of Yugoslavian Masters, whose works provide an expansive, sweeping panorama of twentieth-century trends, capturing the complex cultural shifts and the evolving identity of a region in flux. For those drawn to the weight of tradition, the gallery’s

    Icon Collection

    offers a meditative journey through Orthodox Christian heritage, showcasing the meticulous craftsmanship and devotional intensity of centuries of religious artistry.

    Architectural Elegance and Modernist Ambition

    The architecture of the museum itself serves as a physical manifestation of Sarajevo's modernist ambitions. Designed by the Czech architect

    Karel Pařík

    , the structure is a masterclass in symmetrical elegance, composed of four distinct pavilions that reflect the organized optimism of the post-war period. Each pavilion was originally intended to house specialized departments—archaeology, ethnology, and natural history—and today, this layout creates a rhythmic, exploratory experience for the visitor. The clean lines and modernist aesthetic provide a sophisticated backdrop that complements both the heavy textures of classical sculpture and the ephemeral nature of contemporary installations, making it an inspiring destination for interior designers seeking to understand the intersection of structural form and curated atmosphere.

    Beyond its permanent treasures, the institution distinguishes itself through its commitment to evolution. It remains a vibrant laboratory for what is yet to come, frequently engaging its audience through:

    Rotating photography exhibits

    that challenge modern social dynamics.

    Contemporary art installations

    that bridge the gap between global movements and local identity.

    A continuous dialogue

    between historical preservation and modern artistic expression.

    Where to read more

    Find this online

    QR code linking to the download page for Study for banknote

    wahooart.com/en/art/download/ferdinand-hodler-study-for-banknote-D7SAJ3-en/

    Cite this artwork

    MLA
    Hodler, Ferdinand. Study for banknote. 1909, National Gallery of Bosnia and Herzegovina. https://wahooart.com/en/art/ferdinand-hodler-study-for-banknote-D7SAJ3-en/
    APA
    Hodler, Ferdinand (1909). Study for banknote [Painting]. National Gallery of Bosnia and Herzegovina. https://wahooart.com/en/art/ferdinand-hodler-study-for-banknote-D7SAJ3-en/
    Chicago
    Ferdinand Hodler. Study for banknote. 1909. National Gallery of Bosnia and Herzegovina. https://wahooart.com/en/art/ferdinand-hodler-study-for-banknote-D7SAJ3-en/
    Harvard
    Hodler, Ferdinand (1909) Study for banknote. National Gallery of Bosnia and Herzegovina. Available at: https://wahooart.com/en/art/ferdinand-hodler-study-for-banknote-D7SAJ3-en/

    Look closely

    Study for banknote — Ferdinand Hodler

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: muscular figure, landscape, rowing. Do you agree? What would you add, or take away?
    4. Look back at Landscape of the Swiss Alps (1918), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Symbolism: Pictures where objects stand for ideas — a flower or a door meaning something beyond itself. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Art quiz

    Study for banknote — Ferdinand Hodler

    How well do you know this artwork?

    Tick one answer for each of the 5 questions below. Each has exactly one correct answer.

    1. 1. What artistic movement is Ferdinand Hodler primarily associated with?

      • A Realism
      • B Impressionism
      • C Symbolism
    2. 2. The painting ‘Study for banknote’ depicts a muscular man in what type of landscape setting?

      • A Urban cityscape
      • B Mountain range
      • C Rolling hills
    3. 3. Hodler utilized hatching and cross-hatching techniques to achieve which effect?

      • A Bright, vibrant colors
      • B Smooth, blended surfaces
      • C Texture and depth
    4. 4. What is the primary symbolic representation conveyed in Hodler’s ‘Night’?

      • A Celebration of life's joys
      • B Reflection on mortality
      • C Depiction of romantic love
    5. 5. In what year was Ferdinand Hodler born?

      • A 1863
      • B 1870
      • C 1853

    My score: ____ out of 5

    Answer key — for the teacher

    This starts a fresh printed page, so it can simply be left out of the copies.

    1C · 2C · 3C · 4B · 5C

    Check any answer against the catalogue record for this painting

    Questions & Answers

    When and with what materials was "Study for banknote" made?

    "Study for banknote" was created in 1909 using the acrylic on canvas technique. Material and date describe how and when the original was made.

    What feeling does "Study for banknote" by Ferdinand Hodler convey?

    "Study for banknote" by Ferdinand Hodler conveys a melancholic feeling within an overall romantic mood.

    From which country does the Symbolism work "Study for banknote" come?

    "Study for banknote" was created by Ferdinand Hodler, born in Switzerland, within the Symbolism movement. The artist's origin links the work to Symbolism as practiced by artists from Switzerland.