Paper

Student Artwork Guide

Grainstacks

Name Class Date

Ferdinand Guillaumin, Grainstacks (1891), Musee du Petit Palais. Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Ferdinand Guillaumin wahooart.com/en/artists/ferdinand-guillaumin/
Artist’s dates
1841 – 1927
Painted
1891
Held at
Musee du Petit Palais wahooart.com/en/museums/musee-du-petit-palais-geneva/

In context

Grainstacks — Ferdinand Guillaumin

When was this painted?

  1. 1840
  2. 1850
  3. 1860
  4. 1870
  5. 1880
  6. 1890
  7. 1900
  8. 1910
  9. 1920

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 86 at death.

Painted when the artist was 50. The artist lived to 86. 51 of the 154 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Ferdinand Guillaumin (1841–1927) ▲ this work, 1891 every dated painting, decade by decade

First works: up to 1889 Main working years: 1889–1905 Late works: from 1905

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: wahooart.com/en/art/similar/ferdinand-guillaumin-grainstacks-8DP2CS-en/

Colours

Measured from the image

    Main colour

    Rosy Brown #bda797

    Catalogued palette

    • #BDA797
    • #4A2725
    • #BB7E47
    • #83503A

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Dark The dominant colour family in the image.
    Main colour name
    Rosy Brown
    Intensity
    Vivid How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Bold How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Bright How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Balanced Soft How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Ferdinand Guillaumin over the last twelve months — 7 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 75.5%
    2. 2 United States of America 9.2%
    3. 3 Germany 7.4%
    4. 4 Hong Kong 3.7%
    5. 5 France 1.8%
    6. 6 Singapore 1.8%
    7. 7 India 0.6%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by Ferdinand Guillaumin

    1. 1 Agay, at Cap Long 6.1%
    2. 2 The Moulin Brigand, Ruins of Chateau de Crozant, 1900 2.2%
    3. 3 Place Valhubert, 1872 1.7%
    4. 4 Still Life with Box with Blue Gloves, 1873 1.7%
    5. 5 River Scene, 1890 1.7%
    6. 6 Still Life with Flowers, 1900 1.7%
    7. 7 Dam at Genetin, Crozant, 1899 1.7%
    8. 8 Landscape with Trees and Figures, 1905 1.7%
    9. 9 The Quay d'Austerlitz, Morning, 1886 1.7%
    10. 10 The Sea at Saint-Palais, 1895 1.7%
    11. 11 Pont sur la Creuse, Crozant 1.7%
    12. 12 Matin d'automne à la campagne 1.7%
    13. 13 Le village de Crozant 1.7%
    14. 14 Paysage du midi 3 1.7%
    15. 15 Damiette, Sunset, 1888 1.1%
    16. 16 Winter in Saint Sauves (also known as Auvergne), 1900 1.1%
    17. 17 Stroller on the Banks of the Orge, 1889 1.1%
    18. 18 The Red Rocks at Agay, 1915 1.1%
    19. 19 Crozant Landscape, 1922 1.1%
    20. — Grainstacks, 1891 this painting 0.0%

    Together these works take 34.2% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 306 works by this artist, of which 124 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Ferdinand Guillaumin

    Born in Paris, France

    early life and career

    ferdinand guillaumin, a french impressionist painter and lithographer, was born on february 16, 1841. his artistic journey began in the mid-19th century, a time when impressionism was gaining momentum in france.

    contribution to impressionism

    guillaumin's work significantly contributed to the development of impressionism, a movement that sought to capture the fleeting impressions of light and color in the natural world. as an active member of this group, he participated in several exhibitions, showcasing his unique style.

    his paintings often featured dreamy, soft landscapes, which resonated with the spirit of impressionism.

    guillaumin's use of vibrant colors and loose brushstrokes added to the movement's characteristic spontaneity.

    notable works and associations

    mount holyoke college art museum, which houses an impressive collection of artworks, including those by guillaumin, is a notable institution that has contributed to the preservation of his legacy.

    claude monet, another prominent impressionist painter, was a close associate of guillaumin, and both artists often exhibited their works together.

    guillaumin's style also shows influences from symbolism, a movement that emphasized the world of dreams and mysticism, as seen in his use of bold colors and emotive subjects.

    legacy and remembrance

    ferdinand guillaumin passed away on june 26, 1927, but his contributions to impressionism remain invaluable. his work can be found in various museums and collections, including those featured on mount holyoke college art museum (united states) and other notable institutions. explore more of guillaumin's works and the impressionist movement on AllPaintingsStore: ferdinand guillaumin | 3 artworks impressionism art movement

    Museum

    Musee du Petit Palais

    On show in Geneva, Switzerland

    A Singular Vision: Exploring the Musée du Petit Palais’s Dual Legacy

    Nestled in the heart of Geneva, Switzerland, the Musée du Petit Palais stands apart from its larger counterparts—a testament to focused artistic exploration and a celebration of Swiss craftsmanship. Unlike sprawling institutions prioritizing breadth over depth, this museum dedicates itself primarily to horology – the meticulous study and practice of timekeeping – alongside an impressive collection of fine 19th and 20th-century art. Its understated elegance and intimate atmosphere offer visitors a truly immersive experience, inviting contemplation and appreciation for artistic beauty intertwined with technological innovation.

    Horological Treasures: The Evolution of Time

    The museum’s core collection revolves around watches, clocks, and related instruments, charting the remarkable history of timekeeping technology. From ornate Victorian pocket watches to groundbreaking Bauhaus designs, each piece narrates a story of ingenuity and artistic expression. Experts meticulously catalogued and preserved these treasures, showcasing advancements in materials science, engineering precision, and decorative artistry. Visitors can trace the evolution from early mechanical clocks to the sophisticated quartz movements of modern era.

    A Palette of Impressionism: Paintings That Speak Volumes

    Complementing its horological focus is a thoughtfully curated selection of paintings by prominent artists—a vibrant echo of the Impressionist movement. Jean-Baptiste Armand Guillaumin’s “Portrait of Madame Guillaumin,” captures a serene moment in domestic life with masterful use of light and color, embodying the Impressionists' fascination for capturing fleeting impressions. Similarly, Paul Serusier’s “The Fabric Seller” portrays a bustling Parisian street scene with bold brushstrokes and vibrant hues—a captivating glimpse into the artistic spirit of the era. And Maximilien Luce’s “Steelworks,” exemplifies Post-Impressionist style, presenting an industrial landscape infused with expressive color and textural detail.

    Architecture Reflecting Artistic Spirit

    The museum's building itself contributes to its unique character—a harmonious blend of functionality and aesthetic consideration. While precise architectural details remain somewhat elusive in readily available documentation, the structure exudes a welcoming warmth and simplicity, prioritizing visitor comfort without sacrificing visual appeal. Its design reflects the values of the era when it was established, emphasizing clarity and elegance – mirroring the artistic sensibilities championed within its walls.

    Why Visit Musée du Petit Palais?

    More than just a museum, Musée du Petit Palais represents an opportunity to delve into Switzerland’s rich cultural heritage. Its niche specialization—the fusion of horology and fine art—provides a distinctive perspective on artistic history and technological advancement. Whether you're captivated by the intricate beauty of timepieces or drawn to the evocative power of Impressionist paintings, this Geneva institution promises a rewarding journey for discerning art enthusiasts.

    Where to read more

    Find this online

    QR code linking to the download page for Grainstacks

    wahooart.com/en/art/download/ferdinand-guillaumin-grainstacks-8DP2CS-en/

    Cite this artwork

    MLA
    Guillaumin, Ferdinand. Grainstacks. 1891, Musee du Petit Palais. https://wahooart.com/en/art/ferdinand-guillaumin-grainstacks-8DP2CS-en/
    APA
    Guillaumin, Ferdinand (1891). Grainstacks [Painting]. Musee du Petit Palais. https://wahooart.com/en/art/ferdinand-guillaumin-grainstacks-8DP2CS-en/
    Chicago
    Ferdinand Guillaumin. Grainstacks. 1891. Musee du Petit Palais. https://wahooart.com/en/art/ferdinand-guillaumin-grainstacks-8DP2CS-en/
    Harvard
    Guillaumin, Ferdinand (1891) Grainstacks. Musee du Petit Palais. Available at: https://wahooart.com/en/art/ferdinand-guillaumin-grainstacks-8DP2CS-en/

    Look closely

    Grainstacks — Ferdinand Guillaumin

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Sunset at Ivry (1873), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. Ferdinand Guillaumin was about 50 when this was made. What in it looks like the work of an artist at that stage?
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    How many people view "Grainstacks"?

    A Stats page exists for "Grainstacks". It charts the monthly visits of the artwork and of the artist's other works, with country and language breakdowns.

    Why is the copyright status of "Grainstacks" what it is?

    "Grainstacks" by Ferdinand Guillaumin is in the public domain - its copyright has expired. Copyright duration runs from the artist's death, which occurred in 1927.

    What underlying hue runs through "Grainstacks" by Ferdinand Guillaumin?

    The dominant hue of "Grainstacks" by Ferdinand Guillaumin is golden yellow range. The hue is the underlying tone of the palette.