Student Artwork Guide
Copyright This work is in the public domain. Elizabeth Nourse died in 1938; copyright lasts 70 years after the artist’s death, so it ended in 2008.
In context
Self portrait — Elizabeth Nourse
Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 79 at death.
Painted when the artist was 33. The artist lived to 79. 3 of the 11 dated works by this artist in our catalogue came earlier.
Shaded: the lifetime of Elizabeth Nourse (1859–1938) ▲ this work, 1892 every dated painting, decade by decade
First works: up to 1891 Main working years: 1891–1904 Late works: from 1904
Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them
Pick one work above: name two things it shares with this one, and one thing that's different.
More works to set beside this one: wahooart.com/en/art/similar/elizabeth-nourse-self-portrait-8YDTXP-en/
Measured from the image
Main colour
Khaki #e4c791
Catalogued palette
These colours inside the artist’s whole palette Find other paintings by colour
The ten leading countries
Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.
Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 11 works by this artist, of which 5 were looked at at least once. This painting ranks 3 of them, with 12.5% of that attention (100 visits). The same counts, month by month
Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.
Artist and museum
Born in Mount Pleasant, United States of America
Elizabeth Nourse, a name perhaps less instantly recognizable than some of her contemporaries, nevertheless represents a pivotal figure in the history of American art. Born in Mount Pleasant, Ohio, in 1859, she defied societal expectations to become a celebrated realist painter who found significant acclaim not within her native land, but amidst the vibrant artistic community of Paris. Her journey was one of unwavering dedication, exceptional talent, and a quiet determination that paved the way for future generations of women artists. Nourse wasn’t merely a woman painting in a man's world; she became a leading voice, the first American woman voted into the prestigious Société Nationale des Beaux-Arts, and an artist whose work resonated with both critical acclaim and popular appeal.
Nourse’s artistic inclinations manifested early. Growing up in a large family—one of ten children—she displayed a natural aptitude for drawing and painting, beginning formal studies at the McMicken School of Design (now the Art Academy of Cincinnati) at just fifteen years old. This institution proved formative, providing her with foundational skills and access to opportunities typically unavailable to women at the time. She was among the first women admitted to Thomas Satterwhite Noble’s Women's Life Class, a significant step towards breaking down barriers in art education. Though offered a teaching position, Nourse resolutely chose to focus on developing her own artistic voice, a decision that speaks volumes about her ambition and self-belief. A period of hardship followed the death of both parents in 1882, but with support from patrons, she briefly studied at the Art Students League in New York before returning to Cincinnati where she sustained herself through portraiture and interior decoration. It was during summers spent painting watercolor landscapes in the Appalachian Mountains of Tennessee (1884-1886) that her artistic vision began to truly coalesce—a focus on everyday life, honest depictions of people, and a sensitivity to the beauty found in ordinary moments. This foundation would prove crucial when she embarked on the next chapter of her career: a move to Paris with her sister Louise in 1887.
The relocation to Paris marked a turning point. Studying at the Académie Julian under Gustave Boulanger and Jules Lefebvre honed her technical skills, but it was in developing her own unique style that Nourse truly thrived. She quickly established a studio and gained recognition with her first major exhibition at the Société Nationale des Artistes Français in 1888. Her subject matter often centered on women—particularly peasants—and scenes of rural French life. These weren’t idealized or romanticized portrayals; instead, Nourse presented her subjects with dignity and realism, capturing their strength, resilience, and quiet beauty. She traveled extensively throughout Europe, Russia, and North Africa, painting the people she encountered along the way, always maintaining that commitment to honest representation. This dedication to depicting real life, coupled with a refined technique, earned her critical praise and a growing reputation. Her work began to be described as a “forerunner of social realist painting,” anticipating later movements that would champion similar themes. The French government itself recognized her talent, purchasing one of her paintings for inclusion in the permanent collection of the Luxembourg Museum—a remarkable achievement for an American artist, and especially for a woman at that time.
Elizabeth Nourse was more than just a talented painter; she embodied the spirit of the “New Woman”—successful, independent, highly trained, and challenging conventional societal norms. She never married, dedicating her life entirely to her art, a choice that was both empowering and unconventional for the era. Her portraits are particularly notable for portraying women not as passive objects of beauty, but as confident, capable individuals with their own agency and accomplishments. Beyond her artistic pursuits, Nourse demonstrated a strong sense of social responsibility, assisting refugees and soliciting donations during World War I. In 1921, she was awarded the Laetare Medal for “distinguished service to humanity,” acknowledging her contributions both as an artist and as a compassionate individual. Though retirement followed her sister Louise’s death in 1927, and illness plagued her final years—including a battle with breast cancer—her artistic legacy remained secure. Elizabeth Nourse passed away in 1938, leaving behind a body of work that continues to resonate today. Her paintings are held in prominent collections including the Cincinnati Art Museum, Smithsonian American Art Museum, and Clark Art Institute, serving as a testament to her enduring contribution to American realism and her pioneering role as a woman artist who dared to forge her own path on the international stage.
Notable Paintings: Fisher Girl of Picardy, Happy Days, Head of an Algerian, Meditation, La Mere, Woman with a Harp, Moorish Boy.
“The first woman painter of America” and “the dean of American woman painters in France.”
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Look closely
Self portrait — Elizabeth Nourse
Answer in your own words. There are no wrong answers here — only answers you can explain.
Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.
"Self portrait" by Elizabeth Nourse shows a bold contrast between its light and dark areas.
The copyright status of "Self portrait" - in the public domain - its copyright has expired - follows from the artist's death in 1938.
A preview of "Self portrait" by Elizabeth Nourse is available on the artwork's Preview page.