Paper

Student Artwork Guide

Self-Portrait

Name Class Date

Edvard Munch, Self-Portrait (1882), Munch Museum. Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Edvard Munch wahooart.com/en/artists/edvard-munch/
Artist’s dates
1863 – 1944
Painted
1882
Medium
Oil On Board
Original size
26 x 19 cm
Period
19th Century
Held at
Munch Museum wahooart.com/en/museums/munch-museum-oslo/
Artistic style
Expressionist
Influences
Romanticism
Notable elements or techniques
Realistic style
Subject or theme
Psychological portraiture

In context

Self-Portrait — Edvard Munch

How big is it?

The original measures 26 × 19 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1860
  2. 1870
  3. 1880
  4. 1890
  5. 1900
  6. 1910
  7. 1920
  8. 1930
  9. 1940

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 81 at death.

Painted when the artist was 19. The artist lived to 81. 6 of the 410 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Edvard Munch (1863–1944) ▲ this work, 1882 every dated painting, decade by decade

First works: up to 1893 Main working years: 1893–1908 Late works: from 1908

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: wahooart.com/en/art/similar/edvard-munch-self-portrait-D2QLB2-en/

Colours

Measured from the image

    Main colour

    Rosy Brown #cdb191

    Catalogued palette

    • #CDB191
    • #27343B
    • #A1866C
    • #4B4C4C

    These colours inside the artist’s whole palette Find other paintings by colour

    Main colour name
    Rosy Brown
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Balanced How much the colours differ in lightness and saturation across the picture.
    Harmony
    Discordant Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Deep_shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Edvard Munch over the last twelve months — 87 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 24.4%
    2. 2 Spain 14.4%
    3. 3 France 8.7%
    4. 4 United States of America 5.9%
    5. 5 Singapore 4.2%
    6. 6 Hong Kong 4.1%
    7. 7 Italy 3.6%
    8. 8 Brazil 3.2%
    9. 9 Japan 2.4%
    10. 10 Germany 1.8%
    11. · 77 other countries 27.3%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by Edvard Munch

    1. 1 The Scream, 1893 27.8%
    2. 2 Madonna, 1894 7.4%
    3. 3 Melancholy, 1894 6.1%
    4. 4 Near the bed of death (fever), 1915 2.0%
    5. 5 The Child and Death, 1899 1.8%
    6. 6 Kiss, 1897 1.1%
    7. 7 Ashes, 1894 1.1%
    8. 8 Girls on the Pier, 1904 1.0%
    9. 9 Christmas in the Brothel, 1905 0.9%
    10. 10 Jealousy, 1895 0.9%
    11. 11 The Day After, 1895 0.9%
    12. 12 The Girls on the Bridge, 1901 0.7%
    13. 13 The Dance of Life, 1899 0.7%
    14. 14 Madonna, 1894 0.7%
    15. 15 Self-Portrait, 1895 0.5%
    16. 16 Man and Woman I, 1905 0.5%
    17. 17 To the Forest, 1897 0.5%
    18. 18 Jealousy, 1907 0.5%
    19. 19 The Sick Child - painted version - 1926 0.5%
    20. 278 Self-Portrait, 1882 this painting 0.0%

    Together these works take 55.6% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 629 works by this artist, of which 467 were looked at at least once. This painting ranks 278 of them, with 0.0% of that attention. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    Self-Portrait — Edvard Munch

    A Window into Munch’s Soul

    In his 1882 Self-Portrait, Edvard Munch offers far more than a mere reflection of his physical likeness; he provides a profound window into the psychological complexities that would eventually define his artistic legacy. At just eighteen years old, while studying at the Royal School of Drawing in Kristiania, Munch captured himself in a strikingly candid pose against a muted, somber backdrop of ochre and grey. The composition is intimate and direct, with the artist's gaze confronting the viewer with an unsettling honesty. This piercing look anticipates the raw, emotional intensity that would later make him a pioneer of Expressionism, transforming the canvas from a simple record of appearance into a conduit for inner turmoil.

    The technique employed in this early work reveals a fascinating tension between academic training and burgeoning personal expression. Executed in oil on board, the painting utilizes a fine brush to render certain details with meticulous care—such as the individual strands of hair and the subtle folds of the ear—yet it simultaneously embraces a departure from strict realism. Munch employs loose brushstrokes and flattened planes that prioritize emotional resonance over photographic accuracy. The face is masterfully modeled through the interplay of light and shadow, creating a sense of depth that makes the subject feel palpably present, even as the surrounding tones remain cool and dark.

    The Weight of Experience and Symbolism

    To truly appreciate this portrait, one must consider the heavy historical context that shaped Munch’s vision. Created during a period of intense personal upheaval following the tragic deaths of his mother and sister, the painting is steeped in a visceral awareness of mortality and loss. This early encounter with grief instilled in him an existential dread that would permeate his entire oeuvre. The symbolism within the work is subtle yet powerful; the pallid complexion of his face serves as a deliberate exaggeration to symbolize vulnerability and fragility, while his dark, slightly off-center eyes convey a deep sense of melancholy and introspection.

    For the discerning collector or interior designer, a reproduction of this Self-Portrait offers an opportunity to invite a piece of art history into a contemporary space. It is a work that demands attention, not through loud colors, but through its quiet, haunting strength. The nuanced tonal palette and the textured quality of the oil on board make it a sophisticated addition to any curated collection, providing a focal point that encourages deep contemplation. Owning such a piece means engaging with the very beginnings of a movement—a moment where an ambitious young artist first began to translate his internal psychological landscape into a visual language that continues to resonate with audiences across the world.

    Artist and museum

    Artist

    Edvard Munch

    Born in Adelsbruk, Sweden

    A Life Shrouded in Shadow: The World of Edvard Munch

    Edvard Munch, born in 1863 amidst the stark landscapes of Norway, was an artist whose work became synonymous with the anxieties and emotional turmoil of the modern age. His life, deeply marked by loss and a pervasive sense of melancholy, served as the wellspring for his profoundly expressive art. From a childhood shadowed by the early deaths of his mother and sister – both claimed by tuberculosis – Munch developed a haunting preoccupation with mortality, sickness, and the fragility of human existence. These experiences weren’t merely biographical details; they became the very core of his artistic vision, fueling a relentless exploration of the inner landscape of fear, grief, and longing. His father's strict religious beliefs and own struggles with mental illness further contributed to a sense of dread that permeated Munch’s world, shaping not only his personal life but also the symbolic language of his paintings. He wasn’t simply depicting scenes; he was externalizing an internal state, translating psychological distress into visual form.

    The Genesis of Expression: Influences and Artistic Development

    Munch's artistic journey began with formal training at the Royal School of Art and Design in Kristiania (Oslo), but it was his encounter with the bohemian circles and the nihilist philosophy of Hans Jæger that truly ignited his creative fire. Jæger encouraged Munch to abandon conventional academic styles and instead delve into the depths of his own subjective experience, a concept he termed “soul painting.” This pivotal shift marked the beginning of Munch’s distinctive style – one characterized by raw emotion, distorted forms, and a rejection of naturalistic representation. His travels to Paris in the 1890s exposed him to the burgeoning Post-Impressionist movement, where he absorbed influences from artists like Paul Gauguin, Vincent van Gogh, and Henri de Toulouse-Lautrec. The bold use of color, expressive brushstrokes, and psychological intensity of these masters resonated deeply with Munch’s own artistic inclinations. He wasn't merely imitating their techniques; he was synthesizing them into something uniquely his own – a visual language capable of conveying the most profound and unsettling human emotions. His time in Berlin also proved crucial, bringing him into contact with playwright August Strindberg, whose exploration of psychological themes further fueled Munch’s artistic investigations.

    Iconic Visions: Major Works and Their Symbolic Weight

    Munch's oeuvre is populated by images that have become deeply ingrained in the collective consciousness. The Scream, perhaps his most iconic work, transcends its status as a painting to become a universal symbol of existential angst. The swirling, fiery landscape and the figure’s contorted face embody a primal scream against the indifference of the universe. Madonna, a controversial and deeply personal piece, explores themes of sexuality, motherhood, and mortality with unsettling frankness. Recurring motifs like The Sick Child – inspired by the loss of his sister Sophie – serve as poignant reminders of Munch’s childhood trauma and the ever-present specter of death. Melancholy I & II, powerful depictions of profound sadness and isolation, reveal a vulnerability that is both deeply personal and universally relatable. These works aren't simply representations of external reality; they are windows into the artist’s soul, offering viewers an unflinching glimpse into the darkest corners of the human psyche. Munch didn’t aim to create beautiful images; he sought to convey truth – even if that truth was painful and unsettling.

    A Lasting Legacy: Historical Significance and Enduring Influence

    Edvard Munch's contribution to modern art is immeasurable. He stands as a pivotal figure in the development of Expressionism, paving the way for artists who prioritized subjective emotion over objective representation. His unflinching exploration of universal human experiences – love, loss, anxiety, and death – continues to resonate with audiences today, solidifying his place as one of the most influential and enduring figures in art history. His work profoundly impacted subsequent generations of artists, influencing movements like German Expressionism and beyond. He dared to confront the darker aspects of the human condition, challenging conventional notions of beauty and artistic representation. Even after achieving fame and recognition – culminating in the establishment of the Munch Museum in Oslo – his personal life remained turbulent, marked by periods of mental instability and isolation. Yet, through it all, he continued to create, leaving behind a body of work that continues to provoke, challenge, and inspire. Munch’s legacy isn't just about the paintings themselves; it’s about the courage to confront the complexities of human existence and to translate those experiences into art that speaks to the deepest parts of our being.

    Museum

    Munch Museum

    On show in Oslo, Norway

    A Sanctuary of Soul: Delving into the World of Edvard Munch

    Oslo’s MUNCH Museum isn't merely a building housing paintings; it is an immersive journey into the very heart of human emotion, a space where the echoes of anxiety, love, and existential questioning reverberate through time. As the custodian of over half of Edvard Munch’s artistic output—including iconic masterpieces like *The Scream, Madonna, and Man and Woman I*—the museum offers an unparalleled opportunity to connect with the mind of a visionary who profoundly shaped the landscape of Expressionism. To wander its halls is to confront universal themes rendered with a raw intensity that continues to captivate audiences today. The sheer breadth of the collection – spanning 1,200 paintings, 18,000 prints, sculptures, and an extensive archive of writings – allows for a comprehensive understanding of Munch’s artistic development and his enduring influence on modern art. Beyond these celebrated icons, visitors will discover lesser-known works like Vågen and Mördaren i gränden, each offering unique insights into the artist's evolving style and psychological landscape. These pieces reveal a depth and complexity often overshadowed by the fame of The Scream.

    A Modern Vessel for a Timeless Legacy

    The museum’s physical presence is as striking as the art it contains. Inaugurated in October 2021, the current building, designed by Spanish architect Juan Herreros, stands as a contemporary architectural statement on Oslo's waterfront. Its sleek lines and expansive glass surfaces create a dynamic interplay between interior space and the surrounding cityscape, inviting natural light to illuminate Munch’s often-dark explorations of the human condition. Spanning thirteen floors, MUNCH offers a fluid spatial experience, encouraging visitors to move seamlessly through the artist’s world. The building isn't merely a container for art; it actively participates in the dialogue, offering breathtaking views of the Oslofjord and incorporating sustainable materials and energy-efficient systems—a testament to Norway's commitment to environmental responsibility. While its innovative design has garnered widespread acclaim, some playfully note its abundance of safety features, affectionately dubbing it “the world’s largest collection of guard rails.” Regardless, the building stands as a bold and ambitious statement, perfectly complementing the emotional power of the art within.

    From Humble Beginnings to Global Icon

    The story of MUNCH is one of dedication and resilience. Established in 1963 at Tøyen, Oslo, it was born from a desire to commemorate what would have been Edvard Munch’s 100th birthday. Funded by profits from municipal cinemas and enriched by donations from Munch himself and his sister Inger, the original museum quickly became a pilgrimage site for art enthusiasts. The institution faced a dramatic chapter in 2004 when two of its most prized possessions—*The Scream and Madonna*—were daringly stolen, an event that underscored the immense cultural value placed upon these works. Thankfully, both masterpieces were recovered in 2006, fueling the ambition for a new, more secure, and expansive museum. The relocation to Bjørvika in 2021, officially opened by King Harald V, marked a pivotal moment, solidifying MUNCH’s position as a world-class institution and a must-visit destination for anyone seeking to understand the power of Expressionism and the enduring legacy of Edvard Munch.

    A Deep Dive into the Norwegian Soul

    Visiting MUNCH is an invitation to connect with not only the art of Edvard Munch but also the cultural heart of Norway. The museum provides a unique opportunity to explore the emotional intensity and psychological depth that define Expressionism, gaining a deeper appreciation for this pivotal artistic movement. Beyond the individual artworks, the museum offers insights into Norwegian history, identity, and the societal forces that shaped Munch’s vision. It is a place where art transcends mere aesthetics, becoming a powerful vehicle for self-reflection and understanding. For collectors seeking inspiration, interior designers looking to infuse spaces with emotional resonance, or simply art lovers yearning for an unforgettable experience, MUNCH offers a sanctuary of soul—a space where the echoes of human emotion reverberate through time and continue to captivate generations.

    Where to read more

    • The artist Edvard Munch wahooart.com/en/artists/edvard-munch/
    • The museum Munch Museum wahooart.com/en/museums/munch-museum-oslo/
    • Similar works More works to compare wahooart.com/en/art/similar/edvard-munch-self-portrait-D2QLB2-en/

    Find this online

    QR code linking to the download page for Self-Portrait

    wahooart.com/en/art/download/edvard-munch-self-portrait-D2QLB2-en/

    Cite this artwork

    MLA
    Munch, Edvard. Self-Portrait. 1882, Munch Museum. https://wahooart.com/en/art/edvard-munch-self-portrait-D2QLB2-en/
    APA
    Munch, Edvard (1882). Self-Portrait [Painting]. Munch Museum. https://wahooart.com/en/art/edvard-munch-self-portrait-D2QLB2-en/
    Chicago
    Edvard Munch. Self-Portrait. 1882. Munch Museum. https://wahooart.com/en/art/edvard-munch-self-portrait-D2QLB2-en/
    Harvard
    Munch, Edvard (1882) Self-Portrait. Munch Museum. Available at: https://wahooart.com/en/art/edvard-munch-self-portrait-D2QLB2-en/

    Look closely

    Self-Portrait — Edvard Munch

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: melancholy, anxiety, isolation. Do you agree? What would you add, or take away?
    4. Look back at The Scream (1893), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Edvard Munch was about 19 when this was made. What in it looks like the work of an artist at that stage?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Art quiz

    Self-Portrait — Edvard Munch

    How well do you know this artwork?

    Tick one answer for each of the 5 questions below. Each has exactly one correct answer.

    1. 1. In what year was Edvard Munch's 'Self-Portrait' painted?

      • A 1882
      • B 1893
      • C 1908
    2. 2. What medium was used for this specific painting?

      • A Watercolor on paper
      • B Oil on board
      • C Acrylic on canvas
    3. 3. Where is this painting currently displayed?

      • A The National Gallery in Oslo
      • B The Munch Museum in Oslo
      • C The Royal School of Art and Design
    4. 4. What are the physical dimensions of the painting?

      • A 50 x 70 cm
      • B 26 x 19 cm
      • C 30 x 40 cm
    5. 5. Which artist's influence is mentioned as being absorbed by Munch during his travels to Paris?

      • A August Strindberg
      • B Hans Jæger
      • C Paul Gauguin

    My score: ____ out of 5

    Answer key — for the teacher

    This starts a fresh printed page, so it can simply be left out of the copies.

    1A · 2B · 3B · 4B · 5C

    Check any answer against the catalogue record for this painting

    Questions & Answers

    Where can I see the original "Self-Portrait" by Edvard Munch?

    The original "Self-Portrait" by Edvard Munch is held at the Munch Museum, Oslo, Norway. A reproduction allows the work to be displayed at home.

    Can the image of "Self-Portrait" by Edvard Munch be freely reproduced?

    The copyright answer for "Self-Portrait" by Edvard Munch: the work is in the public domain - its copyright has expired. This determines whether reproductions of the image may be freely made.

    What is "Self-Portrait" about, and what atmosphere does it have?

    "Self-Portrait" shows melancholy, anxiety, isolation, mortality, psychological landscape, norwegian art, symbolism, and its recorded mood is dramatic.

    What mood and emotion does "Self-Portrait" by Edvard Munch express?

    "Self-Portrait" by Edvard Munch conveys a melancholic feeling within an overall dramatic mood.

    What technique and size is the original "Self-Portrait" by Edvard Munch?

    The medium of "Self-Portrait" by Edvard Munch is oil on board, and its recorded dimensions are 26 x 19 cm.

    What emotion does the Symbolic Expression work "Self-Portrait" convey?

    Within the Symbolic Expression movement, "Self-Portrait" is recorded with a melancholic tone.

    Which artist is "Self-Portrait" attributed to?

    "Self-Portrait" was created by Edvard Munch. The information on this page describes Edvard Munch's original work.

    What technique and style characterize "Self-Portrait" by Edvard Munch?

    In "Self-Portrait", the oil on board technique meets the Symbolic Expression movement.