Paper

Student Artwork Guide

Sunday picnic

Name Class Date

Dorothea Sharp, Sunday picnic. Public domain.

The facts

Artist
Dorothea Sharp wahooart.com/en/artists/dorothea-sharp/
Artist’s dates
1874 – 1955

In context

Sunday picnic — Dorothea Sharp

When might this have been painted?

  1. 1870
  2. 1880
  3. 1890
  4. 1900
  5. 1910
  6. 1920
  7. 1930
  8. 1940
  9. 1950

Shaded: the lifetime of Dorothea Sharp (1874–1955)

This record has no exact year on file — using the artist's lifetime and the work's style, what decade would you guess?

Compare with

  • A Day at the Sea wahooart.com/en/art/dorothea-sharp-a-day-at-the-sea-A269YX-en/

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: wahooart.com/en/art/similar/dorothea-sharp-sunday-picnic-A269Z3-en/

Colours

Measured from the image

    Main colour

    Rosy Brown #a78f7a

    Catalogued palette

    • #A78F7A
    • #58543E
    • #C0AD95
    • #7C724C
    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Rosy Brown
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Serene How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Bright How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Balanced Soft How pure and strong the colours are, from near-grey to fully vivid.

    Artist and museum

    Artist

    Dorothea Sharp

    Born in Dartford, United Kingdom

    Dorothea Sharp: A Life in Impressionistic Hues

    Early Life and Education

    Born in Dartford, Kent, United Kingdom in 1874, Dorothea Sharp began her artistic training relatively late, at the age of 21.

    She funded her education with an inheritance of £100 from an uncle, allowing her to attend the Richmond Art School under C.E. Johnson RI.

    Further studies at the Regent Street Polytechnic brought her work to the attention of George Clausen and David Murray, who recognized her talent.

    Artistic Development & Influences

    A pivotal moment in Sharp’s artistic journey was her time in Paris, where she encountered the works of the Impressionists, particularly Claude Monet.

    Monet's influence led her to adopt a highly impressionistic and spontaneous style that characterized her work for the rest of her life. She embraced capturing fleeting moments and the effects of light.

    Her early work showed promise, but it was through embracing Impressionism that she found her distinctive voice.

    Career & Recognition

    Sharp became an associate of the Society of Women Artists in 1903 and a full member in 1908, later serving as its Vice-President for four years.

    She was elected to both the Royal Society of British Artists (1907) and the Royal Institute of Oil Painters (1922), demonstrating her growing reputation within the art world.

    Exhibited regularly at the Royal Academy from 1901 to 1948, showcasing a consistent body of work.

    Held her first solo exhibition at the Connell Gallery in 1933, receiving critical acclaim and being hailed as “one of England’s greatest living woman painters” by Harold Sawkins, editor of The Artist magazine.

    Themes & Style

    Sharp's oeuvre is primarily known for two key themes: evocative landscapes and naturalistic studies of children at play.

    Her landscapes often depict scenes from her travels, including locations in Europe (Cassis), Bosham, and St Ives, Cornwall.

    Her depictions of children are particularly charming, capturing their spontaneity and joy with a delicate touch. She avoided overly sentimental portrayals, focusing on natural interactions.

    Her style is characterized by loose brushwork, vibrant colors, and an emphasis on light and atmosphere, hallmarks of Impressionism.

    Later Life & Legacy

    In the 1920s and 30s, Sharp continued to travel and paint, forming a lifelong friendship with fellow artist Marcella Smith in St Ives, Cornwall.

    She was made an honorary member of the St. Ives Society of Artists (StISA) in 1928.

    Dorothea Sharp passed away on December 17, 1955, at the age of 81.

    While not as widely recognized today as some of her contemporaries, Dorothea Sharp remains a significant figure in British Impressionism, celebrated for her sensitive portrayals of everyday life and her mastery of light and color.

    Where to read more

    Find this online

    QR code linking to the download page for Sunday picnic

    wahooart.com/en/art/download/dorothea-sharp-sunday-picnic-A269Z3-en/

    Cite this artwork

    MLA
    Sharp, Dorothea. Sunday picnic. n.d., https://wahooart.com/en/art/dorothea-sharp-sunday-picnic-A269Z3-en/
    APA
    Sharp, Dorothea (n.d.). Sunday picnic [Painting]. https://wahooart.com/en/art/dorothea-sharp-sunday-picnic-A269Z3-en/
    Chicago
    Dorothea Sharp. Sunday picnic. n.d. https://wahooart.com/en/art/dorothea-sharp-sunday-picnic-A269Z3-en/
    Harvard
    Sharp, Dorothea (n.d.) Sunday picnic. Available at: https://wahooart.com/en/art/dorothea-sharp-sunday-picnic-A269Z3-en/

    Look closely

    Sunday picnic — Dorothea Sharp

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: travellers. Do you agree? What would you add, or take away?
    4. Look back at A Day at the Sea, earlier in this guide. Name two things it shares with this work, and one that is different.
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.