Paper

Student Artwork Guide

Double Tongued Knowability

Name Class Date

David Leapman, Double Tongued Knowability (1994), Walker Art Gallery. Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
David Leapman wahooart.com/en/artists/david-leapman/
Painted
1994
Original size
215 x 307 cm
Held at
Walker Art Gallery wahooart.com/en/museums/walker-art-gallery-liverpool/

In context

Double Tongued Knowability — David Leapman

How big is it?

The original measures 215 × 307 cm (height × width), drawn here beside an adult of average height. It is too large to draw to scale on this page.

When was this painted?

  1. 1990

▲ this work, 1994 every dated painting, decade by decade

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: wahooart.com/en/art/similar/david-leapman-double-tongued-knowability-AQT2SZ-en/

Colours

Measured from the image

    Main colour

    Espresso #414747

    Catalogued palette

    • #414747
    • #1D1916
    • #F2E64C
    • #F0482B

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Espresso
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Balanced How much the colours differ in lightness and saturation across the picture.
    Harmony
    Discordant Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Deep_shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Artist and museum

    Artist

    David Leapman

    David Leapman: Bold Colour and Unexpected Materials

    David Leapman is a celebrated English painter who garnered international acclaim for his distinctive artistic vision, culminating in victory at the John Moores Painting Prize in 1995. His journey into art began with formative studies at St Martin’s School of Art, Goldsmiths College and Chelsea College of Art, equipping him with foundational skills that would underpin his subsequent explorations of innovative techniques and materials. Leapman's artistic practice is characterized by a fascination with challenging conventions and embracing experimentation—a trait evident in his use of unconventional substances alongside palettes bursting with vibrant hues.

    Early Influences: Leapman’s artistic sensibilities were shaped by exposure to Abstract Expressionism, particularly the work of Willem de Kooning and Jackson Pollock, whose dynamic brushstrokes and emotive colour choices served as inspiration for his own compositions.

    The John Moores Prize Win (1995): The prestigious John Moores Painting Prize recognized Leapman’s exceptional talent with a commendation for “Double-Tongued Knowability,” an acrylic painting that showcased his mastery of colour and texture. This accolade propelled him onto the international art scene and cemented his reputation as a visionary artist.

    Continued Exhibitions & Recognition: Following his prize victory, Leapman continued to participate in significant exhibitions, including the Jerwood Drawing Prize in 2006, demonstrating his versatility across mediums beyond painting. His artwork has been permanently housed in esteemed institutions such as the Victoria and Albert Museum, the British Government Art Collection and Walker Art Gallery, underscoring its enduring artistic merit.

    Distinctive Artistic Style & Technique

    Leapman’s paintings stand out due to his deliberate incorporation of unusual materials—ranging from resin and wax to found objects—into his canvases. These additions aren't merely decorative; they contribute significantly to the textural depth and expressive qualities of his work, creating surfaces that invite tactile engagement alongside visual contemplation. He employs a bold colour palette, prioritizing saturated hues that convey emotion and dynamism. His brushwork is characterized by energetic movements and layering techniques, resulting in paintings that pulsate with energy and capture fleeting moments of perception.

    Material Exploration: Leapman’s commitment to experimentation extends beyond pigment; he actively seeks out materials that offer unique visual and textural possibilities.

    Colour Harmony & Composition: Careful consideration is given to colour harmony—often employing complementary colours—to heighten emotional impact and guide the viewer's gaze across the canvas.

    Recent Achievements & Institutional Collections

    Leapman’s artistic career has garnered considerable acclaim, culminating in inclusions within prominent museum collections worldwide. Notably, his paintings and drawings reside in the Victoria and Albert Museum, the British Government Art Collection and Walker Art Gallery—testaments to their enduring aesthetic appeal and contribution to the broader canon of contemporary art. Furthermore, he established Contemporary Artist Space (CAS) in Riverside, California, serving as a platform for showcasing emerging artists and fostering dialogue within the artistic community.

    Looking Ahead

    David Leapman continues to pursue his artistic endeavors with unwavering dedication, driven by a desire to push boundaries and explore new avenues of creative expression. His legacy rests on a foundation of innovation, boldness, and an uncompromising commitment to capturing the essence of human experience through captivating visual narratives—a testament to his enduring influence within the realm of contemporary painting.

    Museum

    Walker Art Gallery

    On show in Liverpool, United Kingdom

    A Victorian Sanctuary: The Timeless Allure of the Walker Art Gallery

    Nestled in the vibrant heart of Liverpool, the

    Walker Art Gallery

    stands as a majestic testament to the enduring power of artistic vision. This grand Victorian institution is far more than a mere repository for canvas and stone; it is an immersive journey through the corridors of time. The architectural splendor of Evan James Hall’s design prepares the visitor for a profound encounter with beauty, where the very air seems to vibrate with the echoes of Renaissance masters, the romantic whispers of Pre-Raphaelite dreams, and the bold, transformative strokes of British modernism.

    To step inside is to enter worlds meticulously crafted by artists who sought truth in the most profound forms. The gallery’s international renown is anchored by its exceptional collection of

    Pre-Raphaelite paintings

    , arguably one of the finest assemblages in existence. Here, the works of

    Dante Gabriel Rossetti

    and

    John Everett Millais

    transport the viewer into realms of haunting beauty and intricate symbolism. One might find themselves lost in the lush, detailed landscapes or the psychological depth of figures imbued with a certain ethereal melancholy, as these artists sought inspiration in the purity of the early Renaissance to achieve an emotional intensity that remains vital today.

    A Dialogue Between Eras and Innovation

    Beyond the romanticism of the Pre-Raphaelites, the collection offers a breathtaking glimpse into the pivotal innovations of the Renaissance. Masterpieces that redefine perspective and human grace allow visitors to witness the dawn of modern representation. From the delicate, mythological allegories of

    Botticelli

    to the divine, misty atmosphere of

    Leonardo da Vinci’s Annunciation

    , these works serve as monuments to human intellect and spiritual curiosity. This dialogue between eras is further enriched by a profound commitment to British artistic identity, chronicling the evolution of a nation through stately portraits and sweeping landscapes that evoke the rugged beauty of the British countryside.

    The gallery’s strength lies in its ability to bridge the gap between historical grandeur and contemporary relevance. The collection reflects Liverpool’s cosmopolitan identity as a global port city, incorporating twentieth-century titans such as

    Lucian Freud

    and

    David Hockney

    . This diversity makes the space a sanctuary for various enthusiasts:

    Art Historians and Scholars:

    Who can trace the lineage of movement from the Cubist roots in David Bomberg’s landscapes to the evolution of British portraiture.

    Interior Designers:

    Seeking the quiet elegance and atmospheric charm found in works like Marianne Stokes’

    Polishing Pans

    .

    Collectors and Dreamers:

    Drawn to the monumental anatomical skill found in George Stubbs’

    The Lincolnshire Ox

    or the serene, nostalgic scenes of a bygone era.

    What truly distinguishes the Walker Art Gallery is its role as a living, breathing cultural hub that remains deeply accessible to all. With free admission, it ensures that world-class art is never a luxury reserved for the few, but a shared heritage available to every soul seeking inspiration.

    Where to read more

    • The artist David Leapman wahooart.com/en/artists/david-leapman/
    • The museum Walker Art Gallery wahooart.com/en/museums/walker-art-gallery-liverpool/
    • Similar works More works to compare wahooart.com/en/art/similar/david-leapman-double-tongued-knowability-AQT2SZ-en/

    Find this online

    QR code linking to the download page for Double Tongued Knowability

    wahooart.com/en/art/download/david-leapman-double-tongued-knowability-AQT2SZ-en/

    Cite this artwork

    MLA
    Leapman, David. Double Tongued Knowability. 1994, Walker Art Gallery. https://wahooart.com/en/art/david-leapman-double-tongued-knowability-AQT2SZ-en/
    APA
    Leapman, David (1994). Double Tongued Knowability [Painting]. Walker Art Gallery. https://wahooart.com/en/art/david-leapman-double-tongued-knowability-AQT2SZ-en/
    Chicago
    David Leapman. Double Tongued Knowability. 1994. Walker Art Gallery. https://wahooart.com/en/art/david-leapman-double-tongued-knowability-AQT2SZ-en/
    Harvard
    Leapman, David (1994) Double Tongued Knowability. Walker Art Gallery. Available at: https://wahooart.com/en/art/david-leapman-double-tongued-knowability-AQT2SZ-en/

    Look closely

    Double Tongued Knowability — David Leapman

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Pilot Schemer (1992), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. What might the artist have wanted you to feel?
    5. If you could ask the artist one question about this work, what would it be?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    What shape and dimensions is "Double Tongued Knowability" by David Leapman?

    "Double Tongued Knowability" by David Leapman is a landscape composition measuring 215 x 307 cm in the original.

    Where can I buy a print of "Double Tongued Knowability" by David Leapman?

    A print of "Double Tongued Knowability" by David Leapman can be ordered directly on its Fine Art Print page: a fine art print on cotton canvas or archival canvas paper.

    Can I preview "Double Tongued Knowability" by David Leapman before ordering?

    To preview a reproduction of "Double Tongued Knowability" by David Leapman, open the artwork's Preview page.