Paper

Student Artwork Guide

Moonlight Point

Name Class Date

David Lawrence Carpanini, Moonlight Point (2003), Llyfrgell Genedlaethol Cymru / The National Library of Wales. Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
David Lawrence Carpanini wahooart.com/en/artists/david-lawrence-carpanini/
Artist’s dates
1946 –
Painted
2003
Original size
17 x 13 cm
Held at
Llyfrgell Genedlaethol Cymru / The National Library of Wales wahooart.com/en/museums/llyfrgell-genedlaethol-cymru-the-national-library-of-wales-aberystwyth/

In context

Moonlight Point — David Lawrence Carpanini

How big is it?

The original measures 17 × 13 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1940
  2. 1950
  3. 1960
  4. 1970
  5. 1980
  6. 1990
  7. 2000

Row above: the years. Row below: how old the artist was at the start and at the end of each span, counting 0 from birth.

Painted when the artist was 57. 4 of the 5 dated works by this artist in our catalogue came earlier.

▲ this work, 2003 every dated painting, decade by decade

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: wahooart.com/en/art/similar/david-lawrence-carpanini-moonlight-point-AQT2RF-en/

Colours

Measured from the image

    Main colour

    Rosy Brown #a9b192

    Catalogued palette

    • #A9B192
    • #2D332D
    • #4D615A
    • #7D8E7A

    These colours inside the artist’s whole palette Find other paintings by colour

    Main colour name
    Rosy Brown
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Bold How much the colours differ in lightness and saturation across the picture.
    Harmony
    Balanced Harmony How well the colours work together, from clashing to fully unified.
    Brightness
    Balanced How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by David Lawrence Carpanini over the last twelve months — 1 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 100.0%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 2 most looked-at works by David Lawrence Carpanini

    1. 1 Moonlight Point, 2003 this painting 50.0%
    2. 2 Last Shift, 1992 50.0%

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 6 works by this artist, of which 2 were looked at at least once. This painting ranks 1 of them, with 50.0% of that attention. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    David Lawrence Carpanini

    David Lawrence Carpanini: A Welsh Visionary of Landscape and Printmaking

    David Lawrence Carpanini (born 1946) stands as a prominent figure in British art, particularly renowned for his evocative etchings and paintings that meticulously depict the rugged beauty and industrial heritage of South Wales. His artistic journey began amidst the Afan Valley’s Welsh landscape, fostering an enduring fascination with capturing both natural grandeur and the realities of working-class life—themes that permeate throughout his oeuvre. Educated at Gloucester College of Art, the Royal College of Art, and Reading University, Carpanini honed his skills as a printmaker and artist, establishing himself as a respected voice within the artistic community.

    Early Life & Education: Born in Glamorgan, Wales, Carpanini’s upbringing instilled in him a deep connection to Welsh culture and tradition. His formative years at Glan Afan Grammar School provided a solid academic foundation before he embarked on his artistic pursuits at Gloucestershire College of Art and subsequently the Royal College of Art and Reading University.

    Teaching Career: Carpanini’s passion for art extended beyond personal creation; he dedicated himself to nurturing young talent as an instructor at Kingham Hill School (1972-1978) and Oundle School (1979-1986), shaping the artistic sensibilities of countless students.

    Academic Recognition: He ascended to professorship at Wolverhampton Polytechnic in 1992, continuing his scholarly pursuits until 2000, cementing his position as a leading figure in art education and research.

    Artistic Style & Technique – The Essence of Welsh Landscape

    Carpanini’s artistic style is characterized by a masterful blend of realism and tonal subtlety—a hallmark of Tonalism, an influential movement that sought to convey mood and atmosphere through muted color palettes. His etchings, in particular, demonstrate exceptional technical precision, capturing intricate details while simultaneously conveying the emotional resonance of his subjects. He frequently explored industrial landscapes alongside serene natural vistas, reflecting a broader concern with documenting the changing face of Wales during the latter half of the 20th century. The artist’s meticulous approach to printmaking—employing techniques like drypoint and aquatint—allowed him to achieve remarkable textural effects and tonal gradations, furthering his expressive vision.

    Emphasis on Welsh Landscape: Carpanini's artistic focus consistently centered on the dramatic landscapes of South Wales – mountains, valleys, rivers, and industrial sites – reflecting a deep appreciation for the region’s heritage and beauty.

    Printmaking Mastery: He achieved renown as a printmaker, skillfully utilizing techniques like drypoint and aquatint to produce stunningly detailed etchings that captured both visual accuracy and emotional depth.

    Notable Exhibitions & Achievements – Recognition of Artistic Merit

    Carpanini’s artistic reputation grew steadily throughout his career, culminating in numerous prestigious exhibitions across the United Kingdom and internationally. He was a regular participant at the Royal Academy of Arts, showcasing his paintings alongside etchings and prints—a testament to his versatility as an artist. Furthermore, he held solo exhibitions at venues such as the Welsh Arts Council, Warwick Arts Festival, Mostyn Gallery, Rhondda Heritage Gallery, Walsall Museum, and St David’s Hall Cardiff, demonstrating a commitment to sharing his artistic vision with a wider audience. His membership in organizations like RE (Royal Society of Painter-Printmakers), RWA (Royal West of England Academy), and RBA (Royal Society of British Artists) underscored the esteem accorded to his work by fellow artists and critics alike. He was honored as Honorary Fellow of the Royal Society of Wales (Hon RWS) and Honorary Fellow of the British Society for Arts Research (Hon RBSA).

    Royal Academy Exhibitions: Carpanini’s paintings and etchings were consistently featured in exhibitions at the Royal Academy of Arts, establishing him as a respected figure within the British art scene.

    Welsh Arts Council Recognition: Solo exhibitions at the Welsh Arts Council showcased his artistic talent and contributed to the preservation of Welsh cultural heritage.

    Legacy & Influence – A Continuing Presence in Contemporary Art

    David Lawrence Carpanini’s enduring legacy resides not only in his impressive body of work but also in his role as a teacher and mentor—inspiring generations of artists to pursue their creative passions with dedication and integrity. His contributions to art education solidified his place as a pivotal figure in fostering artistic talent within Wales and beyond. Moreover, his meticulous observation of the natural world combined with masterful printmaking techniques continue to serve as inspiration for contemporary artists striving to convey emotion and beauty through visual media. His paintings are held in collections spanning from the Royal Collection to national museums across Wales, ensuring that his artistic vision persists as a cornerstone of Welsh art history.

    Museum

    Llyfrgell Genedlaethol Cymru / The National Library of Wales

    On show in Aberystwyth, United Kingdom

    A Bastion of Welsh Identity

    Nestled in the charming university town of Aberystwyth, overlooking the breathtaking expanse of Cardigan Bay, stands a monument not merely to literature and art, but to the very soul of Wales.

    Llyfrgell Genedlaethol Cymru / The National Library of Wales

    is far more than just a repository of books; it is a vibrant, living archive dedicated to preserving and celebrating the rich tapestry of Welsh culture, history, and language. Established by Royal Charter, this institution was born from a passionate desire to safeguard national identity, fueled by both governmental support and remarkable contributions from the working classes of Wales. It serves as a beacon for scholarship and research, acting as the nation's memory keeper through its legal deposit status, ensuring that every publication produced in Wales finds a home within its hallowed walls.

    Stepping into the Library is akin to embarking on a journey through time, where the architecture itself tells a story of harmony and transition. The building, a completed masterpiece of 1937, reflects a thoughtful blend of classical and modern elements designed by Sidney Greenslade, with later additions by Charles Holden. Its striking facade, featuring contrasting Portland stone on the upper stories and Cornish granite below, creates a visually compelling presence that commands respect. For the interior designer, the interplay of stone, light, and space within this structure offers a masterclass in dignified, monumental aesthetics. The North Reading Room, bathed in a soft, natural light, remains a sacred space for contemplation, designed specifically to foster creativity and inspire profound thought among researchers.

    Treasures of the Welsh Spirit

    For the art enthusiast and collector, the Library’s collections offer an unparalleled window into the Welsh spirit. While the heart of the institution lies in its millions of books and periodicals, its visual treasures are equally profound. The collection features significant paintings, topographical prints, and portraits that capture the essence of the nation. Art lovers will find particular resonance in the works of

    Kyffin Williams

    and

    Donald McIntyre

    , whose masterful depictions of the Snowdonia National Park and Cardigan Bay landscapes serve as both aesthetic triumphs and vital visual records of Wales’ evolving environment. These works, characterized by their sensitivity to light and texture, provide a profound connection to the rugged beauty of the Welsh terrain.

    The Library's unique character is further enriched by its diverse holdings, which include:

    The Peniarth Collection:

    A world-renowned assembly of medieval manuscripts that serves as a cornerstone of Celtic history.

    National Screen and Sound Archive:

    An immersive collection that brings Welsh heritage to life through film and sound recordings.

    Visual Archives:

    A comprehensive collection of maps, photographic images, and portraits that document the evolution of the Welsh landscape and people.

    Beyond its permanent holdings, the Library thrives as a dynamic cultural centre, constantly evolving through engaging exhibitions that bridge the gap between the ancient and the contemporary. From exploring the mysteries of Celtic mythology to celebrating the nuances of modern Welsh art history, these curated displays attract visitors from across Europe and beyond. It remains a place where the echoes of the past meet the innovations of the 21st century in a seamless, beautiful dialogue.

    Where to read more

    Find this online

    QR code linking to the download page for Moonlight Point

    wahooart.com/en/art/download/david-lawrence-carpanini-moonlight-point-AQT2RF-en/

    Cite this artwork

    MLA
    Carpanini, David Lawrence. Moonlight Point. 2003, Llyfrgell Genedlaethol Cymru / The National Library of Wales. https://wahooart.com/en/art/david-lawrence-carpanini-moonlight-point-AQT2RF-en/
    APA
    Carpanini, David Lawrence (2003). Moonlight Point [Painting]. Llyfrgell Genedlaethol Cymru / The National Library of Wales. https://wahooart.com/en/art/david-lawrence-carpanini-moonlight-point-AQT2RF-en/
    Chicago
    David Lawrence Carpanini. Moonlight Point. 2003. Llyfrgell Genedlaethol Cymru / The National Library of Wales. https://wahooart.com/en/art/david-lawrence-carpanini-moonlight-point-AQT2RF-en/
    Harvard
    Carpanini, David Lawrence (2003) Moonlight Point. Llyfrgell Genedlaethol Cymru / The National Library of Wales. Available at: https://wahooart.com/en/art/david-lawrence-carpanini-moonlight-point-AQT2RF-en/

    Look closely

    Moonlight Point — David Lawrence Carpanini

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Professor Eric Sunderland, Vice Chancellor of the University of Wales, Bangor (1984–1995) (1993), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. David Lawrence Carpanini was about 57 when this was made. What in it looks like the work of an artist at that stage?
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    How many people view "Moonlight Point"?

    The Stats page of "Moonlight Point" by David Lawrence Carpanini presents public visit statistics: monthly visits of this artwork, a comparison with the artist's most viewed works, and where its visitors come from.

    Does "Moonlight Point" show strong light-dark contrasts?

    The light-dark contrast of "Moonlight Point" is recorded as bold. Contrast describes how strongly light and dark areas differ.

    When was "Moonlight Point" made?

    "Moonlight Point" dates from 2003. The date places the work within David Lawrence Carpanini's career and its era.