Paper

Student Artwork Guide

Bryn Terfel (b.1965)

Name Class Date

David Griffiths, Bryn Terfel (b.1965) (1997), Llyfrgell Genedlaethol Cymru / The National Library of Wales. Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
David Griffiths wahooart.com/en/artists/david-griffiths/
Artist’s dates
1939 –
Painted
1997
Original size
121 x 90 cm
Held at
Llyfrgell Genedlaethol Cymru / The National Library of Wales wahooart.com/en/museums/llyfrgell-genedlaethol-cymru-the-national-library-of-wales-aberystwyth/

In context

Bryn Terfel (b.1965) — David Griffiths

How big is it?

The original measures 121 × 90 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1930
  2. 1940
  3. 1950
  4. 1960
  5. 1970
  6. 1980
  7. 1990
  8. 2000
  9. 2010

Row above: the years. Row below: how old the artist was at the start and at the end of each span, counting 0 from birth.

Painted when the artist was 58. 9 of the 27 dated works by this artist in our catalogue came earlier.

▲ this work, 1997 every dated painting, decade by decade

First works: up to 1995 Main working years: 1995–2005 Late works: from 2005

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: wahooart.com/en/art/similar/david-griffiths-bryn-terfel-b-1965-AQSCVR-en/

Colours

Measured from the image

    Main colour

    Putty #d2d5b6

    Catalogued palette

    • #D2D5B6
    • #ABAC83
    • #1F1F1E
    • #7B7555

    These colours inside the artist’s whole palette Find other paintings by colour

    Main colour name
    Putty
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Balanced How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Subtle Color How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by David Griffiths over the last twelve months — 3 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 70.0%700 visits
    2. 2 United States of America 20.0%200 visits
    3. 3 United Kingdom 10.0%100 visits

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 9 most looked-at works by David Griffiths

    1. 1 Alfred Cosier Morris (b.1941), Vice Chancellor of the University of Wales Lampeter (2003–2008), 2009 27.3%300 visits
    2. 2 Kyffin Williams (1918–2006), 2005 18.2%200 visits
    3. 3 Professor Cedric Prys Roberts, President of the Royal College of Anaesthetists (1994–1997), 1997 9.1%100 visits
    4. 4 Siân Phillips (b.1933), 1995 9.1%100 visits
    5. 5 Paul Brewer (b.1946), Photographer, 1995 9.1%100 visits
    6. 6 Professor J. Gwynn Williams (b.1924), MA, 1996 9.1%100 visits
    7. 7 John Kyffin Williams (1918–2006), 1993 9.1%100 visits
    8. 8 Professor Michael Harmer 9.1%100 visits
    9. — Bryn Terfel (b.1965), 1997 this painting 0.0%0 visits

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 36 works by this artist, of which 8 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    David Griffiths

    A Legacy of Light and Line: The Artistry of David Griffiths

    In the grand tapestry of British portraiture, few names evoke the same sense of dignified precision and soulful observation as David Griffiths. Born in Liverpool in 1939 and deeply shaped by the rugged beauty of North Wales, Griffiths emerged as a painter capable of bridging the gap between formal academic tradition and a modern, expressive sensitivity. His journey into the heart of the human countenance began with a profound artistic inheritance; he was the grandson of a portrait painter whose work once graced the Walker Art Gallery, a lineage that instilled in him a reverence for the craft from his earliest years. This ancestral connection to the portraitist's easel provided more than just inspiration—it offered a foundational understanding of how a single brushstroke can immortalize a moment in history.

    The refinement of his technique was forged within the prestigious halls of the Slade School of Fine Art, where he studied under some of the most formidable minds of the twentieth century, including Sir William Coldstream, Sir Ernst Gombrich, and Sir Anthony Blunt. Under their rigorous guidance, Griffiths mastered the complexities of anatomical accuracy and the subtle interplay of light and shadow. Yet, while his training was rooted in the disciplined methods of academic realism, his spirit remained tethered to the romanticism of the natural world. His early explorations into landscape painting, influenced by the atmospheric traditions of artists like David Cox the Elder, infused his later portraiture with a unique luminosity, allowing him to treat skin, fabric, and setting with an almost elemental vitality.

    The Royal Gaze and the Art of Character

    Griffiths’ career reached a transformative zenith in 1970, a year marked by his celebrated portrait of Prince Charles. This commission did more than merely elevate his professional standing; it propelled him into the upper echelons of British society, establishing him as a preferred chronicler of the nation's most significant figures. His ability to navigate the delicate balance between formal reverence and psychological depth allowed him to capture subjects not merely as icons of power, but as living, breathing individuals. His oeuvre serves as a visual record of an era, featuring a distinguished roster of subjects including:

    The Prince of Wales, whose 1970 portrait remains a cornerstone of his early success.

    Rt. Hon. Lord Callaghan, capturing the gravity of the Prime Minister's office.

    William Farish, the former U.S. Ambassador to the UK, rendered with diplomatic grace.

    Lord Tonypandy, reflecting the political landscape of the House of Commons.

    Prominent Welsh leaders and academics, bridging the gap between global royalty and local heritage.

    Beyond the grand scale of royal commissions, Griffiths possessed a versatile wit that occasionally surfaced in his more ephemeral works. In the late 1960s, he contributed a series of humorous cartoons for BBC Wales television productions, such as Heddiw and Disc a Dawn. These rare pieces, now preserved by the National Library of Wales, reveal an artist who could find levity in the mundane, using illustration to provide context to weather reports and music programs alike. This duality—the ability to move from the solemnity of a monarch's portrait to the playful charm of a broadcast cartoon—demonstrates a remarkable breadth of creative intellect.

    A Lasting Impression on Welsh Fine Art

    The significance of David Griffiths extends far beyond the frames of his finished canvases. As a painter, teacher, and the founder of the Albany Gallery in Cardiff, he has been a vital architect of the Welsh art scene. His commitment to fostering talent and providing a platform for both established and emerging Welsh artists has left an indelible mark on the cultural landscape of his homeland. Through his gallery, he helped cultivate a space where the traditions of the past could meet the innovations of the present, ensuring that the lineage of Welsh painting remained vibrant and continuous.

    Today, the work of Griffiths stands as a testament to the enduring power of the portrait. His paintings are more than mere likenesses; they are studies in character, light, and the fleeting essence of human identity. Whether through his masterful oil compositions or his rediscovered satirical sketches, he remains a visionary who captured the dignity of his subjects with an unmatched, quiet conviction. His legacy is woven into the very fabric of British art history, reminding us that true portraiture is not just about seeing a face, but about understanding the soul behind it.

    Museum

    Llyfrgell Genedlaethol Cymru / The National Library of Wales

    On show in Aberystwyth, United Kingdom

    A Bastion of Welsh Identity

    Nestled in the charming university town of Aberystwyth, overlooking the breathtaking expanse of Cardigan Bay, stands a monument not merely to literature and art, but to the very soul of Wales.

    Llyfrgell Genedlaethol Cymru / The National Library of Wales

    is far more than just a repository of books; it is a vibrant, living archive dedicated to preserving and celebrating the rich tapestry of Welsh culture, history, and language. Established by Royal Charter, this institution was born from a passionate desire to safeguard national identity, fueled by both governmental support and remarkable contributions from the working classes of Wales. It serves as a beacon for scholarship and research, acting as the nation's memory keeper through its legal deposit status, ensuring that every publication produced in Wales finds a home within its hallowed walls.

    Stepping into the Library is akin to embarking on a journey through time, where the architecture itself tells a story of harmony and transition. The building, a completed masterpiece of 1937, reflects a thoughtful blend of classical and modern elements designed by Sidney Greenslade, with later additions by Charles Holden. Its striking facade, featuring contrasting Portland stone on the upper stories and Cornish granite below, creates a visually compelling presence that commands respect. For the interior designer, the interplay of stone, light, and space within this structure offers a masterclass in dignified, monumental aesthetics. The North Reading Room, bathed in a soft, natural light, remains a sacred space for contemplation, designed specifically to foster creativity and inspire profound thought among researchers.

    Treasures of the Welsh Spirit

    For the art enthusiast and collector, the Library’s collections offer an unparalleled window into the Welsh spirit. While the heart of the institution lies in its millions of books and periodicals, its visual treasures are equally profound. The collection features significant paintings, topographical prints, and portraits that capture the essence of the nation. Art lovers will find particular resonance in the works of

    Kyffin Williams

    and

    Donald McIntyre

    , whose masterful depictions of the Snowdonia National Park and Cardigan Bay landscapes serve as both aesthetic triumphs and vital visual records of Wales’ evolving environment. These works, characterized by their sensitivity to light and texture, provide a profound connection to the rugged beauty of the Welsh terrain.

    The Library's unique character is further enriched by its diverse holdings, which include:

    The Peniarth Collection:

    A world-renowned assembly of medieval manuscripts that serves as a cornerstone of Celtic history.

    National Screen and Sound Archive:

    An immersive collection that brings Welsh heritage to life through film and sound recordings.

    Visual Archives:

    A comprehensive collection of maps, photographic images, and portraits that document the evolution of the Welsh landscape and people.

    Beyond its permanent holdings, the Library thrives as a dynamic cultural centre, constantly evolving through engaging exhibitions that bridge the gap between the ancient and the contemporary. From exploring the mysteries of Celtic mythology to celebrating the nuances of modern Welsh art history, these curated displays attract visitors from across Europe and beyond. It remains a place where the echoes of the past meet the innovations of the 21st century in a seamless, beautiful dialogue.

    Where to read more

    Find this online

    QR code linking to the download page for Bryn Terfel (b.1965)

    wahooart.com/en/art/download/david-griffiths-bryn-terfel-b-1965-AQSCVR-en/

    Cite this artwork

    MLA
    Griffiths, David. Bryn Terfel (b.1965). 1997, Llyfrgell Genedlaethol Cymru / The National Library of Wales. https://wahooart.com/en/art/david-griffiths-bryn-terfel-b-1965-AQSCVR-en/
    APA
    Griffiths, David (1997). Bryn Terfel (b.1965) [Painting]. Llyfrgell Genedlaethol Cymru / The National Library of Wales. https://wahooart.com/en/art/david-griffiths-bryn-terfel-b-1965-AQSCVR-en/
    Chicago
    David Griffiths. Bryn Terfel (b.1965). 1997. Llyfrgell Genedlaethol Cymru / The National Library of Wales. https://wahooart.com/en/art/david-griffiths-bryn-terfel-b-1965-AQSCVR-en/
    Harvard
    Griffiths, David (1997) Bryn Terfel (b.1965). Llyfrgell Genedlaethol Cymru / The National Library of Wales. Available at: https://wahooart.com/en/art/david-griffiths-bryn-terfel-b-1965-AQSCVR-en/

    Look closely

    Bryn Terfel (b.1965) — David Griffiths

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at John Meurig Thomas (b.1932) (1996), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. David Griffiths was about 58 when this was made. What in it looks like the work of an artist at that stage?
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    Does "Bryn Terfel (b.1965)" show strong light-dark contrasts?

    "Bryn Terfel (b.1965)" by David Griffiths shows a statement contrast between its light and dark areas.

    Is "Bryn Terfel (b.1965)" by David Griffiths a light or a dark artwork?

    "Bryn Terfel (b.1965)" by David Griffiths is recorded as balanced, with a gentle luminance luminance.

    What other names is David Griffiths known by?

    David Griffiths is also known as David Griffiths Mbe.