Paper

Student Artwork Guide

Bomb Store

Name Class Date

David Bomberg, Bomb Store (1942). Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
David Bomberg wahooart.com/en/artists/david-bomberg/
Artist’s dates
1890 – 1957
Painted
1942
Original size
106 x 65 cm

In context

Bomb Store — David Bomberg

How big is it?

The original measures 106 × 65 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1890
  2. 1900
  3. 1910
  4. 1920
  5. 1930
  6. 1940
  7. 1950

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 67 at death.

Painted when the artist was 52. The artist lived to 67. 72 of the 100 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of David Bomberg (1890–1957) ▲ this work, 1942 every dated painting, decade by decade

First works: up to 1920 Main working years: 1920–1942 Late works: from 1942

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: wahooart.com/en/art/similar/david-bomberg-bomb-store-AQSFWE-en/

Colours

Measured from the image

    Main colour

    Espresso #41393a

    Catalogued palette

    • #41393A
    • #E8D0B5
    • #7B675B
    • #202123

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Espresso
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Discordant Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Deep_shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by David Bomberg over the last twelve months — 5 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 89.1%4,100 visits
    2. 2 United States of America 4.3%200 visits
    3. 3 Bulgaria 2.2%100 visits
    4. 4 Spain 2.2%100 visits
    5. 5 Paraguay 2.2%100 visits

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by David Bomberg

    1. 1 The Mud Bath 6.8%400 visits
    2. 2 Ju Jitsu, 1913 5.1%300 visits
    3. 3 Mount Saint Hilarion and the Castle Ruins, 1948 5.1%300 visits
    4. 4 Alora, Andalucia, 1935 5.1%300 visits
    5. 5 Composition, 1919 5.1%300 visits
    6. 6 Sappers at Work : Canadian Tunnelling Company, R14, St Eloi, 1919 3.4%200 visits
    7. 7 Ronda, Spain, 1957 3.4%200 visits
    8. 8 Trendrine, Cornwall, 1947 3.4%200 visits
    9. 9 Double Self Portrait (recto), 1937 3.4%200 visits
    10. 10 The St John Ophthalmic Hospital, Jerusalem, 1927 3.4%200 visits
    11. 11 Canal Bank, France, 1920 3.4%200 visits
    12. 12 Flowers, Evening Gold, 1947 3.4%200 visits
    13. 13 Kitty, the Artist's Sister, 1929 3.4%200 visits
    14. 14 Study for Ghetto Theatre I, 1921 3.4%200 visits
    15. 15 David Bomberg, 1937 3.4%200 visits
    16. 16 The Broken Aqueduct, Wadi Kelt near Jericho, 1926 1.7%100 visits
    17. 17 Flowers in Sunlight, 1943 1.7%100 visits
    18. 18 Bideford, Devon, 1946 1.7%100 visits
    19. 19 Ronda Bridge, Spain, 1935 1.7%100 visits
    20. — Bomb Store, 1942 this painting 0.0%0 visits

    Together these works take 68.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 109 works by this artist, of which 38 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    David Bomberg

    Born in Birmingham, United Kingdom

    Early Life and Artistic Training

    Born: Birmingham, United Kingdom (December 5, 1890)

    Died: London, United Kingdom (August 19, 1957)

    One of the 'Whitechapel Boys' – a group of East End artists who emerged in the early 20th century.

    Born to Polish-Jewish immigrant parents, Abraham and Rebecca Bomberg, initially studied at the City and Guilds Technical Art School before training as a lithographer in Birmingham.

    Studied under Walter Sickert at Westminster School of Art (1908-1910), influenced by Sickert's focus on form and urban life. Significant exposure to Paul Cézanne through the 1910 Roger Fry exhibition "Manet and the Post-Impressionists." Attended the Slade School of Art (1911), winning the Tonks Prize for his drawing of fellow student Isaac Rosenberg.

    The Avant-Garde Years: Cubism, Futurism, and Controversy

    At the Slade, Bomberg was part of a remarkable generation including Mark Gertler, Stanley Spencer, C.R.W. Nevinson, and Dora Carrington.

    Influenced by the 1912 London exhibitions of Italian Futurists and Fry's second Post-Impressionist exhibition (Picasso, Matisse, Fauvists, Wyndham Lewis).

    Developed a distinctive style combining Cubism and Futurism – characterized by geometric compositions, limited color palettes, angular figures, and grid-like structures.

    His radical approach led to expulsion from the Slade School of Art in 1913, deemed too audacious for the institution's conventional methods.

    Briefly associated with Bloomsbury Group’s Omega Workshops and exhibited with the Camden Town Group. Showed affinity with Wyndham Lewis’s Vorticist movement but remained independent, refusing full involvement.

    From War to Landscape: A Shift in Style

    Experiences as a private soldier during World War I profoundly impacted his artistic vision, leading to a move away from abstraction.

    The 1920s saw Bomberg adopt a more figurative style, focusing on portraits and landscapes drawn directly from nature. Developed an increasingly expressionist technique, marked by textured impasto and emotional intensity.

    Extensive travels through the Middle East (particularly Palestine) and Europe significantly influenced his later work. His depictions of Jerusalem are particularly notable.

    Later Years and Legacy

    From 1945 to 1953, taught at Borough Polytechnic (now London South Bank University), influencing a generation of artists including Frank Auerbach, Leon Kossoff, Philip Holmes, Cliff Holden, Edna Mann, Dorothy Mead, Gustav Metzger, Dennis Creffield, Cecil Bailey and Miles Richmond.

    Married landscape painter Lilian Holt.

    Despite periods of relative obscurity during his lifetime, Bomberg's work has gained increasing recognition in recent decades as a significant contribution to British modern art.

    David Bomberg House at London South Bank University is named in his honor.

    His legacy lies in his unique synthesis of European avant-garde movements and his later development of a powerful, expressive landscape style that captured the essence of place and human experience.

    Where to read more

    Find this online

    QR code linking to the download page for Bomb Store

    wahooart.com/en/art/download/david-bomberg-bomb-store-AQSFWE-en/

    Cite this artwork

    MLA
    Bomberg, David. Bomb Store. 1942, https://wahooart.com/en/art/david-bomberg-bomb-store-AQSFWE-en/
    APA
    Bomberg, David (1942). Bomb Store [Painting]. https://wahooart.com/en/art/david-bomberg-bomb-store-AQSFWE-en/
    Chicago
    David Bomberg. Bomb Store. 1942. https://wahooart.com/en/art/david-bomberg-bomb-store-AQSFWE-en/
    Harvard
    Bomberg, David (1942) Bomb Store. Available at: https://wahooart.com/en/art/david-bomberg-bomb-store-AQSFWE-en/

    Look closely

    Bomb Store — David Bomberg

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Study for Ghetto Theatre I (1921), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. David Bomberg was about 52 when this was made. What in it looks like the work of an artist at that stage?
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    Who made "Bomb Store", and when?

    The author of "Bomb Store" is David Bomberg, and the work is dated 1942.

    Where can I find statistics about "Bomb Store" by David Bomberg?

    The Stats page of "Bomb Store" by David Bomberg presents public visit statistics: monthly visits of this artwork, a comparison with the artist's most viewed works, and where its visitors come from.

    Is "Bomb Store" more bright or more dark overall?

    The recorded values for "Bomb Store" by David Bomberg are: deep_shadow brightness, soft shadow luminance.