Paper

Student Artwork Guide

Ellen Smith

Name Class Date

Dante Gabriel Rossetti, Ellen Smith (1867). Public domain.

The facts

Artist
Dante Gabriel Rossetti wahooart.com/en/artists/dante-gabriel-rossetti/
Artist’s dates
1828 – 1882
Painted
1867
Medium
Acrylic On Canvas
Original size
47 x 36 cm
Movement
Pre-Raphaelite Brotherhood British painters returning to bright colour and sharp detail, rejecting everything taught after Raphael.
Period
Modern
Artistic style
Portraiture, Romanticism
Influences
Romanticism
Notable elements
Soft lines, muted tones
Subject or theme
Female Portrait

In context

Ellen Smith — Dante Gabriel Rossetti

How big is it?

The original measures 47 × 36 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1820
  2. 1830
  3. 1840
  4. 1850
  5. 1860
  6. 1870
  7. 1880

Shaded: the lifetime of Dante Gabriel Rossetti (1828–1882) ▲ this work, 1867

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: wahooart.com/en/art/similar/dante-gabriel-rossetti-ellen-smith-8BWNUE-en/

Colours

Measured from the image

    Main colour

    Rosy Brown #c7b087

    Catalogued palette

    • #C7B087
    • #8D7558
    • #C4CDC7
    • #633F2A
    Palette
    Neutrals The dominant colour family in the image.
    Main colour name
    Rosy Brown
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Subtle Color How pure and strong the colours are, from near-grey to fully vivid.

    About this artwork

    Ellen Smith — Dante Gabriel Rossetti

    The Enigmatic Ellen Smith – A Study in Victorian Grace

    Dante Gabriel Rossetti’s “Ellen Smith,” painted in 1867, isn't merely a portrait; it’s a carefully constructed distillation of Pre-Raphaelite ideals—a moment captured and imbued with an almost palpable sense of melancholy. The painting depicts a young woman, identified as Ellen Smith, rendered in chalk on paper, measuring a modest 47.6 x 36.8 cm. Rossetti, deeply immersed in the aesthetic currents of his time, sought to transcend simple representation, aiming instead to evoke emotion and capture an essence beyond the purely visual.

    The composition is strikingly direct – a profile view that immediately draws the eye to Ellen’s face. Her gaze, subtly averted slightly to the right, suggests introspection, perhaps even a quiet sadness. This isn't a flamboyant display of beauty; rather, it’s a delicate unveiling of character, hinting at a depth beneath the surface. Rossetti masterfully employs soft, flowing lines, characteristic of the Pre-Raphaelite style, avoiding harsh outlines and instead relying on subtle gradations of color to define form. The background is deliberately muted, allowing Ellen's presence to dominate the canvas entirely – a deliberate choice that emphasizes her individuality.

    A Palette of Subtle Sensuality

    The painting’s color palette is remarkably restrained, dominated by warm, earthy tones—rich reds, deep browns, creamy beiges, and hints of grey. Rossetti skillfully blends these hues to create a sense of atmospheric depth and softness. Notice the delicate shading around her eyes and mouth, subtly suggesting the curve of her lips and the vulnerability in her gaze. The use of cooler greys and blues provides contrast, defining her features without disrupting the overall harmony. This careful orchestration of color contributes significantly to the painting’s evocative quality – it feels less like a photograph and more like a fleeting memory.

    Technically, Rossetti likely employed pastel or charcoal as his medium, judging by the delicate layering of tones and the smooth blending achieved. The texture is remarkably soft, almost velvety, inviting the viewer to linger and appreciate the meticulous detail. The brushwork is incredibly subtle; it’s a testament to Rossetti's mastery of technique that such profound emotion can be conveyed through such understated means.

    Symbolism and the Pre-Raphaelite Soul

    Ellen Smith” resonates deeply within the context of the Pre-Raphaelite Brotherhood’s artistic philosophy. The movement sought to revive medieval aesthetics, rejecting the artificiality of academic art in favor of a return to nature, beauty, and spiritual truth. The portrait isn't simply a likeness; it’s an exploration of feminine beauty imbued with a sense of melancholy—a common theme within Pre-Raphaelite works. The averted gaze, coupled with the subdued lighting, suggests a contemplative spirit, inviting viewers to project their own emotions onto the subject.

    Interestingly, research reveals that Ellen Smith was a real woman, and the painting served as a preliminary study for a larger work, “A Christmas Carol.” The story of her life—a laundress whose face was brutally disfigured by a violent attacker – adds another layer of poignant complexity to the portrait. It’s a reminder that beauty can be fragile, and that even in the most ordinary lives, there can be profound stories waiting to be told.

    A Timeless Masterpiece for Collectors

    Ellen Smith” is more than just a beautiful painting; it's a window into the artistic soul of Dante Gabriel Rossetti and the Pre-Raphaelite movement. Its delicate beauty, evocative symbolism, and masterful technique make it a prized possession for collectors and an inspiring addition to any art collection or interior space. Reproductions capture the essence of this remarkable work, allowing its quiet grace and poignant emotion to be appreciated by a wider audience.

    Artist and museum

    Artist

    Dante Gabriel Rossetti

    Born in London, United Kingdom

    A Life Immersed in Beauty: The World of Dante Gabriel Rossetti

    Dante Gabriel Rossetti, born Gabriel Charles Dante Rossetti in 1828 London, was a figure profoundly shaped by the currents of his time—a Romantic spirit blossoming into the Victorian era. His lineage itself hinted at the artistic destiny that awaited him; his father, an Italian political refugee and scholar of Dante Alighieri, instilled within young Gabriel a deep reverence for literature and the arts. This early exposure, coupled with a mother who nurtured his intellectual curiosity, laid the foundation for a life dedicated to creative expression. Though initially considering a clerical career, Rossetti’s true calling lay in the realm of aesthetics—a path he would forge as a poet, illustrator, and, most notably, a painter whose works continue to captivate audiences today. His formative years were steeped in the literary giants of his age – Shakespeare, Dickens, Scott, Byron – all contributing to a rich imaginative landscape that would later define his artistic vision.

    The Pre-Raphaelite Rebellion and Artistic Awakening

    Rossetti’s name is inextricably linked with the Pre-Raphaelite Brotherhood, a revolutionary movement he co-founded in 1848 alongside William Holman Hunt and John Everett Millais. This wasn't merely an artistic shift; it was a rebellion against the perceived artificiality of academic painting prevalent at the time. The Brotherhood sought to return to the detailed realism, vibrant colors, and spiritual intensity found in Italian and Flemish art before the High Renaissance – hence “Pre-Raphaelite.” This meant rejecting the idealized forms and conventional compositions favored by the Royal Academy, instead embracing a meticulous observation of nature and a commitment to truthful representation. Rossetti’s early works, such as The Girlhood of Mary Virgin, exemplify this dedication, showcasing an almost photographic level of detail alongside symbolic imagery drawn from religious texts. However, Rossetti's contribution extended beyond technical skill; he brought a distinctly literary sensibility to the group, often choosing subjects inspired by poetry and mythology. The Brotherhood’s manifesto wasn’t just about how to paint, but what to paint – focusing on themes of morality, spirituality, and beauty with an intensity that challenged Victorian sensibilities.

    Evolving Styles: Symbolism, Sensuality, and the Female Muse

    As Rossetti's career progressed, his artistic style underwent a fascinating evolution. While initially adhering to the strict tenets of Pre-Raphaelite realism, he gradually moved towards more symbolic and dreamlike imagery. His paintings became increasingly infused with sensuality, exploring themes of love, loss, and spiritual longing with an emotional depth that resonated deeply with audiences. This shift was partly influenced by his personal life, particularly his complex relationships with the women who served as his models and muses – Elizabeth Siddal, Fanny Cornforth, and Jane Morris. These women weren’t merely passive subjects; they embodied a particular aesthetic ideal for Rossetti—often depicted with flowing red hair, melancholic expressions, and an air of enigmatic beauty. Paintings like Proserpine are prime examples of this later style, showcasing his mastery of symbolism and his ability to evoke a sense of otherworldly allure. The rich colors, dramatic lighting, and evocative poses all contribute to the painting’s haunting atmosphere. He also began to seamlessly blend poetry and visual art, often writing sonnets to accompany his paintings, creating a unified artistic experience that engaged both the eye and the mind. Behold the handmaid of the Lord! (The Annunciation) is a testament to this integrated approach.

    Legacy and Lasting Influence

    Dante Gabriel Rossetti’s impact on the art world extends far beyond his own lifetime. He was profoundly influenced by the poetry of John Keats and William Blake, as well as the Italian Renaissance masters, but he, in turn, became a major influence on subsequent generations of artists and writers. His work played a crucial role in the development of both the Aesthetic Movement and Symbolism, movements that emphasized beauty, emotion, and subjective experience above all else. Artists like William Morris and Edward Burne-Jones were deeply inspired by his aesthetic principles, incorporating them into their own distinctive styles. Rossetti’s emphasis on symbolism and emotional intensity also paved the way for later artistic explorations of the subconscious mind. Even today, his paintings continue to inspire artists and art lovers alike, cementing his place as one of the most important figures in 19th-century British art. He challenged conventional norms, embraced beauty in all its forms, and left behind a legacy that continues to resonate with those who seek meaning and emotion in art.

    A Revolutionary Spirit: Rossetti’s Historical Significance

    Rossetti was more than just an artist; he was a cultural provocateur who dared to challenge the prevailing artistic conventions of his time. His emphasis on symbolism, emotion, and individual vision resonated with a generation seeking alternatives to Victorian realism. He helped pave the way for new forms of expression, encouraging artists to explore their inner worlds and embrace subjective experience. His work provides valuable insight into the cultural and intellectual currents of the 19th century—a period marked by rapid social change, scientific advancements, and a growing sense of spiritual uncertainty. Rossetti’s art reflects these anxieties and aspirations, offering a glimpse into the complex emotional landscape of his era. He remains an important figure in understanding not only the history of art but also the broader cultural context in which it was created. His enduring appeal lies in his ability to tap into universal themes of love, loss, beauty, and spirituality—themes that continue to resonate with audiences today.

    Where to read more

    Find this online

    QR code linking to the download page for Ellen Smith

    wahooart.com/en/art/download/dante-gabriel-rossetti-ellen-smith-8BWNUE-en/

    Cite this artwork

    MLA
    Rossetti, Dante Gabriel. Ellen Smith. 1867, https://wahooart.com/en/art/dante-gabriel-rossetti-ellen-smith-8BWNUE-en/
    APA
    Rossetti, Dante Gabriel (1867). Ellen Smith [Painting]. https://wahooart.com/en/art/dante-gabriel-rossetti-ellen-smith-8BWNUE-en/
    Chicago
    Dante Gabriel Rossetti. Ellen Smith. 1867. https://wahooart.com/en/art/dante-gabriel-rossetti-ellen-smith-8BWNUE-en/
    Harvard
    Rossetti, Dante Gabriel (1867) Ellen Smith. Available at: https://wahooart.com/en/art/dante-gabriel-rossetti-ellen-smith-8BWNUE-en/

    Look closely

    Ellen Smith — Dante Gabriel Rossetti

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. How many faces can you find? ____ (our catalogue counts 1 — do you agree?)
    4. Our catalogue files this work under: portrait, pre-raphaelite, rossetti. Do you agree? What would you add, or take away?
    5. Look back at Saint Catherine (1857), earlier in this guide. Name two things it shares with this work, and one that is different.

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Art quiz

    Ellen Smith — Dante Gabriel Rossetti

    How well do you know this artwork?

    Tick one answer for each of the 5 questions below. Each has exactly one correct answer.

    1. 1. What artistic movement is Dante Gabriel Rossetti most closely associated with?

      • A Impressionism
      • B Pre-Raphaelite Brotherhood
      • C Cubism
    2. 2. The portrait 'Ellen Smith' primarily depicts:

      • A A historical figure
      • B A young woman named Ellen Smith
      • C A mythological goddess
    3. 3. What medium is most likely used by Rossetti in creating this portrait, based on the description?

      • A Oil paint
      • B Pastel or charcoal
      • C Watercolor
    4. 4. The composition of 'Ellen Smith' is characterized by:

      • A A dynamic, asymmetrical arrangement
      • B A simple, centered bust format
      • C An abstract, fragmented style
    5. 5. What does the lighting in 'Ellen Smith' suggest?

      • A Strong directional light highlighting specific features
      • B Diffuse and natural ambient light
      • C Dramatic chiaroscuro effects

    My score: ____ out of 5

    Answer key — for the teacher

    This starts a fresh printed page, so it can simply be left out of the copies.

    1A · 2B · 3B · 4B · 5B