Paper

Student Artwork Guide

Opuntia

Name Class Date

daniel mccleary, Opuntia (2004), USC Fisher Museum of Art. Reproduced for reference; rights reserved by the rights holder.

The facts

Artist
daniel mccleary wahooart.com/en/artists/daniel-mccleary/
Artist’s dates
1952 – ?
Painted
2004
Held at
USC Fisher Museum of Art wahooart.com/en/museums/usc-fisher-museum-of-art-los-angeles/

In context

Opuntia — daniel mccleary

When was this painted?

  1. 1950
  2. 1960
  3. 1970
  4. 1980
  5. 1990
  6. 2000

Shaded: the lifetime of daniel mccleary (1952–?) ▲ this work, 2004

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: wahooart.com/en/art/similar/daniel-mccleary-opuntia-D7DSZD-en/

Colours

Measured from the image

    Main colour

    Putty #d9d8e1

    Catalogued palette

    • #D9D8E1
    • #868793
    • #AC8F8F
    • #C3C0C3
    Palette
    Neutrals The dominant colour family in the image.
    Main colour name
    Putty
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Serene How much the colours differ in lightness and saturation across the picture.
    Harmony
    Softly Mixed Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Artist and museum

    Artist

    daniel mccleary

    Born in Los Angeles, United States of America

    Daniel McCleary: A Portrait of Los Angeles Life

    Born in the vibrant landscape of Los Angeles, California, in 1952, Daniel McCleary’s artistic journey is deeply intertwined with the city's unique cultural fabric. Initially rooted in Santa Monica, his formative years were shaped by a confluence of influences – from the burgeoning art scene of Southern California to the broader traditions of folk and narrative painting. McCleary’s work isn’t merely representation; it’s an exploration of everyday life, imbued with a quiet melancholy and a profound appreciation for the ordinary.

    McCleary's artistic education was multifaceted, encompassing studies at Loyola High School of Los Angeles, followed by periods at Santa Monica College, San Francisco Art Institute, and the prestigious Skowhegan School of Painting and Sculpture in Maine. This diverse academic background provided him with a solid foundation in technique while simultaneously exposing him to various artistic philosophies. The rigorous training at Skowhegan, particularly, instilled in him a dedication to process and a willingness to experiment with materials and methods.

    The Emergence of a Distinctive Style

    McCleary’s distinctive style quickly gained recognition for its layered technique and evocative imagery. His paintings frequently depict figures engaged in mundane activities – working at a diner, tending a garden, or simply observing the world around them. These seemingly simple scenes are elevated through McCleary's meticulous attention to detail and his masterful use of color and texture. Early works like “McDonald” (1987), a captivating portrait of a McDonald’s employee, exemplify this approach – a folk-art sensibility combined with a subtle exploration of human emotion.

    The influence of Norman Rockwell is often cited as a key element in McCleary's style. Like Rockwell, he captures the essence of American life, but his work possesses a distinctly personal and introspective quality. However, McCleary’s palette tends to be more muted than Rockwell’s, favoring earth tones and subtle gradations of color that contribute to the paintings’ overall sense of quiet contemplation.

    Art Division: A Commitment to Community

    Beyond his artistic practice, Daniel McCleary is deeply committed to fostering creativity within his local community. He founded Art Division, a non-profit organization dedicated to providing professional art training and academic/professional support to young adults in MacArthur Park, Los Angeles. This initiative reflects a desire not only to create art but also to empower the next generation of artists – a testament to his belief in the transformative power of artistic expression.

    McCleary’s dedication extends beyond simply offering instruction; he actively mentors and guides these young artists, providing them with invaluable experience and opportunities. Art Division serves as a vital hub for emerging talent, contributing significantly to the cultural landscape of MacArthur Park and beyond.

    Recognition and Legacy

    Throughout his career, Daniel McCleary has garnered significant recognition for his work, exhibiting in over 50 solo and group exhibitions across the United States and Europe. His paintings are held in prestigious collections including The Hammer Museum, Harvard Art Museums, Los Angeles County Museum of Art, Metropolitan Museum of Art, and New York Public Library. This widespread collection speaks to the enduring appeal and critical acclaim of his art.

    McCleary’s work is more than just aesthetically pleasing; it offers a poignant reflection on American life, capturing both its beauty and its quiet moments of introspection. As an artist deeply rooted in Los Angeles, he has created a body of work that is uniquely attuned to the spirit of Southern California – a legacy that continues to inspire and resonate with audiences today.

    Museum

    USC Fisher Museum of Art

    On show in Los Angeles, United States of America

    A Sanctuary of Timeless Beauty in the Heart of Los Angeles

    Nestled within the vibrant campus of the University of Southern California, the

    USC Fisher Museum of Art

    serves as a profound sanctuary for those seeking a dialogue between the past and the present. Established in 1939 by the visionary Elizabeth Holmes Fisher, this institution holds the distinction of being the first art museum ever founded in Los Angeles. What began as a modest gift of twenty-nine paintings has blossomed into a sophisticated cultural cornerstone, where the echoes of European masters meet the bold, provocative pulses of contemporary thought. To wander through its halls is to embark on a curated journey through human emotion and technical mastery, making it an essential destination for art historians, passionate collectors, and interior designers seeking inspiration from the very lineage of visual excellence.

    The museum’s collection is a breathtaking tapestry of historical epochs, woven together with threads of unparalleled skill. One cannot traverse its galleries without being arrested by the dramatic grandeur of the Baroque period, exemplified by the luminous works of

    Peter Paul Rubens

    . His masterpiece,

    Venus Wounded by a Thorns

    , stands as a testament to the era's ability to capture flesh, light, and vulnerability in a single, breathless moment. This classical splendor is further enriched by the profound legacies of Dutch, Flemish, German, and Italian masters, many of whom entered the museum’s care through the generous 1955 donation by Armand Hammer. From the delicate, aristocratic portraits that evoke the elegance of eighteenth-century life to the serene, atmospheric landscapes reminiscent of the Dutch countryside, the collection offers a profound study in the evolution of light and form.

    Yet, the Fisher Museum does not merely dwell in the shadows of antiquity; it breathes with the energy of the modern age. The museum’s narrative arc extends seamlessly into the 20th and 21st centuries, where the boundaries of medium and meaning are constantly redefined. Visitors will find themselves confronted by the iconic pop sensibilities of

    Andy Warhol

    , whose work challenges our perceptions of consumerism and celebrity, alongside the piercing social commentaries of artists like Jenny Holzer. This deliberate juxtaposition—placing the meticulous craftsmanship of the Old Masters alongside the experimental textures of photography, printmaking, and sculpture—creates a unique intellectual friction. It is this very tension that makes the museum a living organism, constantly reflecting our contemporary identity through the lens of historical precedent.

    The architectural experience of the museum is one of quieted focus, designed to prioritize the soul of the artwork above all else. The galleries are thoughtfully arranged to harness natural light, creating an immersive atmosphere that invites deep contemplation and a sense of serenity. This understated elegance ensures that whether one is admiring the soft brushwork of an 18th-century portrait or the sharp edges of a modern installation, the environment remains a neutral, sacred space for discovery. Through its rotating exhibitions that explore everything from Impressionism to Surrealism, the USC Fisher Museum of Art continues to offer fresh perspectives, ensuring that every visit reveals a new layer of beauty, making it an enduring beacon of artistic expression in the Los Angeles landscape.

    Where to read more

    Find this online

    QR code linking to the download page for Opuntia

    wahooart.com/en/art/download/daniel-mccleary-opuntia-D7DSZD-en/

    Cite this artwork

    MLA
    mccleary, daniel. Opuntia. 2004, USC Fisher Museum of Art. https://wahooart.com/en/art/daniel-mccleary-opuntia-D7DSZD-en/
    APA
    mccleary, daniel (2004). Opuntia [Painting]. USC Fisher Museum of Art. https://wahooart.com/en/art/daniel-mccleary-opuntia-D7DSZD-en/
    Chicago
    daniel mccleary. Opuntia. 2004. USC Fisher Museum of Art. https://wahooart.com/en/art/daniel-mccleary-opuntia-D7DSZD-en/
    Harvard
    mccleary, daniel (2004) Opuntia. USC Fisher Museum of Art. Available at: https://wahooart.com/en/art/daniel-mccleary-opuntia-D7DSZD-en/

    Look closely

    Opuntia — daniel mccleary

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at McDonald (1987), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. daniel mccleary was about 52 when this was made. What in it looks like the work of an artist at that stage?
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.