Paper

Student Artwork Guide

Barmouth Moonlight

Name Class Date

christopher williams, Barmouth Moonlight (1913), Llyfrgell Genedlaethol Cymru / The National Library of Wales. Public domain.

The facts

Artist
christopher williams wahooart.com/en/artists/christopher-williams/
Artist’s dates
1873 – 1934
Painted
1913
Original size
29 x 38 cm
Held at
Llyfrgell Genedlaethol Cymru / The National Library of Wales wahooart.com/en/museums/llyfrgell-genedlaethol-cymru-the-national-library-of-wales-aberystwyth/

In context

Barmouth Moonlight — christopher williams

How big is it?

The original measures 29 × 38 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1870
  2. 1880
  3. 1890
  4. 1900
  5. 1910
  6. 1920
  7. 1930

Shaded: the lifetime of christopher williams (1873–1934) ▲ this work, 1913

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: wahooart.com/en/art/similar/christopher-williams-barmouth-moonlight-AQS7SM-en/

Colours

Measured from the image

    Main colour

    Espresso #5c5959

    Catalogued palette

    • #5C5959
    • #553F3D
    • #D2BEA4
    • #84605C
    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Espresso
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Serene How much the colours differ in lightness and saturation across the picture.
    Harmony
    Balanced Harmony How well the colours work together, from clashing to fully unified.
    Brightness
    Shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Artist and museum

    Artist

    christopher williams

    Born in Maesygwrath, United States of America

    Christopher Williams: A Life in Art

    Christopher David Williams (1873-1934) was a celebrated Welsh artist whose career spanned the late Victorian and early 20th centuries. He is particularly remembered for his evocative portraits, allegorical scenes, and landscapes that often reflected a strong sense of Welsh identity and the spirit of the Celtic Revival.

    Early Life and Education

    Born in Maesygwrath, Wales, Williams initially faced opposition from his father, Evan Williams, who envisioned a medical career for him. However, a transformative visit to the Walker Art Gallery in Liverpool in 1892, where he was deeply moved by Frederick Leighton’s Perseus and Andromeda, ignited his passion for art. This experience solidified his determination to pursue a life as an artist.

    Artistic Development and Influences

    Early Training: Williams began his formal artistic training at the Neath Technical Institute under Mr. Kerr in 1892-1893.

    Royal College of Art & Royal Academy Schools: He continued his studies at the Royal College of Art for three years, followed by further education at the Royal Academy Schools from 1896 to 1901.

    Key Influences: Frederick Leighton was a significant early influence, inspiring Williams’s academic approach and attention to detail. He also drew inspiration from Pre-Raphaelite aesthetics and the broader artistic currents of the Celtic Revival.

    Major Achievements and Recognition

    Royal Academy Exhibitions: Williams first exhibited at the Royal Academy in 1902 with Paolo and Francesca, followed by a portrait of his father in 1903. He went on to exhibit eighteen paintings there throughout his career.

    Royal Society of British Artists: In 1910, he was invited to join the Royal Society of British Artists, exhibiting thirty-seven paintings with them over the next decade.

    Royal Commission: A pivotal moment came in 1911 when King George V commissioned Williams to create a commemorative painting of the investiture of Edward, Prince of Wales at Caernarfon Castle. He completed two versions of this important work.

    Portraiture: Williams became highly sought after as a portraitist, creating likenesses of prominent figures such as David Lloyd George, Sir John Williams, and Sir Henry Jones.

    Themes and Style

    Williams’s work is characterized by:

    Portraiture: His portraits are known for their psychological depth and realistic rendering of his subjects.

    Celtic Revival: He frequently explored themes from Welsh mythology and folklore, particularly in paintings like Ceridwen and Branwen, inspired by the Mabinogion.

    Landscape Painting: Williams painted landscapes extensively throughout Wales, as well as during travels to Switzerland, Italy, France, Spain, Morocco, and Holland.

    Allegorical Scenes: He often incorporated allegorical elements into his work, imbuing it with symbolic meaning.

    Historical Significance and Legacy

    Christopher Williams played a significant role in promoting Welsh art and culture during his lifetime. He actively participated in the National Eisteddfod as an adjudicator and served on committees for the National Museum of Wales and the Honourable Society of Cymmrodorion. His work reflects a strong sense of national identity and contributed to the artistic flourishing of Wales in the early 20th century.

    His paintings are held in numerous public collections, including the National Museum of Wales, the Royal Collection, and the Glynn Vivian Art Gallery, ensuring his legacy continues to inspire and captivate audiences today. He was a brother-in-law to fellow artist Fred Appleyard, and father to astronomer Evan Gwyn Williams and artist Ivor Williams.

    Museum

    Llyfrgell Genedlaethol Cymru / The National Library of Wales

    On show in Aberystwyth, United Kingdom

    A Bastion of Welsh Identity: The National Library of Wales

    Nestled in the charming university town of Aberystwyth, overlooking the breathtaking expanse of Cardigan Bay, stands a monument not merely to literature and art, but to the very soul of Wales. The National Library of Wales, or

    Llyfrgell Genedlaethol Cymru

    , is far more than just a repository of books; it is a vibrant, living archive dedicated to preserving and celebrating the rich tapestry of Welsh culture, history, and language. Established by Royal Charter in 1907, this institution was born from a passionate desire to safeguard national identity, fueled by both governmental support and remarkable contributions from the working classes of Wales. It serves as a beacon for scholarship and research, acting as the nation's memory keeper through its legal deposit status, ensuring that every publication produced in Wales finds a home within its hallowed walls.

    Stepping into the Library is akin to embarking on a journey through time, where the architecture itself tells a story of harmony and transition. The building, a completed masterpiece of 1937, reflects a thoughtful blend of classical and modern elements designed by Sidney Greenslade, with later additions by Charles Holden. Its striking facade, featuring contrasting Portland stone on the upper stories and Cornish granite below, creates a visually compelling presence that commands respect. This architectural grandeur is complemented by the meticulously landscaped grounds, which are considered an integral part of its historical landscape, offering a serene setting that invites quiet contemplation and discovery amidst the salt air of the Welsh coast. For the interior designer, the interplay of stone, light, and space within this structure offers a masterclass in dignified, monumental aesthetics.

    For the art enthusiast and collector, the Library’s collections offer an unparalleled window into the Welsh spirit. While the heart of the institution lies in its 6.5 million books and the world-renowned Peniarth Collection of medieval manuscripts, its visual treasures are equally profound. The collection features significant paintings, topographical prints, and portraits that capture the essence of the nation. Art lovers will find particular resonance in the works of Kyffin Williams and Donald McIntyre, whose masterful depictions of the Snowdonia National Park and Cardigan Bay landscapes serve as both aesthetic triumphs and vital visual records of Wales’ evolving environment. These works, characterized by their sensitivity to light and texture, provide a profound connection to the rugged beauty of the Welsh terrain, making them essential touchstones for anyone seeking to understand the atmospheric depth of Celtic landscape art.

    Beyond its permanent holdings, the Library thrives as a dynamic cultural centre, constantly evolving through engaging exhibitions that bridge the gap between the ancient and the contemporary. From exploring the mysteries of Celtic mythology to celebrating the nuances of modern Welsh art history, these curated displays attract visitors from across Europe and beyond. The integration of the National Screen and Sound Archive further enriches this experience, bringing Welsh heritage to life through immersive film and sound recordings. For scholars and curators alike, the Library represents a pinnacle of cultural preservation, offering a unique space where the echoes of the past meet the innovations of the 21st century in a seamless, beautiful dialogue.

    Where to read more

    Find this online

    QR code linking to the download page for Barmouth Moonlight

    wahooart.com/en/art/download/christopher-williams-barmouth-moonlight-AQS7SM-en/

    Cite this artwork

    MLA
    williams, christopher. Barmouth Moonlight. 1913, Llyfrgell Genedlaethol Cymru / The National Library of Wales. https://wahooart.com/en/art/christopher-williams-barmouth-moonlight-AQS7SM-en/
    APA
    williams, christopher (1913). Barmouth Moonlight [Painting]. Llyfrgell Genedlaethol Cymru / The National Library of Wales. https://wahooart.com/en/art/christopher-williams-barmouth-moonlight-AQS7SM-en/
    Chicago
    christopher williams. Barmouth Moonlight. 1913. Llyfrgell Genedlaethol Cymru / The National Library of Wales. https://wahooart.com/en/art/christopher-williams-barmouth-moonlight-AQS7SM-en/
    Harvard
    williams, christopher (1913) Barmouth Moonlight. Llyfrgell Genedlaethol Cymru / The National Library of Wales. Available at: https://wahooart.com/en/art/christopher-williams-barmouth-moonlight-AQS7SM-en/

    Look closely

    Barmouth Moonlight — christopher williams

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Sir Henry Rudolf Reichel (1856–1931), First Principal (1884–1927) (1926), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. christopher williams was about 40 when this was made. What in it looks like the work of an artist at that stage?
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.