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Student Artwork Guide

Le Stryge

Name Class Date

Charles Meryon, Le Stryge (1853), Harvard Art Museums. Public domain.

The facts

Artist
Charles Meryon wahooart.com/en/artists/charles-meryon/
Artist’s dates
1821 – 1868
Painted
1853
Original size
17 x 14 cm
Movement
Realism Painting ordinary people and ordinary work exactly as they are, without making them prettier or grander.
Held at
Harvard Art Museums wahooart.com/en/museums/harvard-art-museums-cambridge/

In context

Le Stryge — Charles Meryon

How big is it?

The original measures 17 × 14 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1820
  2. 1830
  3. 1840
  4. 1850
  5. 1860

Shaded: the lifetime of Charles Meryon (1821–1868) ▲ this work, 1853

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: wahooart.com/en/art/similar/charles-meryon-le-stryge-D3AQ4V-en/

Colours

Measured from the image

    Main colour

    Gray #817b66

    Catalogued palette

    • #817B66
    • #D4D2CA
    • #3F3D2F
    • #B5AF9C
    Palette
    Neutrals The dominant colour family in the image.
    Main colour name
    Gray
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Bold How much the colours differ in lightness and saturation across the picture.
    Harmony
    Unified Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Artist and museum

    Artist

    Charles Meryon

    Born in Paris, France

    early life and naval career

    charles méryon, a french artist, was born on november 23, 1821, in paris. his mother, a dancer at the paris opera, had a significant influence on his early life. méryon's colour blindness led him to pursue a naval career, which took him on extensive voyages, including a four-year tour around the world. this experience would later inspire his etched depictions of paris.

    artistic journey and notable works

    after realizing that colour-blindness ruled out painting for him, méryon settled on etching in 1848. his most famous work is the series eaux-fortes sur paris, which powerfully conveys his distinctive gothic vision of paris. this series, executed from 1850 to 1854, includes twenty-two etchings that are now considered a testament to méryon's skill and artistry.

    le stryge (the gargoyle or the vampire), 1853, is now meryon's most famous print, showcasing his mastery of the etching medium. (view on AllPaintingsStore)

    st. etienne-du-mont, paris, from eaux-fortes sur paris, demonstrates méryon's ability to capture the essence of parisian landscapes. (view on AllPaintingsStore)

    etchings of paris; title page to the suite, housed at the metropolitan museum of art, serves as a prime example of méryon's etching prowess. (view on AllPaintingsStore)

    museums and collections featuring charles méryon's work

    * the metropolitan museum of art (new york city, united states) houses several of méryon's notable etchings, including etchings of paris; title page to the suite. (view on AllPaintingsStore) * harvard art museums (cambridge, united states) features méryon's le stryge, a testament to his skill in etching. (view on AllPaintingsStore) discover more about charles méryon's life and work on wikipedia: read more

    Museum

    Harvard Art Museums

    On show in Cambridge, United States of America

    A Sanctuary of Global Visions: The Harvard Art Museums

    Nestled within the historic, ivy-clad campus of Harvard University in Cambridge, Massachusetts, the Harvard Art Museums stand as a profound testament to centuries of human creativity and scholarly devotion. This is not merely a repository for objects, but a vibrant ecosystem where history, architecture, and art converge to tell a global story. The complex, which brings together the Fogg Museum, the Busch-Reisinger Museum, and the Arthur M. Sackler Museum, offers an unparalleled journey through time, inviting visitors to traverse the landscapes of antiquity, the Renaissance, and the modern era within a single, breathtaking destination. To wander through these halls is to witness the evolution of the human spirit across continents, making it a pilgrimage site for anyone moved by the power of visual storytelling.

    The museum’s physical presence is a masterclass in architectural dialogue, shaped by the visionary hand of Renzo Piano. His design does not seek to overshadow the past but rather to illuminate it, creating a seamless transition between historical reverence and contemporary innovation. The most striking element of this structural masterpiece is the truncated pyramidal roof—a bold, glass-clad crown that appears to float above the courtyard. This transparent marvel bathes the interior galleries in a soft, natural light, fostering an atmosphere of openness and clarity. As sunlight filters through the structure, it creates a living connection between the art within and the world outside, making the act of viewing art feel like a communal experience with nature itself.

    For those drawn to the Western canon, the Fogg Museum’s collection is nothing short of breathtaking, offering a curated descent into the heart of European mastery. One might find themselves lost in the divine proportions of Italian Renaissance masterpieces by

    Botticelli

    and

    Raphael

    , or swept away by the romantic, symbolic depths of British Pre-Raphaelite paintings. For lovers of light and texture, the collection provides an intimate encounter with Impressionist and Post-Impressionist giants; the revolutionary brushstrokes of

    Monet

    ,

    Degas

    , and

    Van Gogh

    pulse with a life that remains as potent today as it was in the nineteenth century. Within the Maurice Wertheim Collection, the emotional depth of

    Cézanne

    and the psychological complexity of

    Sargent’s

    portraits offer moments of profound introspection for every observer.

    The museum’s scope extends far beyond the Western tradition, embracing a truly global tapestry of expression that is essential for any serious collector or designer seeking inspiration. The Arthur M. Sackler Museum provides a serene window into the artistic traditions of Asia, the Islamic world, and the ancient Near East, where the delicate precision of Chinese calligraphy meets the tranquil beauty of Japanese prints. This diversity is complemented by the specialized Germanic and Central European treasures held within the Busch-Reisinger Museum. Perhaps most unique among its offerings are the legendary

    Glass Flowers

    —meticulously crafted botanical models by the Blaschka family that exist at the enchanting intersection of art, science, and natural history. It is this rare ability to blend the scientific with the sublime that makes the Harvard Art Museums a true sanctuary of human heritage.

    Where to read more

    Find this online

    QR code linking to the download page for Le Stryge

    wahooart.com/en/art/download/charles-meryon-le-stryge-D3AQ4V-en/

    Cite this artwork

    MLA
    Meryon, Charles. Le Stryge. 1853, Harvard Art Museums. https://wahooart.com/en/art/charles-meryon-le-stryge-D3AQ4V-en/
    APA
    Meryon, Charles (1853). Le Stryge [Painting]. Harvard Art Museums. https://wahooart.com/en/art/charles-meryon-le-stryge-D3AQ4V-en/
    Chicago
    Charles Meryon. Le Stryge. 1853. Harvard Art Museums. https://wahooart.com/en/art/charles-meryon-le-stryge-D3AQ4V-en/
    Harvard
    Meryon, Charles (1853) Le Stryge. Harvard Art Museums. Available at: https://wahooart.com/en/art/charles-meryon-le-stryge-D3AQ4V-en/

    Look closely

    Le Stryge — Charles Meryon

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. How many faces can you find? ____ (our catalogue counts 1 — do you agree?)
    4. Look back at Etchings of Paris; Title page to the suite (1852), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Realism: Painting ordinary people and ordinary work exactly as they are, without making them prettier or grander. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.