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Student Artwork Guide

Benjamin Moore McVickar

Name Class Date

Charles Cromwell Ingham, Benjamin Moore McVickar (1825). Public domain.

The facts

Artist
Charles Cromwell Ingham wahooart.com/en/artists/charles-cromwell-ingham/
Artist’s dates
1796 – 1863
Painted
1825
Original size
8 x 8 cm
Movement
Neoclassicism A deliberate return to the calm balance and clear outlines of ancient Greek and Roman art.

In context

Benjamin Moore McVickar — Charles Cromwell Ingham

How big is it?

The original measures 8 × 8 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1790
  2. 1800
  3. 1810
  4. 1820
  5. 1830
  6. 1840
  7. 1850
  8. 1860

Shaded: the lifetime of Charles Cromwell Ingham (1796–1863) ▲ this work, 1825

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: wahooart.com/en/art/similar/charles-cromwell-ingham-benjamin-moore-mcvickar-AQTDRE-en/

Colours

Measured from the image

    Main colour

    Black #090706

    Catalogued palette

    • #090706
    • #E8D2BF
    • #B39362
    • #414437
    Main colour name
    Black
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Balanced Harmony How well the colours work together, from clashing to fully unified.
    Brightness
    Shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Subtle Color How pure and strong the colours are, from near-grey to fully vivid.

    Artist and museum

    Artist

    Charles Cromwell Ingham

    Charles Cromwell Ingham: A Portraitist of New York Society

    Charles Cromwell Ingham (1796 or 1797 – December 10, 1863) remains a captivating figure in 19th-century American art, an artist whose life and career unfolded with a quiet grace that belies the significant impact he had on portraiture and the burgeoning artistic landscape of New York City. Born in Dublin, Ireland, Ingham’s journey took him across the Atlantic to America, where he established himself as a prominent painter specializing in capturing the elegance and social intricacies of his time. While shrouded in some mystery regarding his personal life, his artistic legacy—particularly his exquisite portraits—continues to illuminate the world of painting, offering a glimpse into the refined society of mid-19th century New York.

    Ingham’s early training laid the foundation for his distinctive style. He began studying art at The Dublin Institution in 1809, under the tutelage of William Cuming, an artist known for his influence on a generation of Irish painters. Cuming's approach, emphasizing delicate detail and luminous color, profoundly shaped Ingham’s technique. Further influences included Martin Archer Shee, whose work showcased a refined elegance and attention to naturalism. These formative experiences instilled in him a meticulousness and a sensitivity to light that would become hallmarks of his later paintings.

    A Master of the Miniature and the Grand Portrait

    Upon arriving in New York City in 1816, Ingham quickly established himself as a skilled painter, initially exhibiting “The Death of Cleopatra” at the opening of the American Academy of Fine Arts. However, it was his work in watercolor on ivory—a favored medium for miniature portraits—that truly gained him recognition. This technique allowed him to capture the subtle nuances of expression and texture with remarkable precision, particularly when depicting young women from New York’s upper echelons.

    Ingham's style evolved over time, incorporating elements of French Neoclassicism, notably influenced by Jean Auguste Dominique Ingres. He was renowned for his “high finish,” achieved through multiple layers of glazing, creating a rich and luminous surface. His portraits were not merely likenesses; they were carefully constructed narratives, revealing the personalities and social standing of his subjects. He painted over 200 portraits between 1826 and 1845, including iconic works like “Flower Girl” (1846) and “Benjamin Moore McVickar,” showcasing his ability to capture both physical beauty and inner character.

    Notable Works and Locations

    Several of Ingham’s paintings are now housed in prominent collections, offering valuable insights into his artistic development. “Portrait of a Young Woman” (available via AllPaintingsStore.com) exemplifies his skill in conveying depth through subtle expressions and delicate details. “Landscape with Figures,” currently residing in the Milton Keynes Civic Offices, demonstrates his versatility in capturing both the beauty of nature and the human experience.

    A particularly striking example of Ingham’s work is “The Great Adirondack Pass” (1837), now part of the Adirondack Experience collection. This landscape painting reveals a keen interest in the American wilderness, showcasing his ability to render the rugged beauty of the region with remarkable detail and sensitivity. “Benjamin Moore McVickar,” acquired by the Metropolitan Museum of Art, is another significant portrait that exemplifies his mastery of technique and his talent for capturing the essence of his subjects.

    Legacy and Influence

    Though details about Ingham’s personal life remain elusive, his artistic legacy is undeniable. He was a founding member of the National Academy of Design in 1825, serving as its vice president until his death. His influence can be seen throughout the English heritage museum in Launceston, Australia, where his style has inspired numerous artists. Ingham’s contributions extended beyond painting; he also designed the grand staircase of the Browere stables for the National Academy, a testament to his architectural sensibilities.

    Charles Cromwell Ingham's life may be shrouded in mystery, but his art continues to resonate with viewers today. His paintings offer a captivating glimpse into the social and artistic world of 19th-century New York, showcasing his exceptional talent, meticulous technique, and profound understanding of human character. Exploring his work is like stepping back in time, encountering a master portraitist who quietly shaped the visual landscape of an era.

    Where to read more

    Find this online

    QR code linking to the download page for Benjamin Moore McVickar

    wahooart.com/en/art/download/charles-cromwell-ingham-benjamin-moore-mcvickar-AQTDRE-en/

    Cite this artwork

    MLA
    Ingham, Charles Cromwell. Benjamin Moore McVickar. 1825, https://wahooart.com/en/art/charles-cromwell-ingham-benjamin-moore-mcvickar-AQTDRE-en/
    APA
    Ingham, Charles Cromwell (1825). Benjamin Moore McVickar [Painting]. https://wahooart.com/en/art/charles-cromwell-ingham-benjamin-moore-mcvickar-AQTDRE-en/
    Chicago
    Charles Cromwell Ingham. Benjamin Moore McVickar. 1825. https://wahooart.com/en/art/charles-cromwell-ingham-benjamin-moore-mcvickar-AQTDRE-en/
    Harvard
    Ingham, Charles Cromwell (1825) Benjamin Moore McVickar. Available at: https://wahooart.com/en/art/charles-cromwell-ingham-benjamin-moore-mcvickar-AQTDRE-en/

    Look closely

    Benjamin Moore McVickar — Charles Cromwell Ingham

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: portrait painting, formal attire, neoclassical style. Do you agree? What would you add, or take away?
    4. Look back at Cora Livingston (1833), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Neoclassicism: A deliberate return to the calm balance and clear outlines of ancient Greek and Roman art. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.