Paper

Student Artwork Guide

Rey América

Name Class Date

Celis Pérez, Rey América (1961). Reproduced for reference; rights reserved by the rights holder.

The facts

Artist
Celis Pérez wahooart.com/en/artists/celis-perez/
Artist’s dates
1939 – 2008
Painted
1961

In context

Rey América — Celis Pérez

When was this painted?

  1. 1930
  2. 1940
  3. 1950
  4. 1960
  5. 1970
  6. 1980
  7. 1990
  8. 2000

Shaded: the lifetime of Celis Pérez (1939–2008) ▲ this work, 1961

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: wahooart.com/en/art/similar/celis-perez-rey-america-D5GA8D-en/

Colours

Measured from the image

    Main colour

    Phthalo Green #141614

    Catalogued palette

    • #141614
    • #988C90
    • #DDDBE1
    • #583C38
    Main colour name
    Phthalo Green
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Discordant Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Balanced How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Artist and museum

    Artist

    Celis Pérez

    Born in San Telmo, Argentina

    A Life Immersed in Geometry and Light: The World of Celis Pérez

    Celis Pérez, born in the vibrant heart of San Telmo, Argentina, in 1939, emerged as a significant voice in Latin American abstract art. His journey wasn’t one of immediate acclaim but rather a gradual unfolding, beginning with correspondence courses that ignited an early passion and blossoming through formal studies at the Belgrano School of Fine Arts in 1954. Even as a young boy, working as a newsboy, he was absorbing the visual world around him, unknowingly laying the foundation for his future explorations of form and color. Pérez wasn’t simply creating art; he was constructing a visual language rooted in both personal experience and a deep engagement with the artistic currents of his time. His early exposure to drawing and painting through these formative lessons would prove pivotal, setting him on a path toward becoming one of Argentina's most celebrated abstract artists.

    The Vasarely Spark and the Rise of Geometric Abstraction

    A watershed moment in Pérez’s artistic development arrived with a 1957 retrospective dedicated to Victor Vasarely at the National Fine Arts Museum. This encounter proved transformative, igniting within him a fascination with geometric abstraction that would define much of his subsequent work. Vasarely's precise and systematic approach resonated deeply, prompting Pérez to embark on his own exploration of this visual vocabulary. It wasn’t mere imitation; rather, he absorbed the principles of geometric construction and began to infuse them with his unique sensibility. This influence culminated in 1962 with Fuerza América, his first mural—a bold statement that signaled his arrival as a force within the Argentine art scene. This early work wasn’t just an aesthetic exercise; it was a declaration of intent, showcasing his commitment to pushing boundaries and forging a new visual language. The impact of this initial foray into large-scale geometric compositions would reverberate throughout his career.

    A Global Dialogue: Exhibitions and Recognition

    Pérez’s artistic vision transcended national borders, finding resonance in galleries and museums across the globe. He participated in over 120 solo exhibitions, a testament to the enduring appeal of his work. These weren't confined to Latin America; he showcased his art at prestigious institutions like the Museo Nacional de Bellas Artes in Argentina and even the Musée d’Orsay in Paris—a remarkable achievement for an artist deeply rooted in Argentine identity. His ability to connect with diverse audiences speaks to the universality of his artistic concerns: the interplay of form, color, and light; the exploration of spatial relationships; and the evocation of emotional responses through abstract means. This international recognition wasn’t simply about exposure; it was a validation of his unique contribution to the broader conversation within modern art. He became a cultural ambassador, representing Argentina on the world stage through the power of his visual creations.

    Beyond Canvas and Walls: Murals, Awards, and Lasting Legacy

    Pérez’s artistic reach extended beyond traditional canvases and gallery walls. He received significant commissions, including the prestigious Alba Award at the 61st Salón Nacional de Artes Plásticas Argentino, and was honored as a distinguished citizen of Buenos Aires in 2001. Perhaps most notably, he created murals for Club Atlético Boca Juniors’ iconic La Bombonera stadium—a project that brought his art to a massive public audience and cemented his place within Argentine popular culture. These weren't merely decorative additions; they were integral components of the stadium's atmosphere, adding another layer of visual energy to the passionate world of Argentine football. His work became interwoven with the fabric of everyday life, demonstrating the power of art to transcend elitist boundaries and connect with people from all walks of life. Sadly, Pérez passed away in 2008 at the age of 69 after battling leukemia, but his legacy continues through his numerous works, a testament to his enduring vision and artistic innovation. His paintings, sculptures, and murals remain as vibrant reminders of an artist who dared to explore the boundaries of abstraction and create a visual world that is both intellectually stimulating and emotionally resonant. Works like “Guerra Santa” and “Bird in the Space Gold” exemplify his mastery of color and form, continuing to captivate audiences today.

    Where to read more

    Find this online

    QR code linking to the download page for Rey América

    wahooart.com/en/art/download/celis-perez-rey-america-D5GA8D-en/

    Cite this artwork

    MLA
    Pérez, Celis. Rey América. 1961, https://wahooart.com/en/art/celis-perez-rey-america-D5GA8D-en/
    APA
    Pérez, Celis (1961). Rey América [Painting]. https://wahooart.com/en/art/celis-perez-rey-america-D5GA8D-en/
    Chicago
    Celis Pérez. Rey América. 1961. https://wahooart.com/en/art/celis-perez-rey-america-D5GA8D-en/
    Harvard
    Pérez, Celis (1961) Rey América. Available at: https://wahooart.com/en/art/celis-perez-rey-america-D5GA8D-en/

    Look closely

    Rey América — Celis Pérez

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Paisaje Ideal (1968), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. Celis Pérez was about 22 when this was made. What in it looks like the work of an artist at that stage?
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.