Paper

Student Artwork Guide

Pietà

Name Class Date

Carlo Crivelli, Pietà (1470), Museum of Art. Public domain.

The facts

Artist
Carlo Crivelli wahooart.com/en/artists/carlo-crivelli/
Artist’s dates
1435 – 1495
Painted
1470
Medium
Oil On Canvas
Original size
71 x 47 cm
Movement
Late Gothic Style
Held at
Museum of Art wahooart.com/en/museums/museum-of-art-philadelphia/
Artistic style
Linear, detailed
Influences
Vivarini, Mantegna
Notable elements
Cross, angels, book
Subject or theme
Virgin Mary, Jesus

In context

Pietà — Carlo Crivelli

How big is it?

The original measures 71 × 47 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1430
  2. 1440
  3. 1450
  4. 1460
  5. 1470
  6. 1480
  7. 1490

Shaded: the lifetime of Carlo Crivelli (1435–1495) ▲ this work, 1470

Compare with

  • Virgin and Child, 1482 wahooart.com/en/art/carlo-crivelli-virgin-and-child-8XXR56-en/
  • St George, 1472 wahooart.com/en/art/carlo-crivelli-st-george-8Y35V2-en/
  • Pietà wahooart.com/en/art/carlo-crivelli-pieta-D3KAQF-en/

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: wahooart.com/en/art/similar/carlo-crivelli-pieta-8XXR69-en/

Colours

Measured from the image

    Main colour

    Quinacridone Magenta #8a5c3e

    Catalogued palette

    • #8A5C3E
    • #080405
    • #B5895B
    • #512B22
    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Quinacridone Magenta
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Bold How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Balanced Soft How pure and strong the colours are, from near-grey to fully vivid.

    About this artwork

    Pietà — Carlo Crivelli

    A Timeless Lament: Carlo Crivelli’s Pietà – A Window into Venetian Gothic Devotion

    This exquisite hand-painted reproduction of Carlo Crivelli's Pietà, dating from 1470, offers a profound meditation on grief, faith, and the enduring power of maternal love. Measuring 71 x 47 cm, this artwork transcends mere representation; it’s a deeply felt expression of sorrow rendered with the meticulous detail characteristic of Crivelli's style. The scene depicts the Virgin Mary cradling her son Jesus in his tomb, an iconic image that has resonated through centuries of Christian devotion. Two angels flank the mourning mother, their presence not merely decorative but imbued with a palpable sense of comfort and support – a visual embodiment of divine solace.

    The Master’s Hand: Crivelli's Venetian Gothic Style

    Carlo Crivelli (1435-1495), born in Venice, was a pivotal figure in the transition from late Gothic to early Renaissance art. His training, initially under Jacobello del Fiore and the Vivarini school, shaped his distinctive approach – one characterized by a linear quality, an almost obsessive attention to detail, and a masterful use of “trompe l’oeil” techniques. This Pietà exemplifies these qualities perfectly. Notice the delicate rendering of Mary's drapery, cascading with folds that seem to shift and flow, creating a sense of volume and texture. The angels are similarly rendered with a graceful elegance, their features refined and expressive. Crivelli’s palette is rich and luminous, employing vibrant blues, reds, and golds – colors traditionally associated with piety and royalty – to heighten the emotional impact of the scene.

    Symbolism Woven into the Fabric

    Beyond its immediate depiction of grief, the Pietà is laden with symbolic meaning. The cross above Mary’s head serves as a constant reminder of Jesus' sacrifice, while the book likely represents sacred scripture – a testament to the events surrounding his death and resurrection. The inclusion of the small child standing beside Mary adds another layer of interpretation; perhaps representing an infant Jesus, or symbolizing hope for future salvation. Crivelli’s deliberate choices in composition and detail invite contemplation on themes of loss, redemption, and the unwavering faith that binds humanity to the divine.

    A Legacy of Devotion – Perfect for Interior Design

    This hand-painted reproduction offers a unique opportunity to bring a timeless masterpiece into your home or office. Its scale (71 x 47 cm) makes it suitable for a variety of spaces, from intimate studies to grand living rooms. The artwork’s serene and evocative imagery is guaranteed to create a focal point, inspiring reflection and adding an element of sophisticated beauty to any setting. Inspired by the works of masters like Mantegna and Squarcione, this Pietà is more than just a reproduction; it's a tangible connection to centuries of artistic tradition – a testament to Carlo Crivelli’s enduring legacy.

    Artist and museum

    Artist

    Carlo Crivelli

    Born in Venice, Italy

    early life and training

    carlo crivelli, an italian renaissance painter, was born in venice around 1430-35. he came from a family of painters and received his artistic formation in venice and padua. crivelli's early training is believed to have been under jacobello del fiore, who was still active in 1436. he also studied at the school of vivarini in venice.

    career and style

    crivelli spent his early years in the veneto, absorbing influences from vivarini, squarcione, and mantegna. by 1458, he left the veneto and spent most of his career in the march of ancona, developing a distinctive personal style that contrasts with that of his venetian contemporary giovanni bellini. crivelli's work is characterized by a conservative late gothic decorative sensibility, marked by a linear quality, attention to detail, and the use of "trompe l'oeil" techniques.

    notable works and collaborations

    * carlo crivelli's painting "madonna and child enthroned" (106 x 55 cm, museum of fine arts, budapest, hungary) is a prime example of his style. he collaborated with his younger brother vittorio crivelli on several projects. pietro alemanno, a painter who immigrated to the march of ancona from germany/austria, was his pupil and collaborator.

    museums and collections

    * the pinacoteca di brera in milan, italy, features several of crivelli's works, including "pietà" (128 x 241 cm). * the museum san giovanni in bragora in venice, italy, has a collection of artworks from various periods and styles, including some attributed to crivelli.

    view carlo crivelli's artworks on AllPaintingsStore.com

    explore jacopo robusti's works on AllPaintingsStore.com

    read more about carlo crivelli on wikipedia

    crivelli's legacy continues to inspire art enthusiasts and scholars alike, with his work remaining a testament to the enduring power of conservative late gothic decorative sensibility.

    Museum

    Museum of Art

    On show in Philadelphia, United States of America

    A Sanctuary of Artistic Echoes: The Philadelphia Museum of Art

    The Philadelphia Museum of Art isn’t merely a building housing masterpieces; it's an experience woven into the very fabric of the city, a cultural landmark that resonates with both historical grandeur and contemporary vitality. Ascending the iconic “Rocky Steps,” made famous by Sylvester Stallone’s cinematic triumph, is more than just a physical climb—it’s a symbolic journey towards artistic inspiration, a prelude to encountering centuries of human creativity within its walls. Completed in 1928 through the vision of Horace Trumbauer and Julian Abele, the museum's neoclassical facade, adorned with Corinthian columns and symmetrical design, commands attention, hinting at the treasures held within. The building itself is a testament to ambition, conceived as a beacon for art and culture in Philadelphia, and its scale reflects that unwavering commitment. Inside, grand staircases sweep visitors into soaring galleries, fostering an atmosphere of awe and contemplation. A more recent addition, the Perelman Building, seamlessly integrates modern functionality with the historic character of the complex, providing state-of-the-art spaces for prints, drawings, photographs, and design objects—a testament to the museum’s evolving embrace of diverse artistic mediums.

    From Industrial Roots to Artistic Flourishing

    The story of the Philadelphia Museum of Art began in 1876, not as a grand palace of fine art, but as the Pennsylvania Museum and School of Industrial Art. This pioneering institution aimed to bridge the gap between artistic expression and practical skills, fostering both creativity and craftsmanship. Over time, its scope expanded dramatically, fueled by generous donations and strategic acquisitions that transformed it into the comprehensive collection we see today. The construction of the main building on Fairmount Hill marked a pivotal moment, solidifying the museum’s position as a vital cultural hub within Philadelphia and beyond. Today, the museum boasts over 240,000 works, a remarkably cohesive narrative spanning continents and artistic movements. While renowned for its exceptional holdings in European art—from the Renaissance grandeur of Italian masters to the Impressionistic light captured by Monet and Renoir—the collection’s breadth is truly astonishing. A deep dive reveals a vibrant American collection charting the development of artistic styles across the nation's history, alongside an equally captivating dedication to Asian art, offering profound glimpses into the traditions of China, Japan, Korea, and beyond.

    Whispers from Canvas and Stone

    Exploring the museum’s galleries is akin to embarking on an artistic adventure, encountering works that speak volumes about their creators and the societies they inhabited. William Michael Harnett's Still Life: Writing Table (1877) exemplifies trompe-l'œil realism with breathtaking precision, meticulously depicting everyday objects in a way that blurs the line between representation and reality. The illusion is so convincing it feels as though the scene extends beyond the canvas itself. William Merritt Chase’s Portrait of a Lady in Black (also known as Annie Traquair Lang) offers a captivating study of elegance and social grace, capturing not just a likeness but also a sense of personality and inner life. The museum's collection isn't limited to paintings; Henri Matisse’s Portrait d'Yvonne Landsberg, Winslow Homer’s evocative Redwing Blackbirds, Benjamin West’s dramatic The Death of Hyacinth, and Peter Paul Rubens’ powerful Chained Prometheus all contribute to the richly layered artistic panorama. And for those seeking a quieter, more intimate experience, Jean-Baptiste-Siméon Chardin's Hare with Game Bag and Powder Flask offers a serene glimpse into 18th-century still life painting, showcasing masterful chiaroscuro and textured realism.

    Celebrating Resilience: The Gee’s Bend Quilts

    Beyond the established canon of Western art, the Philadelphia Museum of Art has also championed voices often marginalized in traditional art history. The museum's collection of quilts from Gee’s Bend, Alabama, stands as a powerful testament to this commitment. Created by African-American women, these vibrant and improvisational works are more than just functional objects; they are expressions of resilience, creativity, and cultural heritage. Artists like Annie Elizabeth Pettway and Nettie Pettway Young transformed humble materials into bold abstract compositions, imbued with unique symbolism and reflecting a distinct aesthetic tradition passed down through generations. Their quilts challenge conventional notions of artmaking and offer a profound glimpse into the lives and experiences of a community that has long been overlooked.

    A Living Cultural Hub

    The Philadelphia Museum of Art is not simply a repository for the past; it’s a dynamic, living institution dedicated to engaging visitors with art in meaningful ways. The iconic “Rocky Steps” have become a symbol of perseverance and triumph, embraced by visitors from around the globe. Beyond the main building, the Rodin Museum offers an intimate encounter with the sculptures of Auguste Rodin, while historic colonial-era houses like Mount Pleasant and Cedar Grove provide glimpses into Philadelphia’s past. The museum consistently strives to offer diverse programming—lectures, workshops, family activities, and special events—fostering dialogue and celebrating the transformative power of art. It remains a vibrant cultural hub, inspiring creativity and inviting all who enter to embark on their own artistic journey.

    Where to read more

    Find this online

    QR code linking to the download page for Pietà

    wahooart.com/en/art/download/carlo-crivelli-pieta-8XXR69-en/

    Cite this artwork

    MLA
    Crivelli, Carlo. Pietà. 1470, Museum of Art. https://wahooart.com/en/art/carlo-crivelli-pieta-8XXR69-en/
    APA
    Crivelli, Carlo (1470). Pietà [Painting]. Museum of Art. https://wahooart.com/en/art/carlo-crivelli-pieta-8XXR69-en/
    Chicago
    Carlo Crivelli. Pietà. 1470. Museum of Art. https://wahooart.com/en/art/carlo-crivelli-pieta-8XXR69-en/
    Harvard
    Crivelli, Carlo (1470) Pietà. Museum of Art. Available at: https://wahooart.com/en/art/carlo-crivelli-pieta-8XXR69-en/

    Look closely

    Pietà — Carlo Crivelli

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: virgin mary, jesus christ, tomb scene. Do you agree? What would you add, or take away?
    4. Look back at Virgin and Child (1482), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Carlo Crivelli was about 35 when this was made. What in it looks like the work of an artist at that stage?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.