Paper

Student Artwork Guide

Eric II (Eric Wallace, 1938–2004)

Name Class Date

Bridget Cox, Eric II (Eric Wallace, 1938–2004) (2004). Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Bridget Cox wahooart.com/en/artists/bridget-cox/
Painted
2004
Original size
20 x 20 cm

In context

Eric II (Eric Wallace, 1938–2004) — Bridget Cox

How big is it?

The original measures 20 × 20 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1990
  2. 2000

▲ this work, 2004 every dated painting, decade by decade

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: wahooart.com/en/art/similar/bridget-cox-eric-ii-eric-wallace-1938-2004-AR2DPW-en/

Colours

Measured from the image

    Main colour

    Clay #a2684a

    Catalogued palette

    • #A2684A
    • #5D3C39
    • #CBBEA7
    • #AAA29E

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Neutrals The dominant colour family in the image.
    Main colour name
    Clay
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Balanced How much the colours differ in lightness and saturation across the picture.
    Harmony
    Softly Mixed Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Subtle Color How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Bridget Cox over the last twelve months — 1 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 100.0%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 2 most looked-at works by Bridget Cox

    1. 1 Eric I (Eric Wallace, 1938–2004), 2004 100.0%
    2. — Eric II (Eric Wallace, 1938–2004), 2004 this painting 0.0%

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 7 works by this artist, of which 1 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Bridget Cox

    A Visionary Bridge Between Surrealism and Romanticism

    Bridget Cox stands as a singular figure in the landscape of contemporary British painting, a creator whose work exists in the delicate tension between the tangible world and the ethereal realm of dreams. Born in 1968, Cox has cultivated a distinctive visual language that transcends conventional genre boundaries, merging the grandeur of Romantic vistas with the unsettling, evocative textures of Surrealism. Her canvases do not merely depict scenery; they act as windows into emotionally resonant narratives rooted deeply in memory, personal experience, and the sublime. Through her meticulous attention to detail, she invites the viewer to wander through landscapes that feel simultaneously familiar and otherworldly, capturing a sense of fleeting beauty that is both haunting and profound.

    The foundations of Cox’s artistic vision were laid amidst the dramatic, mist-shrouded peaks of Cumbria. Growing up in the heart of the Lake District, she was profoundly shaped by the rugged topography and the atmospheric shifts of the English countryside. This early immersion in such a powerful natural environment instilled in her a lifelong preoccupation with capturing moments of sublime grandeur. Her fascination with art was nurtured by her father’s encouragement, fostering an innate sensitivity to light and shadow that would become the hallmark of her style. This connection to the landscape is not merely observational but deeply spiritual, as she seeks to translate the ephemeral qualities of nature into permanent, expressive realism.

    The Legacy of Light and the Eric I-VI Series

    Much of Cox’s technical mastery can be traced back to the formative influences of David Cox the Elder. From this lineage, she inherited a profound appreciation for watercolor techniques and the ability to manipulate light and atmosphere to evoke specific moods. This legacy of capturing the essence of place permeates her entire oeuvre, allowing her to move seamlessly between the precision of realism and the dreamlike distortions of the surreal. Her work often echoes the Romantic spirit, prioritizing emotion and imagination over mere topographical accuracy, a pursuit that allows her to explore the psychological depths of the landscapes she portrays.

    Perhaps the most significant milestone in her career is the creation of the Eric I-VI series, a monumental undertaking that solidified her reputation as a visionary painter. In this collection, Cox explores expansive, surreal landscapes that transform recognizable vistas into symbolic realms. These paintings are characterized by:

    Symbolic Figures: The integration of evocative characters that inhabit the landscape, acting as anchors for narrative and memory.

    Textural Depth: A masterful use of impasto and layered textures that lend a physical presence to the dreamlike elements.

    Atmospheric Light: The careful rendering of subtle shifts in color and luminosity to create a sense of depth and mystery.

    Through this series, Cox achieves a synthesis of the seen and the imagined, turning the landscape into a stage for the subconscious. Each piece serves as a study of character and place, where the boundaries between reality and fantasy dissolve, leaving the viewer in a state of contemplative wonder.

    Artistic Significance and Enduring Impact

    The historical significance of Bridget Cox’s work lies in her ability to revitalize the tradition of landscape painting for a contemporary audience. By infusing the classical sensibilities of the Romantic era with the psychological complexity of Surrealism, she offers a fresh perspective on the relationship between humanity and the natural world. Her paintings do not shy away from the complexities of memory or the distortions of perception; instead, they embrace them as essential components of the human experience.

    As her body of work continues to grow, Cox remains a vital voice in British art, reminding us that the landscape is not just a physical space, but a psychological one. Her dedication to mastering technique—from the delicate nuances of light to the bold application of texture—ensures that her visions of the sublime remain as impactful and evocative as the landscapes that first inspired her. In the hands of Bridget Cox, the landscape becomes an eternal dialogue between the earth beneath our feet and the dreams within our minds.

    Where to read more

    • The artist Bridget Cox wahooart.com/en/artists/bridget-cox/
    • Similar works More works to compare wahooart.com/en/art/similar/bridget-cox-eric-ii-eric-wallace-1938-2004-AR2DPW-en/

    Find this online

    QR code linking to the download page for Eric II (Eric Wallace, 1938–2004)

    wahooart.com/en/art/download/bridget-cox-eric-ii-eric-wallace-1938-2004-AR2DPW-en/

    Cite this artwork

    MLA
    Cox, Bridget. Eric II (Eric Wallace, 1938–2004). 2004, https://wahooart.com/en/art/bridget-cox-eric-ii-eric-wallace-1938-2004-AR2DPW-en/
    APA
    Cox, Bridget (2004). Eric II (Eric Wallace, 1938–2004) [Painting]. https://wahooart.com/en/art/bridget-cox-eric-ii-eric-wallace-1938-2004-AR2DPW-en/
    Chicago
    Bridget Cox. Eric II (Eric Wallace, 1938–2004). 2004. https://wahooart.com/en/art/bridget-cox-eric-ii-eric-wallace-1938-2004-AR2DPW-en/
    Harvard
    Cox, Bridget (2004) Eric II (Eric Wallace, 1938–2004). Available at: https://wahooart.com/en/art/bridget-cox-eric-ii-eric-wallace-1938-2004-AR2DPW-en/

    Look closely

    Eric II (Eric Wallace, 1938–2004) — Bridget Cox

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Eric IV (Eric Wallace, 1938–2004) (2004), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. What might the artist have wanted you to feel?
    5. If you could ask the artist one question about this work, what would it be?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    Are the colors of "Eric II (Eric Wallace, 1938–2004)" by Bridget Cox vivid or muted?

    The color of "Eric II (Eric Wallace, 1938–2004)" is subtle color in saturation and balanced in intensity.

    Who sells hand-painted copies of "Eric II (Eric Wallace, 1938–2004)" by Bridget Cox?

    Hand-painted copies of "Eric II (Eric Wallace, 1938–2004)" by Bridget Cox are sold on this website: a hand-painted oil reproduction on linen canvas, ordered from its Hand-Painted Reproduction page.

    How can I get a digital file of "Eric II (Eric Wallace, 1938–2004)" by Bridget Cox?

    A digital image of "Eric II (Eric Wallace, 1938–2004)" by Bridget Cox can be purchased on its Digital Image page: a high-resolution digital image download.