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Student Artwork Guide

Circus

Name Class Date

Boris Gorelick, Circus (1941). Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Boris Gorelick wahooart.com/en/artists/boris-gorelick/
Artist’s dates
1912 – 1984
Painted
1941
Original size
34 x 43 cm

In context

Circus — Boris Gorelick

How big is it?

The original measures 34 × 43 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1910
  2. 1920
  3. 1930
  4. 1940
  5. 1950
  6. 1960
  7. 1970
  8. 1980

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 72 at death.

Painted when the artist was 29. The artist lived to 72. 2 of the 5 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Boris Gorelick (1912–1984) ▲ this work, 1941 every dated painting, decade by decade

Compare with

  • Fantasy, 1939 wahooart.com/en/art/boris-gorelick-fantasy-AR22CY-en/
  • Flood, 1941 wahooart.com/en/art/boris-gorelick-flood-AR22CW-en/
  • Case no., 1941 wahooart.com/en/art/boris-gorelick-case-no-AR22D4-en/

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: wahooart.com/en/art/similar/boris-gorelick-circus-AR22D6-en/

Colours

Measured from the image

    Main colour

    Putty #cfc6b9

    Catalogued palette

    • #CFC6B9
    • #F8F2E6
    • #7A6E64
    • #A49A8F

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Neutrals The dominant colour family in the image.
    Main colour name
    Putty
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Gentle How much the colours differ in lightness and saturation across the picture.
    Harmony
    Unified Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Boris Gorelick over the last twelve months — 1 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 100.0%200 visits

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 3 most looked-at works by Boris Gorelick

    1. 1 Fantasy, 1939 50.0%100 visits
    2. 2 Case no., 1941 50.0%100 visits
    3. — Circus, 1941 this painting 0.0%0 visits

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 5 works by this artist, of which 2 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    Circus — Boris Gorelick

    The painting Circus by Boris Gorelick is a fascinating piece of art that showcases the artist's unique style and technique. Created in 1941, this black and white drawing on paper measures 34 x 43 cm and is currently housed at the Smithsonian American Art Museum. The image depicts a lively circus scene with a crowd gathered around a man sitting on top of a wagon or cart, surrounded by several other people and two dogs.

    Artistic Style and Technique

    Boris Gorelick's artistic style is characterized by his use of bold lines and expressive brushstrokes, which are evident in the Circus painting. The artist's technique is reminiscent of other notable artists, such as Aaron Bohrod and Andre Racz, who also explored the theme of everyday life in their works. For example, Aaron Bohrod's painting Summertime (1945) features a similar use of bold lines and vibrant colors to depict a lively summer scene. Key Features of the Painting Some notable features of the Circus painting include:

    The use of contrasting light and dark shades to create a sense of depth and dimensionality

    The expressive facial expressions and body language of the figures in the scene

    The inclusion of two dogs, which adds a touch of whimsy and playfulness to the painting

    For more information on Boris Gorelick and his works, visit /en/art/show/art-ar22d6-en/ or explore the Smithsonian American Art Museum collection on https://Wikipedia.org/wiki/Smithsonian_American_Art_Museum.

    The Circus painting is a remarkable example of Boris Gorelick's artistic skill and creativity. As a handmade oil painting reproduction, it can be a beautiful addition to any art collection. Visit https://AllPaintingsStore.com to explore more artworks by Boris Gorelick and other notable artists.

    Artist and museum

    Artist

    Boris Gorelick

    A Life Painted in Dreams: The Evocative World of Boris Gorelick

    Boris Gorelick, born in 1912 and passing away in 1984, remains a compelling figure within the landscape of 20th-century art. Though not always prominently featured in mainstream narratives, his work—a distinctive blend of surrealism, symbolism, and abstract expression—possesses a quiet power that continues to resonate with viewers today. Gorelick’s artistic journey was one of subtle evolution, marked by a consistent exploration of the inner world projected onto often desolate yet strangely beautiful terrains. While biographical details are somewhat scarce, the paintings themselves offer the most profound insight into his life and preoccupations. He emerged from a period of significant upheaval in Russia, though specific details regarding his early training remain elusive; it’s clear that he absorbed influences from both European modernism and the rich traditions of Russian art, forging a unique path that defied easy categorization. His work doesn't shout for attention but rather invites contemplation, drawing the viewer into a realm where reality and dream intertwine.

    The Language of Landscape: Themes and Symbolism

    Gorelick’s paintings are overwhelmingly landscapes, yet they rarely depict specific locations. Instead, they function as psychological spaces—vast, often empty scenes populated by enigmatic forms and bathed in atmospheric light. Recurring motifs include solitary trees, crumbling structures, distant horizons, and a pervasive sense of melancholy. These elements aren't merely decorative; they operate on a symbolic level, hinting at themes of isolation, memory, loss, and the search for meaning. The trees, often gnarled and weathered, can be interpreted as representations of resilience in the face of adversity or as symbols of connection to ancestral roots. Crumbling structures suggest the fragility of human endeavor and the inevitable passage of time. The horizons, frequently blurred or obscured, evoke a sense of longing and the unattainable nature of ultimate knowledge. Gorelick’s palette is typically muted—earth tones, grays, blues, and ochres dominate—further enhancing the paintings' introspective quality. He wasn’t interested in replicating visual reality but rather in conveying emotional truth through form, color, and composition. His landscapes are not places to visit; they are states of being.

    Development and Technique: A Quiet Mastery

    Tracing a clear linear development within Gorelick’s oeuvre is challenging, as his style remained remarkably consistent throughout his career. However, early works tend to be slightly more representational, with discernible forms and a greater emphasis on detail. As he matured, his paintings became increasingly abstract, prioritizing atmosphere and emotional impact over precise depiction. He employed a variety of techniques, often building up layers of paint to create textured surfaces that add depth and complexity to his compositions.

    His brushwork is typically loose and expressive,

    with visible strokes contributing to the paintings' sense of movement and energy.

    He frequently used glazes to achieve luminous effects and subtle gradations of color.

    Gorelick’s approach can be seen as a bridge between Surrealism and Abstract Expressionism, sharing the former’s interest in the subconscious and the latter’s emphasis on spontaneous gesture. He wasn't aligned with any particular school or movement; his artistic vision was deeply personal and independent. The physicality of the paint itself—its texture, weight, and color—became an integral part of the meaning-making process.

    Legacy and Historical Significance

    While Boris Gorelick may not be a household name, his work occupies a significant niche within the broader context of 20th-century art. He represents a quieter strand of modernism—one that prioritized introspection, symbolism, and emotional resonance over spectacle and innovation. His paintings offer a compelling alternative to the more bombastic trends of Abstract Expressionism, demonstrating that profound artistic expression doesn't necessarily require grand gestures or overt displays of virtuosity. Gorelick’s landscapes resonate with a timeless quality, speaking to universal human experiences of isolation, longing, and the search for meaning in a chaotic world. His work has found a growing audience among collectors and art enthusiasts who appreciate its subtle beauty and emotional depth. As interest in overlooked artists continues to grow, Gorelick's unique contribution to the landscape of modern art is poised to receive greater recognition. He reminds us that true artistry lies not in replicating reality but in revealing the hidden depths of the human soul.

    Where to read more

    Find this online

    QR code linking to the download page for Circus

    wahooart.com/en/art/download/boris-gorelick-circus-AR22D6-en/

    Cite this artwork

    MLA
    Gorelick, Boris. Circus. 1941, https://wahooart.com/en/art/boris-gorelick-circus-AR22D6-en/
    APA
    Gorelick, Boris (1941). Circus [Painting]. https://wahooart.com/en/art/boris-gorelick-circus-AR22D6-en/
    Chicago
    Boris Gorelick. Circus. 1941. https://wahooart.com/en/art/boris-gorelick-circus-AR22D6-en/
    Harvard
    Gorelick, Boris (1941) Circus. Available at: https://wahooart.com/en/art/boris-gorelick-circus-AR22D6-en/

    Look closely

    Circus — Boris Gorelick

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Fantasy (1939), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. Boris Gorelick was about 29 when this was made. What in it looks like the work of an artist at that stage?
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    How is "Circus" by Boris Gorelick proportioned, and how big is it?

    The format of "Circus" is landscape, and the original measures 34 x 43 cm. Both are useful when planning a reproduction.

    What are the dimensions of the original "Circus" by Boris Gorelick?

    The original "Circus" by Boris Gorelick measures 34 x 43 cm.

    Where can I find statistics about "Circus" by Boris Gorelick?

    A Stats page exists for "Circus". It charts the monthly visits of the artwork and of the artist's other works, with country and language breakdowns.