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Student Artwork Guide

The Cherry Tree

Name Class Date

Berthe Morisot, The Cherry Tree (1891), Musée Marmottan Monet. Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Berthe Morisot wahooart.com/en/artists/berthe-morisot/
Artist’s dates
1841 – 1895
Painted
1891
Original size
152 x 85 cm
Held at
Musée Marmottan Monet wahooart.com/en/museums/musee-marmottan-monet-paris/
Artistic style
Realistic Impressionist
Influences
French Painting
Notable elements or techniques
Light Color Pastel Brushstrokes
Subject or theme
Women Garden Cherry Tree

In context

The Cherry Tree — Berthe Morisot

How big is it?

The original measures 152 × 85 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1840
  2. 1850
  3. 1860
  4. 1870
  5. 1880
  6. 1890

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 54 at death.

Painted when the artist was 50. The artist lived to 54. 190 of the 241 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Berthe Morisot (1841–1895) ▲ this work, 1891 every dated painting, decade by decade

First works: up to 1879 Main working years: 1879–1889 Late works: from 1889

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: wahooart.com/en/art/similar/berthe-morisot-the-cherry-tree-8EWCVC-en/

Colours

Measured from the image

    Main colour

    Rosy Brown #b3b1a2

    Catalogued palette

    • #B3B1A2
    • #2F2D27
    • #91896A
    • #605E4B

    These colours inside the artist’s whole palette Find other paintings by colour

    Main colour name
    Rosy Brown
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Bold How much the colours differ in lightness and saturation across the picture.
    Harmony
    Balanced Harmony How well the colours work together, from clashing to fully unified.
    Brightness
    Balanced How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Subtle Color How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Berthe Morisot over the last twelve months — 32 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 57.8%
    2. 2 Japan 7.3%
    3. 3 United States of America 5.9%
    4. 4 Singapore 4.7%
    5. 5 Spain 3.5%
    6. 6 Hong Kong 3.5%
    7. 7 France 3.3%
    8. 8 Germany 2.6%
    9. 9 Italy 2.3%
    10. 10 Brazil 1.4%
    11. · 22 other countries 7.7%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by Berthe Morisot

    1. 1 The Hydrangea, 1894 2.8%
    2. 2 The Cradle, 1872 2.4%
    3. 3 The Garden at Bougival, 1884 2.4%
    4. 4 A Corner of the Rose Garden, 1885 2.2%
    5. 5 Psyche, 1876 2.2%
    6. 6 Girl with Cat, 1892 1.9%
    7. 7 The Quay at Bougival, 1883 1.7%
    8. 8 In the Garden at Maurecourt, 1884 1.7%
    9. 9 Eugene Manet on the Isle of Wight 1.3%
    10. 10 In the Dining Room, 1875 1.3%
    11. 11 Young Woman Dressed for the Ball, 1879 1.3%
    12. 12 Summer (also known as Young Woman by a Window), 1878 1.3%
    13. 13 Julie Manet and her Greyhound Laerte, 1893 1.3%
    14. 14 Child in the Rose Garden, 1881 1.3%
    15. 15 The Artist's Sister Edma with Her Daughter Jeanne, 1872 1.3%
    16. 16 The Harbor at Lorient, 1869 1.3%
    17. 17 Paule Gobillard Painting, 1886 1.1%
    18. 18 Girl in a Boat, with Geese, 1889 1.1%
    19. 19 On the Balcony of Eugene Manet's Room at Bougival, 1881 1.1%
    20. 50 The Cherry Tree, 1891 this painting 0.6%

    Together these works take 31.6% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 331 works by this artist, of which 213 were looked at at least once. This painting ranks 50 of them, with 0.6% of that attention. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    The Cherry Tree — Berthe Morisot

    A Portrait of Tranquility Under Bloom

    Berthe Morisot’s “The Cherry Tree,” painted in 1891, isn't merely a depiction of two women beneath a blossoming cherry tree; it’s an embodiment of the Impressionist ethos—a celebration of fleeting beauty and an intimate glimpse into domestic life. Situated within the Musée Marmottan Monet in Paris, this canvas transcends its physical dimensions to transport viewers back to a specific time and place, capturing the spirit of Belle Époque France.

    Composition and Technique: Mastering Light’s Dance

    Morisot skillfully employs loose brushstrokes—characteristic of Impressionism—to render the vibrant hues of the cherry blossoms and the subtle shades of skin tones. The artist eschews meticulous detail, prioritizing instead the impression of light filtering through the branches onto her subjects. Notice how Morisot captures the diffused glow emanating from the tree’s petals, creating an ethereal atmosphere that invites contemplation. Her technique—primarily oil paint applied in thin layers—allows for maximum luminosity and transparency, mirroring the Impressionists' fascination with capturing atmospheric conditions.

    Symbolism: Blossoms of Hope and Female Connection

    The cherry tree itself holds profound symbolic significance within Japanese culture, representing renewal, purity, and the ephemeral nature of life. In Morisot’s painting, it serves as a visual metaphor for femininity—the woman reaching upwards embodies aspiration and desire, while her companion anchors herself to the tree, symbolizing stability and connection to tradition. The gesture of picking fruit speaks to themes of nurturing and domestic responsibility, reflecting the role of women in shaping family life during this period.

    Historical Context: Impressionism’s Embrace of Everyday Life

    Painted against the backdrop of a rapidly changing society—one grappling with industrialization and urbanization—Morisot's work stands apart from academic art traditions that favored grand narratives and idealized representations. The Impressionists sought to depict scenes from ordinary life, capturing moments of sensory experience with unprecedented honesty. “The Cherry Tree” exemplifies this artistic impulse, demonstrating Morisot’s commitment to portraying the beauty found in seemingly unremarkable subjects—a testament to her enduring legacy as one of the foremost female artists of her generation.

    Emotional Resonance: A Quiet Beauty That Speaks Volumes

    Ultimately, “The Cherry Tree” resonates with viewers on an emotional level. Its serene palette and harmonious composition evoke a sense of tranquility and contentment—a feeling perfectly aligned with the Impressionist desire to capture the sublime qualities of nature. More than just a visual spectacle, Morisot’s masterpiece invites us to pause, observe, and appreciate the simple joys of existence, reminding us that beauty can be found in even the most unassuming corners of our world.

    Artist and museum

    Artist

    Berthe Morisot

    Born in Bourges, France

    A Life Immersed in Light and Intimacy

    Berthe Morisot, born in Bourges, France, in 1841, emerged as a pivotal figure within the Impressionist movement, yet her story extends far beyond simply being a “female Impressionist.” To define her solely by gender diminishes the profound originality of her artistic vision and her unwavering commitment to capturing the fleeting moments of modern life. Descended from a bourgeois family with artistic lineage – she was related to the celebrated Rococo painter Jean-Honoré Fragonard – Morisot received an education uncommon for women of her era, one that nurtured her innate talent and fostered a lifelong dedication to painting. Early lessons with Geoffroy-Alphonse Chocarne and Joseph Guichard provided foundational skills, but it was exposure to the masterpieces within the Louvre, copying works by the Old Masters, that truly ignited her artistic sensibility. This period of rigorous training laid the groundwork for her later explorations of light, color, and form. The influence of Jean-Baptiste-Camille Corot proved particularly significant; his emphasis on plein air painting – working outdoors directly from nature – became a cornerstone of Morisot’s approach, allowing her to capture the ephemeral qualities of light and atmosphere with remarkable sensitivity.

    Navigating the Impressionist Circle

    Morisot's artistic journey intertwined closely with that of Édouard Manet, whom she met in 1864. Their relationship was one of mutual respect and intellectual exchange, with Manet serving as a mentor and friend. He painted her numerous times, immortalizing her presence within his own evolving style. However, Morisot wasn’t merely a subject; she actively participated in the burgeoning Impressionist movement, becoming a founding member alongside Monet, Degas, Renoir, and Pissarro. In 1874, she boldly exhibited with this group of “rejected” artists, defying the conservative standards of the official Salon. This first Impressionist exhibition marked a turning point in art history, challenging traditional academic conventions and paving the way for new modes of artistic expression. Morisot participated in nearly all subsequent Impressionist exhibitions, consistently showcasing her unique perspective and solidifying her position within the avant-garde. Her work, often depicting intimate scenes of domestic life – women reading, mothers with children, leisurely moments in gardens – offered a distinctly feminine gaze, challenging prevailing societal norms and expanding the scope of acceptable subject matter for female artists.

    A Distinctive Artistic Voice

    What sets Morisot apart is not simply what she painted, but how she painted it. Her brushwork is characterized by its delicate fluidity, a lightness of touch that conveys an impression of spontaneity and immediacy. She masterfully employed broken color – applying small strokes of pure pigment side-by-side to create a shimmering effect of light and atmosphere. Unlike some of her Impressionist colleagues who focused on grand landscapes or bustling cityscapes, Morisot often chose intimate interior scenes and portraits, exploring the nuances of human relationships and the quiet beauty of everyday life. Her palette is typically soft and harmonious, favoring pastel shades and subtle gradations of color. This isn’t to say her work lacks strength; rather, it possesses a refined elegance and emotional depth that resonates with viewers even today. Critics like Gustave Geffroy recognized this unique quality, hailing her as one of “les trois grandes dames” of Impressionism – alongside Marie Bracquemond and Mary Cassatt – acknowledging her significant contribution to the movement.

    Legacy and Lasting Influence

    Berthe Morisot’s life was tragically cut short in 1895, but her artistic legacy endures. Married to Eugène Manet, brother of Édouard, she navigated a world that often underestimated female artists, yet she persevered with unwavering determination. She exhibited under her full maiden name – a subtle act of independence and self-assertion – and consistently challenged conventional expectations. Her work continues to captivate audiences with its delicate beauty, emotional honesty, and innovative technique. Morisot’s influence extends beyond the realm of Impressionism; she paved the way for future generations of female artists, demonstrating that women could achieve artistic excellence and contribute meaningfully to the evolution of art history. Today, her paintings are held in prestigious collections around the world, serving as a testament to her enduring talent and her pivotal role in shaping modern art. Woman in the Green Dress, The Cradle, and Summer’s Day remain iconic examples of her mastery, inviting viewers into a world of light, intimacy, and quiet contemplation.

    Museum

    Musée Marmottan Monet

    On show in Paris, France

    A Sanctuary of Light: The Musée Marmottan Monet’s Enduring Embrace

    Nestled within a tranquil corner of Paris, bordering the verdant expanse of the Bois de Boulogne, lies the Musée Marmottan Monet – an unexpected jewel box brimming with the luminous heart of Impressionism. More than simply a repository of paintings, it's a deeply personal narrative woven through generations, beginning not with grand artistic ambition but with a fascination for Napoleonic history and culminating in a profound celebration of light and color. The building itself, a meticulously restored 19th-century mansion, exudes an understated elegance; its architecture provides a serene backdrop to the vibrant canvases within, creating an atmosphere that feels remarkably intimate – as if stepping directly into the artist’s studio or the dappled sunlight of his beloved Giverny garden. This isn't a museum that merely displays art; it invites you to lose yourself in its world, to feel the warmth of the Parisian sun and the gentle rustle of leaves, all while contemplating the revolutionary spirit that defined Monet’s legacy.

    A Family Legacy:

    The museum's origins are inextricably linked to the Marmottan family – Jules, Paul, and Michel. Their initial passion for Napoleonic artifacts evolved into a remarkable collection of furniture, sculptures, and paintings, forming the foundation upon which the Impressionist wing was built.

    The Pivotal Gift:

    The turning point arrived in 1966 with the generous bequest from Michel Monet – over one hundred paintings, including the iconic Impression, soleil levant, that irrevocably cemented the museum’s place on the international art stage.

    The story of the Musée Marmottan Monet is as captivating as the works it houses. It began with a hunting lodge commissioned by the Duke of Valmy in 1882, and was later acquired by Jules Marmottan who transformed it into an hôtel particulier. The building’s transformation into a museum wasn't merely a logistical shift; it represented a conscious decision to preserve and share a family legacy—a testament to their dedication to art and history.

    The Heart of Monet: Water Lilies and Beyond

    At the heart of the Musée Marmottan Monet resides an unparalleled collection of Claude Monet’s works, most notably his series of Water Lilies (Nymphéas). These monumental canvases, painted primarily during the last three decades of his life at Giverny, are not simply landscapes; they are immersive experiences—a swirling vortex of color and light that transports the viewer to the tranquil depths of Monet’s garden pond. The sheer scale of these paintings is breathtaking, demanding a slow, deliberate appreciation of their intricate details and subtle shifts in hue. But it's more than just size; it’s the way Monet captures the fleeting effects of sunlight on water, the dance of reflections, and the ephemeral beauty of nature that truly sets them apart.

    Impression, Sunrise:

    The seminal Impression, soleil levant (1872), from which the Impressionist movement derives its name, is a cornerstone of the collection. Its hazy depiction of Le Havre harbor at dawn embodies the movement’s core principles—a focus on capturing fleeting moments and atmospheric effects rather than precise representation.

    A Journey Through Time:

    The museum traces Monet's artistic evolution from these early explorations to his later, more contemplative works, showcasing the development of his style and technique over a remarkable career.

    Beyond the Water Lilies, the collection boasts exceptional works by other Impressionist masters – Berthe Morisot’s intimate portraits of domestic life, Edgar Degas's captivating depictions of dancers and Parisian society, and the vibrant landscapes of Renoir, Sisley, and Pissarro. The museum doesn’t simply display paintings; it invites you to step into their world, to feel the light, the air, the very essence of a revolutionary artistic vision.

    A Building That Speaks Volumes

    The Musée Marmottan Monet's architecture is as integral to its appeal as its collection. The mansion itself—a meticulously restored 19th-century building—contributes significantly to the museum’s intimate atmosphere. Unlike grand, sprawling institutions that can feel overwhelming, this museum retains a sense of quiet contemplation and personal connection. The rooms are spacious yet cozy, bathed in natural light, creating an environment conducive to deep appreciation of the art on display.

    A Private Salon:

    Stepping inside is akin to entering a private salon, where light dances across the walls, illuminating masterpieces with a gentle glow.

    The Marmottan Library:

    Adjacent to the museum is the Bibliothèque Marmottan, a beautifully preserved library containing the family’s original collection of Napoleonic artifacts and literary works—a tangible link to the museum's rich history.

    Furthermore, the museum’s history is interwoven with personal stories – the Marmottan family’s initial passion for Napoleonic art, Michel Monet’s generous bequest, even the dramatic recovery of stolen paintings in 1990—all adding layers of depth and resonance to the visitor experience. The Musée Marmottan Monet isn't just a repository of masterpieces; it’s a testament to the enduring power of art and the visionaries who dared to see the world in a new light.

    A Legacy Preserved: Exhibitions and Future Horizons

    The Musée Marmottan Monet continues to evolve, offering a diverse range of exhibitions that illuminate different facets of Impressionism and beyond. Recent exhibitions have explored the influence of Japanese art on Monet’s work, as well as his relationship with other artists of the era. The museum also hosts educational programs for visitors of all ages, fostering a deeper understanding and appreciation of Impressionist art. Looking ahead, the Musée Marmottan Monet remains committed to preserving its unique collection and sharing it with the world—a beacon of light in the heart of Paris, celebrating the enduring legacy of Claude Monet and the vibrant spirit of Impressionism.

    Where to read more

    Find this online

    QR code linking to the download page for The Cherry Tree

    wahooart.com/en/art/download/berthe-morisot-the-cherry-tree-8EWCVC-en/

    Cite this artwork

    MLA
    Morisot, Berthe. The Cherry Tree. 1891, Musée Marmottan Monet. https://wahooart.com/en/art/berthe-morisot-the-cherry-tree-8EWCVC-en/
    APA
    Morisot, Berthe (1891). The Cherry Tree [Painting]. Musée Marmottan Monet. https://wahooart.com/en/art/berthe-morisot-the-cherry-tree-8EWCVC-en/
    Chicago
    Berthe Morisot. The Cherry Tree. 1891. Musée Marmottan Monet. https://wahooart.com/en/art/berthe-morisot-the-cherry-tree-8EWCVC-en/
    Harvard
    Morisot, Berthe (1891) The Cherry Tree. Musée Marmottan Monet. Available at: https://wahooart.com/en/art/berthe-morisot-the-cherry-tree-8EWCVC-en/

    Look closely

    The Cherry Tree — Berthe Morisot

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: cherry tree, women, impressionism. Do you agree? What would you add, or take away?
    4. Look back at A Corner of the Rose Garden (1885), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Berthe Morisot was about 50 when this was made. What in it looks like the work of an artist at that stage?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Art quiz

    The Cherry Tree — Berthe Morisot

    How well do you know this artwork?

    Tick one answer for each of the 5 questions below. Each has exactly one correct answer.

    1. 1. What artistic movement is Berthe Morisot associated with?

      • A Cubism
      • B Renaissance
      • C Impressionism
    2. 2. Where is “The Cherry Tree” currently housed?

      • A National Gallery London
      • B Musée d'Orsay Paris
      • C Musée Marmottan Monet Paris
    3. 3. What is a key characteristic of Morisot’s painting style?

      • A Detailed realism
      • B Bold geometric shapes
      • C Emphasis on soft light and pastel colors
    4. 4. Describe the composition of “The Cherry Tree”.

      • A A panoramic landscape featuring mountains.
      • B A portrait of a single figure in a studio setting.
      • C Two women standing under a cherry tree, one picking fruit and the other holding onto it
    5. 5. What does “The Cherry Tree” symbolize according to art historians?

      • A A celebration of scientific discovery.
      • B An exploration of religious iconography.
      • C A depiction of domestic tranquility and the beauty of nature

    My score: ____ out of 5

    Answer key — for the teacher

    This starts a fresh printed page, so it can simply be left out of the copies.

    1B · 2C · 3C · 4C · 5C

    Check any answer against the catalogue record for this painting

    Questions & Answers

    How strong is the contrast in "The Cherry Tree" by Berthe Morisot?

    The light-dark contrast of "The Cherry Tree" is recorded as bold. Contrast describes how strongly light and dark areas differ.

    Is "The Cherry Tree" by Berthe Morisot a light or a dark artwork?

    The recorded values for "The Cherry Tree" by Berthe Morisot are: balanced brightness, gentle luminance luminance.

    Is "The Cherry Tree" by Berthe Morisot in the public domain?

    The copyright answer for "The Cherry Tree" by Berthe Morisot: the work is in the public domain - its copyright has expired. This determines whether reproductions of the image may be freely made.