Paper

Student Artwork Guide

Krishna and Cow

Name Class Date

Bauwa Devi, Krishna and Cow, Fukuoka Asian Art Museum. Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Bauwa Devi wahooart.com/en/artists/bauwa-devi/
Artist’s dates
1945 –
Medium
Paper
Original size
359 x 178 cm
Movement
Mithila Folk Art
Period
Contemporary
Held at
Fukuoka Asian Art Museum wahooart.com/en/museums/fukuoka-asian-art-museum-fukuoka/
Artistic style
Mithila (Madhubani) folk art
Notable elements or techniques
Intricate geometric patterns and motifs
Subject or theme
Hindu mythology and Krishna with cows

In context

Krishna and Cow — Bauwa Devi

How big is it?

The original measures 359 × 178 cm (height × width), drawn here beside an adult of average height. It is too large to draw to scale on this page.

When might this have been painted?

  1. 1940

Row above: the years. Row below: how old the artist was at the start and at the end of each span, counting 0 from birth.

every dated painting, decade by decade

This record has no exact year on file — using the artist's lifetime and the work's style, what decade would you guess?

Colours

Measured from the image

    Main colour

    Phthalo Green #2e2030

    Catalogued palette

    • #2E2030
    • #E6D15F
    • #914032
    • #B1A09B

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Dark The dominant colour family in the image.
    Main colour name
    Phthalo Green
    Intensity
    Vivid How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Balanced How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Bright How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Clear Color Presence How pure and strong the colours are, from near-grey to fully vivid.

    About this artwork

    Krishna and Cow — Bauwa Devi

    A Sacred Encounter in Mithila

    In the heart of India’s Mithila region, art is not merely an aesthetic pursuit but a profound act of devotion and a rhythmic pulse of daily life. The painting Krishna and Cow by the master artist Bauwa Devi serves as a breathtaking window into this ancient tradition. This piece captures a moment of divine tranquility, centering on the iconic figure of Krishna alongside a gentle cow. The composition is anchored by the presence of these sacred subjects, where the larger cow bows its head in a gesture of peace, while Krishna stands poised to the side, embodying a sense of watchful protection. Through the delicate interplay of figures—including smaller cows, observing onlookers, and even birds fluttering near the periphery—the artwork breathes with the vitality of a living, breathing ecosystem of faith.

    The visual language of this work is deeply rooted in the Madhubani style, a tradition where every line and geometric pattern carries a weight of ancestral wisdom. As one gazories upon the canvas, the eye is drawn to the intricate decorative elements, such as the small bowl nestled in the corner and the rhythmic placement of figures that guide the viewer through a narrative of prosperity and good fortune. The technique reflects a lineage of knowledge passed from grandmother to mother to daughter for millennia, where the act of painting is inseparable from the act of prayer. For the collector or interior designer, this piece offers more than just color; it offers a storied connection to the very soul of rural Bihar.

    Symbolism and Cultural Resonance

    To behold Krishna and Cow is to witness a tapestry of Hindu mythology woven into the fabric of folk art. In Mithila culture, these images are traditionally drawn on walls and floors during festivals to invite luck and abundance. The cow, a symbol of fertility and the earth's bounty, paired with Krishna, the divine protector, creates a powerful talismanic effect. Every element within the frame—from the birds in the upper reaches to the figures watching from the edges—contributes to a sense of cosmic harmony. This is not a static portrait but a dynamic celebration of life’s cycles, agricultural rhythms, and the spiritual interconnectedness of all living beings.

    The emotional impact of the piece lies in its ability to evoke a sense of nostalgic peace and spiritual groundedness. There is an inherent warmth in the way Bauwa Devi utilizes traditional motifs to tell a story that feels both ancient and immediate. For those seeking to adorn a space with art that inspires contemplation, this reproduction brings a sense of sacred history into the modern home. It serves as a reminder of a time when art was a communal prayer, making it an exquisite choice for collectors who value works that possess both historical depth and a profound, emotive presence.

    Artist and museum

    Artist

    Bauwa Devi

    Born in Jitawar Pur, India

    Museum

    Fukuoka Asian Art Museum

    On show in Fukuoka, Japan

    A Gateway to Asian Modernity

    Nestled in the vibrant heart of Hakata, within the Fukuoka Prefecture, the

    Fukuoka Asian Art Museum

    stands as a singular and profound portal into the dynamic world of modern and contemporary art from across the Asian continent. This institution was never intended to be merely another repository for static treasures; rather, it was conceived as a deliberate bridge, fostering a vital dialogue between diverse cultures that are often separated by vast historical narratives and geographical distances. Fukuoka itself has long served as a crucial gateway, historically facilitating the flow of commerce and cultural exchange between Japan and the Asian mainland, and the museum beautifully embodies this legacy. It acts as a contemporary conduit for artistic expression, where the spirit of the space feels imbued with an openness—an invitation to explore the multifaceted and ever-evolving identities that comprise the continent’s rich artistic landscape.

    The museum's collection is breathtaking in its scope and ambition, encompassing over 3,000 works sourced from twenty-three different countries. This is not a curated selection focused solely on established masters; instead, the institution actively champions emerging artists, providing them with an international platform to showcase their unique visions. Visitors can immerse themselves in a remarkable range of mediums, moving from the immediate tactile presence of paintings and sculptures to the immersive, thought-imposing qualities of large-scale installations and the narrative depth of video art. One might find oneself captivated by the work of

    I Dewa Putu Mokoh

    , whose baroque folk style masterfully blends Hindu-Javanese traditions with intimate, soulful depictions of Balinese life, or encounter the boundary-pushing techniques of Burmese artist

    Saya U Saw Maung

    .

    Architectural Serenity and Artistic Focus

    While the museum's architectural presence is thoughtfully understated, its design plays a crucial role in the visitor experience. The building is conceived to enhance contemplation rather than impose a grand, distracting statement; it serves as a supporting element that allows the art to take center stage. This subtle approach fosters an unhindered connection between the viewer and the creation, allowing for a deeper appreciation of the nuances within each piece—a choice that reflects Fukuoka’s commitment to understated elegance and prioritizing artistic impact over mere ostentation. It is a space designed for quiet engagement, where the architecture recedes to let the vibrant colors and complex textures of Asian modernism breathe.

    What truly distinguishes the

    Fukuoka Asian Art Museum

    from its global peers is its unwavering dedication to showcasing art

    solely

    from Asia. In an era where many museums boast encyclopedic collections spanning every continent, this focused approach allows for a depth of engagement and critical analysis that would otherwise be impossible. The museum’s very existence is rooted in the mission of strengthening cultural ties and dismantling barriers through the power of shared creativity. By acting as a vital cultural gateway, it invites collectors, designers, and art lovers alike to delve into narratives that celebrate resilience and innovation, making it an essential destination for anyone seeking to understand the transformative power of Asian artistic expression.

    Where to read more

    Find this online

    QR code linking to the download page for Krishna and Cow

    wahooart.com/en/art/download/bauwa-devi-krishna-and-cow-D4FVMB-en/

    Cite this artwork

    MLA
    Devi, Bauwa. Krishna and Cow. n.d., Fukuoka Asian Art Museum. https://wahooart.com/en/art/bauwa-devi-krishna-and-cow-D4FVMB-en/
    APA
    Devi, Bauwa (n.d.). Krishna and Cow [Painting]. Fukuoka Asian Art Museum. https://wahooart.com/en/art/bauwa-devi-krishna-and-cow-D4FVMB-en/
    Chicago
    Bauwa Devi. Krishna and Cow. n.d. Fukuoka Asian Art Museum. https://wahooart.com/en/art/bauwa-devi-krishna-and-cow-D4FVMB-en/
    Harvard
    Devi, Bauwa (n.d.) Krishna and Cow. Fukuoka Asian Art Museum. Available at: https://wahooart.com/en/art/bauwa-devi-krishna-and-cow-D4FVMB-en/

    Look closely

    Krishna and Cow — Bauwa Devi

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: krishna, cow, hindu mythology. Do you agree? What would you add, or take away?
    4. Themes that come back through the work of Bauwa Devi: mithila folk traditions, hindu mythological tales, ritualistic prayer paintings. Which of them do you see here?
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    What medium is "Krishna and Cow" by Bauwa Devi executed in?

    The medium of "Krishna and Cow" by Bauwa Devi is paper. Reproductions aim to render the appearance of this technique.

    Where is "Krishna and Cow" by Bauwa Devi on display today?

    "Krishna and Cow" by Bauwa Devi is on display at the Fukuoka Asian Art Museum, Fukuoka, Japan. The museum listing refers to the original work, not to reproductions.

    What color leads the composition of "Krishna and Cow" by Bauwa Devi?

    The color that stands out most in "Krishna and Cow" is phthalo green (#2e2030). The dominant color is useful when matching an artwork to an interior.