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Student Artwork Guide

Prototype for Construction (Crucifixion)

Name Class Date

Barbara Hepworth, Prototype for Construction (Crucifixion) (1966), The Hepworth Wakefield. Reproduced for reference; rights reserved by the rights holder.

The facts

Artist
Barbara Hepworth wahooart.com/en/artists/barbara-hepworth/
Artist’s dates
1903 – 1975
Painted
1966
Medium
Sculpture Bronze Molten metal poured into a mould made from the artist’s model, then finished and polished by hand.
Original size
391 x 471 cm
Movement
Modern Sculpture
Held at
The Hepworth Wakefield wahooart.com/en/museums/the-hepworth-wakefield-wakefield/
Artistic style
Abstraction
Influences
Surrealism
Notable elements or techniques
Direct painting onto aluminum; L section, sheet and tubing
Subject or theme
Christian faith

In context

Prototype for Construction (Crucifixion) — Barbara Hepworth

How big is it?

The original measures 391 × 471 cm (height × width), drawn here beside an adult of average height. It is too large to draw to scale on this page.

When was this painted?

  1. 1900
  2. 1910
  3. 1920
  4. 1930
  5. 1940
  6. 1950
  7. 1960
  8. 1970

Shaded: the lifetime of Barbara Hepworth (1903–1975) ▲ this work, 1966

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: wahooart.com/en/art/similar/barbara-hepworth-prototype-for-construction-crucifixion-D664WL-en/

Colours

Measured from the image

    Main colour

    Rosy Brown #aca69d

    Catalogued palette

    • #ACA69D
    • #DDDCD5
    • #504E4A
    • #8E877F
    Palette
    Neutrals The dominant colour family in the image.
    Main colour name
    Rosy Brown
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Serene How much the colours differ in lightness and saturation across the picture.
    Harmony
    Balanced Harmony How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    About this artwork

    Prototype for Construction (Crucifixion) — Barbara Hepworth

    Barbara Hepworth: A Sculptural Dialogue with Form, Space & The Human Condition

    Dame Barbara Hepworth (1903–1975) stands as an undeniable titan of modernist sculpture, a figure whose pioneering spirit reshaped the landscape of British art and continues to inspire artists globally. Her oeuvre transcends mere representation; instead, Hepworth sought to distill emotion and experience into geometric forms that engage with fundamental concepts of space and materiality—a radical departure from traditional artistic conventions.

    Born in Wakefield, Yorkshire, Hepworth’s early life was marked by a profound engagement with the natural world. Influenced by her father's profession as a geologist, she developed an acute sensitivity to geological strata and textures, which would become recurring motifs in her sculptures. This formative experience instilled within her a fascination for exploring how forms interact with each other and with their surroundings—a preoccupation that would define her artistic trajectory.

    Hepworth’s formal training at Leeds School of Art and subsequently the Royal College of Art cemented her commitment to abstraction, though she skillfully blended Surrealist influences with geometric precision. Notably, Hepworth co-founded Unit One Art Movement alongside Ben Nicholson, Paul Nash, and others in 1933—a collective endeavor dedicated to uniting Surrealism and Abstraction in British art.

    Her breakthrough came with the creation of “Oval Form (Trezion)” in 1937 – a monumental bronze sculpture that embodies Hepworth’s core aesthetic principles. This piece, alongside "Two Forms," exemplifies her masterful manipulation of negative space—a technique she championed as crucial to conveying emotional depth and spiritual contemplation.

    Hepworth's artistic vision extended beyond mere sculptural form; it encompassed an exploration of the human condition. Her sculptures grapple with themes of vulnerability, resilience, and connection to nature—reflecting her deeply held Christian faith. The deliberate simplicity of Hepworth’s forms serves as a powerful conduit for conveying profound ideas about existence and spirituality.

    Today, Hepworth's legacy resides in the enduring beauty and intellectual rigor of her sculptures. Pieces like “Oval Form” and “Two Forms,” housed at The Hepworth Wakefield and internationally acclaimed museums alike, continue to captivate audiences with their elegant geometry and evocative presence—testaments to Hepworth’s unwavering dedication to pushing artistic boundaries and forging a dialogue between art and human experience.

    Artist and museum

    Artist

    Barbara Hepworth

    Born in Wakefield, United Kingdom

    early life and education

    dame barbara hepworth, a renowned english artist and sculptor, was born on january 10, 1903, in wakefield, yorkshire. she attended the leeds school of art from 1920 and later won a county scholarship to study at the royal college of art (rca) in london from 1921 until she was awarded the diploma in 1924.

    artistic career

    dame barbara hepworth's work exemplifies modernism, particularly modern sculpture. she was one of the few female artists to achieve international prominence.

    in 1933, she co-founded the unit one art movement with ben nicholson, paul nash, and others, seeking to unite surrealism and abstraction in british art.

    hepworth's early work was characterized by abstraction and her involvement with the paris-based art movement, abstraction-création.

    notable works and exhibitions

    oval form (trezion), a bronze sculpture, is part of the kimbell art museum collection in fort worth, united states. (view on AllPaintingsStore)

    two forms, a sculpture, is exhibited at the hepworth wakefield in wakefield, united kingdom. (view on AllPaintingsStore)

    totem, a marble sculpture, is also part of the collection at the hepworth wakefield. (view on AllPaintingsStore)

    legacy and museum collections

    barbara hepworth's work is widely recognized, with her sculptures and paintings forming part of various museum collections worldwide. the hepworth wakefield, named after the artist, houses numerous masterpieces from renowned artists, including hepworth's own works. (discover more about the hepworth wakefield on AllPaintingsStore)

    conclusion

    dame barbara hepworth's pioneering work in modern british sculpture has left an indelible mark on the art world. her legacy continues to inspire artists and art enthusiasts alike, with her works remaining a testament to her innovative spirit and artistic genius. more about barbara hepworth on wikipedia

    Museum

    The Hepworth Wakefield

    On show in Wakefield, United Kingdom

    The Hepworth Wakefield: A Sanctuary of Sculpture and Light

    Located on the south side of the River Calder in Wakefield, West Yorkshire, The Hepworth Wakefield is more than just a gallery; it’s an architectural statement and a testament to Barbara Hepworth's legacy—a celebration of British modernist art that continues to inspire visitors today. Opened in 2011 by David Chipperfield Architects, this building embodies the spirit of its namesake: simplicity, elegance, and a profound connection with the surrounding landscape.

    Architectural Marvel:

    Designed by David Chipperfield, the gallery’s ten trapezoidal blocks are clad in pigmented concrete—a groundbreaking material choice that reflects Wakefield's industrial heritage while embracing a strikingly modern aesthetic.

    Hepworth Legacy:

    The collection houses over 400 sculptures and drawings by Barbara Hepworth, showcasing her pioneering approach to form, space, and material – from early figurative works to increasingly abstract explorations of the human figure.

    Diverse Artistic Voices:

    Beyond Hepworth’s contributions, The Hepworth Wakefield champions a rich tapestry of British modern and contemporary artists including Henry Moore, Helen Chadwick, and David Hockney, fostering dialogue between masters and emerging talent.

    A History Rooted in Tradition

    The gallery's origins lie in Wakefield Art Gallery, established in 1923 as a local cultural institution—a space dedicated to nurturing artistic appreciation within the community. However, it was the ambitious vision to create a purpose-built venue worthy of honoring Hepworth’s influence and furthering British sculpture that propelled its transformation into The Hepworth Wakefield.

    Early Years:

    Wakefield Art Gallery initially focused on displaying works by European masters alongside regional artists.

    The Prize Initiative:

    Launched in 2015, the Hepworth Prize for Sculpture provides a crucial platform for supporting emerging sculptural talent and bolstering British artistic innovation.

    Recognition & Awards:

    The gallery’s architectural brilliance was acknowledged with the UK's Museum of the Year Award in 2017—a testament to its commitment to excellence and engagement with visitors.

    Exploring Contemporary Art Through Sculpture

    The Hepworth Wakefield distinguishes itself through its unwavering dedication to showcasing contemporary art, particularly sculpture. Its curators strive to present exhibitions that challenge perceptions and ignite intellectual curiosity – fostering a deeper understanding of artistic expression and its role in shaping our cultural landscape.

    Recent Exhibitions:

    Highlights include retrospectives dedicated to artists like Helen Chadwick, offering fresh perspectives on groundbreaking work, and explorations of diverse artistic mediums.

    Community Engagement:

    Workshops, educational programs, and events extend The Hepworth Wakefield’s reach beyond its galleries—connecting with local audiences and promoting artistic literacy.

    A Unique Destination:

    Combining architectural grandeur with a vibrant artistic program, The Hepworth Wakefield provides an immersive experience for art lovers seeking inspiration and fostering appreciation for British heritage.

    Beyond Walls: A Celebration of Sculpture’s Influence

    The Hepworth Wakefield's ethos transcends mere display; it embodies a belief in sculpture’s ability to communicate emotion, provoke thought, and enrich our understanding of the world around us. Its commitment to supporting emerging artists ensures that British sculpture continues to evolve—inspiring future generations of creatives and enriching cultural discourse.

    The Tim Sayer Bequest:

    The gallery acquired Hepworth’s Sculpture with Colour (Oval Form) Pale Blue and Red (1943)—a monumental artwork previously sold at auction—thanks to a generous bequest from Tim Sayer, bolstering its collection of celebrated British artists.

    Ongoing Research & Collaboration:

    Partnerships with institutions like the Art Fund underscore The Hepworth Wakefield’s dedication to advancing artistic scholarship and fostering dialogue between art and society.

    Where to read more

    Find this online

    QR code linking to the download page for Prototype for Construction (Crucifixion)

    wahooart.com/en/art/download/barbara-hepworth-prototype-for-construction-crucifixion-D664WL-en/

    Cite this artwork

    MLA
    Hepworth, Barbara. Prototype for Construction (Crucifixion). 1966, The Hepworth Wakefield. https://wahooart.com/en/art/barbara-hepworth-prototype-for-construction-crucifixion-D664WL-en/
    APA
    Hepworth, Barbara (1966). Prototype for Construction (Crucifixion) [Painting]. The Hepworth Wakefield. https://wahooart.com/en/art/barbara-hepworth-prototype-for-construction-crucifixion-D664WL-en/
    Chicago
    Barbara Hepworth. Prototype for Construction (Crucifixion). 1966. The Hepworth Wakefield. https://wahooart.com/en/art/barbara-hepworth-prototype-for-construction-crucifixion-D664WL-en/
    Harvard
    Hepworth, Barbara (1966) Prototype for Construction (Crucifixion). The Hepworth Wakefield. Available at: https://wahooart.com/en/art/barbara-hepworth-prototype-for-construction-crucifixion-D664WL-en/

    Look closely

    Prototype for Construction (Crucifixion) — Barbara Hepworth

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: sculpture, aluminum, faith. Do you agree? What would you add, or take away?
    4. Look back at Three Forms, earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Barbara Hepworth was about 63 when this was made. What in it looks like the work of an artist at that stage?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.