Student Artwork Guide
Copyright This work is in the public domain. Augustus Vincent Tack died in 1949; copyright lasts 70 years after the artist’s death, so it ended in 2019.
In context
David E. Finley — Augustus Vincent Tack
Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 79 at death.
Shaded: the lifetime of Augustus Vincent Tack (1870–1949) every dated painting, decade by decade
First works: up to 1931 Main working years: 1931–1949 Late works: from 1949
Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them
This record has no exact year on file — using the artist's lifetime and the work's style, what decade would you guess?
Pick one work above: name two things it shares with this one, and one thing that's different.
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Measured from the image
Main colour
Espresso #302e2a
Catalogued palette
These colours inside the artist’s whole palette Find other paintings by colour
The ten leading countries
Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.
Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 14 works by this artist, of which 8 were looked at at least once. This painting ranks 7 of them, with 12.5% of that attention. The same counts, month by month
Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.
Artist and museum
Born in Pittsburgh, United States of America
Augustus Vincent Tack (1870 – 1949) stands as a singular figure in American art history, recognized primarily for his distinctive blend of realism and abstraction—a stylistic approach that foreshadowed the burgeoning movement of Abstract Expressionism. Born in Pittsburgh, Pennsylvania, Tack’s artistic journey began with formal training at St. Francis Xavier College before he honed his skills at the Art Students League of New York, absorbing influences from luminaries like John La Farge whose studio he frequented. This formative period established a foundation for his subsequent explorations into landscape painting and, crucially, into deeply symbolic representations of nature—a preoccupation that would define much of his oeuvre.
Early Career & Influences:
Tack’s debut exhibition at Kraushaar Galleries in 1896 marked the commencement of a prolific artistic career characterized by consistent engagement with prominent institutions such as Worcester Art Museum, Carnegie International Exhibitions, and Pennsylvania Academy of Fine Arts. His collaborations with Duncan Phillips—particularly their involvement in the Allied War Salon of 1918—demonstrated not only his social connections but also his commitment to addressing pressing societal concerns through artistic expression.
Deerfield Colony & Marriage:
Seeking inspiration and camaraderie, Tack relocated to Deerfield, Massachusetts, where he established an artist’s colony and married Agnes Gordon Fuller, daughter of renowned painter George Fuller. This union fostered a supportive environment conducive to creative pursuits and solidified his position within the artistic community.
Teaching & Yale University:
Tack’s pedagogical role extended beyond Deerfield; he lectured at the Art Students League of New York between 1906 and 1910 and subsequently taught at Yale University from 1910 to 1913, imparting his artistic vision to a new generation of artists.
Tack’s artistic style distinguished itself through a careful balance between traditional realism and evocative abstraction. While his portraits adhered to academic conventions—capturing likenesses with meticulous detail and dramatic lighting—his landscapes transcended mere depiction, delving into realms of spiritual contemplation. Paintings like “Time and Timelessness” exemplify this approach, juxtaposing geometric forms with figurative elements to convey a sense of enduring beauty and profound symbolism. Critics noted that Tack’s work "was a contemporary reworking of nineteenth-century heroic idealism," highlighting its ambition to elevate the viewer beyond the mundane.
Notable Works:
Among his most celebrated pieces are “The High Command Right Panel” (1949), portraying naval officers with masterful realism and compositional complexity; portraits of Harry S. Truman and Elihu Root—executed in 1948 and 1922 respectively—demonstrating Tack’s ability to convey character and emotion through nuanced brushwork; and “Time and Timelessness,” a landscape masterpiece reflecting his fascination with spiritual themes.
Despite commercial setbacks, Tack's artistic legacy persists as a precursor to Abstract Expressionism—a movement that would reshape the landscape of American art in the decades following his death. His paintings remain housed in major collections and continue to inspire artists and scholars alike. Augustus Vincent Tack’s contribution to American art lies not merely in his stylistic innovations but also in his unwavering pursuit of artistic truth—a testament to the enduring power of imagination and vision.
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Look closely
David E. Finley — Augustus Vincent Tack
Answer in your own words. There are no wrong answers here — only answers you can explain.
Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.
The dominant color of "David E. Finley" by Augustus Vincent Tack is espresso (#302e2a).
A slideshow is available: the Diaporama page of "David E. Finley" by Augustus Vincent Tack.
A digital image of "David E. Finley" by Augustus Vincent Tack can be purchased on its Digital Image page: a high-resolution digital image download.