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Student Artwork Guide

Self-Portrait with Hat

Name Class Date

August Macke, Self-Portrait with Hat (1909). Public domain.

The facts

Artist
August Macke wahooart.com/en/artists/august-macke/
Artist’s dates
1887 – 1914
Painted
1909
Medium
Oil On Canvas
Original size
41 x 32 cm
Movement
German Expressionism Colour and shape deliberately distorted so the picture shows an emotion rather than a likeness.
Artistic style
German Expressionism
Subject or theme
Man in suit and hat

In context

Self-Portrait with Hat — August Macke

How big is it?

The original measures 41 × 32 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1880
  2. 1890
  3. 1900
  4. 1910

Shaded: the lifetime of August Macke (1887–1914) ▲ this work, 1909

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: wahooart.com/en/art/similar/august-macke-self-portrait-with-hat-8BWN5J-en/

Colours

Measured from the image

    Main colour

    Khaki #f3c357

    Catalogued palette

    • #F3C357
    • #605233
    • #23211B
    • #C89043
    Palette
    Dark The dominant colour family in the image.
    Main colour name
    Khaki
    Intensity
    Vivid How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Balanced How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Clear Color Presence How pure and strong the colours are, from near-grey to fully vivid.

    About this artwork

    Self-Portrait with Hat — August Macke

    A Glimpse into Modern Conversation: Self-Portrait with Hat

    August Macke’s Self-Portrait with Hat, painted in 1909, captures more than just a likeness; it arrests a moment of vibrant, almost theatrical engagement. The central figure dominates the canvas, presented in an air of studied elegance, clad in a sharp suit and tie. Yet, this portrait is far from static. With his mouth slightly open—whether caught mid-sentence or in a soft yawn—the subject seems to breathe life into the painted surface, inviting the viewer not merely to observe, but to participate in the unfolding dialogue.

    The Echoes of Modern Life and Company

    What elevates this piece beyond a simple study is the inclusion of surrounding figures. To the left and right, two other individuals are visible, smaller yet integral to the composition's narrative weight. They serve as silent witnesses to the main subject’s momentary expression. This grouping suggests a social gathering, a moment plucked from the bustling energy of early 20th-century urban life. Macke masterfully uses these secondary figures to frame and amplify the central personality, creating a dynamic tension between individual focus and communal experience.

    Macke's Brushwork: A Symphony of Color and Expression

    Technically, this work is deeply rooted in the currents of German Expressionism, though it retains echoes of Impressionist light that Macke absorbed during his formative years. His palette, characteristic of his time, pulses with bold color choices applied with a confident, visible hand. One can almost feel the texture beneath the paint—the quick, decisive strokes that give the figures and their attire a palpable energy. It is a style that refuses to be purely academic; instead, it vibrates with an inner emotional truth, making the painting feel immediate and intensely alive.

    Historical Resonance and Emotional Depth

    Painted just before the seismic shifts of World War I, this portrait carries an undercurrent of poignant anticipation. Macke’s career, tragically cut short by the war, imbues his work with a bittersweet quality—a celebration of vibrant life against the backdrop of impending historical upheaval. Owning a reproduction of Self-Portrait with Hat is to possess a piece of that pre-war effervescence; it speaks to the confidence and intellectual curiosity of an era at its zenith, while simultaneously whispering of the fragility of human connection.

    Bringing the Salon Home

    For the discerning collector or interior designer, this artwork offers unparalleled versatility. Its sophisticated blend of formal portraiture with expressive color allows it to anchor a room—be it a study demanding intellectual gravitas or a drawing-room celebrating vibrant social life. The energy contained within Macke’s brushstrokes ensures that the piece remains captivating, inviting contemplation on conversation, identity, and the fleeting beauty of shared moments.

    Artist and museum

    Artist

    August Macke

    Born in Meschede, Germany

    A Life Cut Short: The Vibrant World of August Macke

    August Robert Ludwig Macke, a name synonymous with German Expressionism’s brief but incandescent flowering, lived a life tragically curtailed by the outbreak of the First World War. Born in 1887 in Meschede, Westphalia, his artistic journey was one of rapid evolution and fervent exploration, marked by an insatiable curiosity for new styles and a deep desire to capture the essence of modern experience. Macke’s early life saw a move to Bonn with his family, where he received his initial education and began to nurture his burgeoning talent. Though formally trained at the Düsseldorf Art Academy from 1904-1906, under Adolf Maennchen, it was through independent study and travel that his artistic voice truly began to emerge. These formative years were characterized by an absorption of Impressionist and Post-Impressionist techniques, laying a foundation for the bolder expressions to come. He supplemented his income with stage design work, honing his compositional skills and developing a keen sense of color.

    Influences and Artistic Development

    Macke’s artistic trajectory was profoundly shaped by encounters with key figures and movements of the early 20th century. A pivotal moment arrived in Paris in 1912, where he met Robert Delaunay, a leading proponent of Orphism – a branch of Cubism focused on pure abstraction and vibrant color harmonies. This encounter proved transformative, introducing Macke to the concept of simultaneous contrast and influencing his work towards a more dynamic and non-representational approach. He began experimenting with broken planes of color and abstracted forms, seeking to convey not just what he saw, but how he felt about what he saw. Simultaneously, his close friendship with Franz Marc, a fellow artist and member of the influential group Der Blaue Reiter (The Blue Rider), drew him into the orbit of Wassily Kandinsky and other avant-garde thinkers. While Macke’s style remained distinct from Kandinsky's more purely abstract explorations, he embraced the group’s spirit of artistic freedom and spiritual inquiry. His paintings began to reflect a growing interest in depicting the emotional resonance of landscapes and everyday life, imbued with a sense of joy and optimism.

    The Blue Rider and Beyond: A Unique Expressionist Vision

    As an integral member of Der Blaue Reiter, Macke contributed significantly to the group’s exhibitions and publications, helping to disseminate its radical ideas about art and spirituality. However, he wasn't simply a follower; he forged his own unique path within the movement. Unlike some of his colleagues who leaned towards darker, more angst-ridden themes, Macke consistently sought to portray beauty and harmony in the world around him. His paintings, such as Bathing Girls with Town in the Background, exemplify this approach – vibrant colors, simplified forms, and a sense of idyllic tranquility characterize his work. He masterfully blended elements of Fauvism, Cubism, and Futurism into a distinctly personal style, creating compositions that are both visually striking and emotionally resonant. Woman in a Green Jacket, painted in 1913, is another prime example – a portrait radiating warmth and vitality through its bold color palette and confident brushwork. His later works, like Türkisches Café, demonstrate his luminist approach, capturing the play of light and shadow with remarkable sensitivity.

    A Tragic End and Lasting Legacy

    The outbreak of World War I brought a sudden and devastating end to Macke’s promising career. Driven by patriotic fervor, he volunteered for military service in 1914. Tragically, he was killed in action just weeks later, on September 26th, at the front near Champagne, France, at the young age of 27. His final painting, Farewell, poignantly captures the somber mood that descended upon Europe as war engulfed the continent. Though his life was tragically short, August Macke left behind a body of work that continues to captivate and inspire. He remains a significant figure in the history of Expressionism, celebrated for his vibrant colors, dynamic compositions, and optimistic vision. His paintings offer a glimpse into a world on the cusp of change, imbued with a sense of beauty and hope amidst growing uncertainty.

    Exploring Macke’s World Today

    Today, August Macke's works are held in prominent collections worldwide, including the Staatsgalerie Moderner Kunst in Munich, the Museum Ludwig in Cologne, and the Kunsthaus Zürich. Several museums dedicated to Expressionism feature his paintings prominently, offering visitors a chance to experience the power of his art firsthand. The Westfälisches Landesmuseum Münster and the Kunstmuseum Bonn are particularly noteworthy for their holdings of Macke’s work. His influence can be seen in the continued exploration of color and emotion by contemporary artists. For those seeking to delve deeper into his world, resources like Artnet and Wikipedia provide valuable biographical information and insights into his artistic development. Exploring his paintings through online databases such as AllPaintingsStore allows for a closer examination of his technique and subject matter, revealing the enduring appeal of this remarkable artist whose life was tragically cut short but whose legacy continues to shine brightly.

    Where to read more

    Find this online

    QR code linking to the download page for Self-Portrait with Hat

    wahooart.com/en/art/download/august-macke-self-portrait-with-hat-8BWN5J-en/

    Cite this artwork

    MLA
    Macke, August. Self-Portrait with Hat. 1909, https://wahooart.com/en/art/august-macke-self-portrait-with-hat-8BWN5J-en/
    APA
    Macke, August (1909). Self-Portrait with Hat [Painting]. https://wahooart.com/en/art/august-macke-self-portrait-with-hat-8BWN5J-en/
    Chicago
    August Macke. Self-Portrait with Hat. 1909. https://wahooart.com/en/art/august-macke-self-portrait-with-hat-8BWN5J-en/
    Harvard
    Macke, August (1909) Self-Portrait with Hat. Available at: https://wahooart.com/en/art/august-macke-self-portrait-with-hat-8BWN5J-en/

    Look closely

    Self-Portrait with Hat — August Macke

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: self-portrait, hat, suit. Do you agree? What would you add, or take away?
    4. Look back at Woman in a Green Jacket (1913), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. German Expressionism: Colour and shape deliberately distorted so the picture shows an emotion rather than a likeness. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Art quiz

    Self-Portrait with Hat — August Macke

    How well do you know this artwork?

    Tick one answer for each of the 5 questions below. Each has exactly one correct answer.

    1. 1. What artistic movement is August Macke most associated with?

      • A Realism
      • B German Expressionism
      • C Neoclassicism
    2. 2. Approximately what year was the painting 'Self-Portrait with Hat' created?

      • A 1895
      • B 1909
      • C 1920
    3. 3. Based on the description, what is a notable physical detail about the main subject in the painting?

      • A He is looking directly at the viewer with a stern expression.
      • B His mouth is open as if he's talking or yawning.
      • C He is depicted without any form of headwear.
    4. 4. The description mentions that Macke was influenced by which early art styles?

      • A Baroque and Rococo
      • B Impressionist and Post-Impressionist techniques
      • C Renaissance portraiture
    5. 5. What is the general subject matter depicted in 'Self-Portrait with Hat'?

      • A A landscape scene featuring a river.
      • B A group portrait of musicians performing.
      • C A man wearing a suit and tie, accompanied by other figures.

    My score: ____ out of 5

    Answer key — for the teacher

    This starts a fresh printed page, so it can simply be left out of the copies.

    1A · 2A · 3A · 4A · 5B