Paper

Student Artwork Guide

Cemlyn

Name Class Date

audrey hind, Cemlyn (1990), Llyfrgell Genedlaethol Cymru / The National Library of Wales. Reproduced for reference; rights reserved by the rights holder.

The facts

Artist
audrey hind wahooart.com/en/artists/audrey-hind/
Painted
1990
Original size
15 x 23 cm
Held at
Llyfrgell Genedlaethol Cymru / The National Library of Wales wahooart.com/en/museums/llyfrgell-genedlaethol-cymru-the-national-library-of-wales-aberystwyth/

In context

Cemlyn — audrey hind

How big is it?

The original measures 15 × 23 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1990

▲ this work, 1990

Compare with

  • Farm Burwen, Anglesey wahooart.com/en/art/audrey-hind-farm-burwen-anglesey-ARAKNW-en/
  • Llys Dulas wahooart.com/en/art/audrey-hind-llys-dulas-ARAKP8-en/
  • Cemlyn wahooart.com/en/art/audrey-hind-cemlyn-ARAKP6-en/

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: wahooart.com/en/art/similar/audrey-hind-cemlyn-ARAKNY-en/

Colours

Measured from the image

    Main colour

    Gray #87826e

    Catalogued palette

    • #87826E
    • #B2A57C
    • #616667
    • #253E45
    Main colour name
    Gray
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Gentle How much the colours differ in lightness and saturation across the picture.
    Harmony
    Softly Mixed Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Bright How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Subtle Color How pure and strong the colours are, from near-grey to fully vivid.

    Artist and museum

    Artist

    audrey hind

    A Lifetime Dedicated to Capturing Anglesey's Soul

    Born in the heart of Cheshire in 1936, Audrey Hind embarked on an artistic odyssey that would eventually weave her name into the very fabric of Welsh landscape painting. Her journey is one defined by a profound, enduring connection to the land, specifically the windswept shores of Anglesey and the rugged majesty of Snowdonia. Since making her home in Anglesey in 1962, Hind has acted as a visual chronicler of the region, translating the ephemeral qualities of light and atmosphere into enduring works of art. Her creative spirit was forged through rigorous formal training at the Northwich College of Art, Manchester, and Liverpool Colleges of Art, where she mastered the technical foundations that would later allow her to navigate the complexities of watercolor, oil, and mixed media with such grace.

    The evolution of Hind’s style is a testament to her deep sensitivity toward the natural world. While her work remains anchored in a personal, unmistakable voice, it breathes with the echoes of the great masters of landscape. One can detect the emotive, atmospheric weight of Turner and the grounded, pastoral sincerity of Constable within her compositions. However, Hind does not merely replicate their legacies; she adapts them to the specific, salt-sprayed reality of the Welsh coast. Her paintings are characterized by a meticulous observation of how light dances across turbulent seascapes and settles upon the ancient peaks of Snowdonia, using expressive brushstrokes to capture both the overwhelming grandeur of nature and its quiet, intimate moments.

    Artistic Mastery and Professional Legacy

    Throughout a prolific career spanning over six decades, Audrey Hind has maintained a steadfast presence within the prestigious circles of the British art community. Her long-standing membership in the Royal Cambrian Academy (RCA) since 1978 has been a cornerstone of her professional life, providing a platform for collaboration and a sense of belonging among Wales' most distinguished creators. Beyond her studio practice, her versatility as an artist was highlighted during her tenure as Artist/Printmaker in Residence at Port Sunlight in 1983, a period that allowed her to explore the intersection of printmaking and visual narrative.

    The significance of her contribution to Welsh art is perhaps best measured by the permanence of her work in public and private collections. Her ability to capture the "soul" of a location has earned her place in institutions that safeguard the cultural heritage of the United Kingdom. Notable highlights of her professional recognition include:

    National Recognition: Her paintings are held within the esteemed collections of the National Museum of Wales and the National Library of Wales, ensuring her vision remains part of the national dialogue.

    Regional Impact: Her work is featured in prominent regional galleries such as Oriel Mon, cementing her status as a vital voice in North Wales art.

    Diverse Exhibitions: From the Albany Gallery in Cardiff to the Yew Tree Gallery in Derbyshire, her reach has extended far beyond her home in Anglesey, captivating audiences across the UK.

    As she continues to influence the landscape of contemporary Welsh painting, Audrey Hind’s legacy remains one of devotion. Through every layer of watercolor and every stroke of oil, she invites the viewer to experience the rugged beauty of the British Isles not just as a sight to be seen, but as an emotion to be felt.

    Museum

    Llyfrgell Genedlaethol Cymru / The National Library of Wales

    On show in Aberystwyth, United Kingdom

    A Bastion of Welsh Identity: The National Library of Wales

    Nestled in the charming university town of Aberystwyth, overlooking the breathtaking expanse of Cardigan Bay, stands a monument not merely to literature and art, but to the very soul of Wales. The National Library of Wales, or

    Llyfrgell Genedlaethol Cymru

    , is far more than just a repository of books; it is a vibrant, living archive dedicated to preserving and celebrating the rich tapestry of Welsh culture, history, and language. Established by Royal Charter in 1907, this institution was born from a passionate desire to safeguard national identity, fueled by both governmental support and remarkable contributions from the working classes of Wales. It serves as a beacon for scholarship and research, acting as the nation's memory keeper through its legal deposit status, ensuring that every publication produced in Wales finds a home within its hallowed walls.

    Stepping into the Library is akin to embarking on a journey through time, where the architecture itself tells a story of harmony and transition. The building, a completed masterpiece of 1937, reflects a thoughtful blend of classical and modern elements designed by Sidney Greenslade, with later additions by Charles Holden. Its striking facade, featuring contrasting Portland stone on the upper stories and Cornish granite below, creates a visually compelling presence that commands respect. This architectural grandeur is complemented by the meticulously landscaped grounds, which are considered an integral part of its historical landscape, offering a serene setting that invites quiet contemplation and discovery amidst the salt air of the Welsh coast. For the interior designer, the interplay of stone, light, and space within this structure offers a masterclass in dignified, monumental aesthetics.

    For the art enthusiast and collector, the Library’s collections offer an unparalleled window into the Welsh spirit. While the heart of the institution lies in its 6.5 million books and the world-renowned Peniarth Collection of medieval manuscripts, its visual treasures are equally profound. The collection features significant paintings, topographical prints, and portraits that capture the essence of the nation. Art lovers will find particular resonance in the works of Kyffin Williams and Donald McIntyre, whose masterful depictions of the Snowdonia National Park and Cardigan Bay landscapes serve as both aesthetic triumphs and vital visual records of Wales’ evolving environment. These works, characterized by their sensitivity to light and texture, provide a profound connection to the rugged beauty of the Welsh terrain, making them essential touchstones for anyone seeking to understand the atmospheric depth of Celtic landscape art.

    Beyond its permanent holdings, the Library thrives as a dynamic cultural centre, constantly evolving through engaging exhibitions that bridge the gap between the ancient and the contemporary. From exploring the mysteries of Celtic mythology to celebrating the nuances of modern Welsh art history, these curated displays attract visitors from across Europe and beyond. The integration of the National Screen and Sound Archive further enriches this experience, bringing Welsh heritage to life through immersive film and sound recordings. For scholars and curators alike, the Library represents a pinnacle of cultural preservation, offering a unique space where the echoes of the past meet the innovations of the 21st century in a seamless, beautiful dialogue.

    Where to read more

    Find this online

    QR code linking to the download page for Cemlyn

    wahooart.com/en/art/download/audrey-hind-cemlyn-ARAKNY-en/

    Cite this artwork

    MLA
    hind, audrey. Cemlyn. 1990, Llyfrgell Genedlaethol Cymru / The National Library of Wales. https://wahooart.com/en/art/audrey-hind-cemlyn-ARAKNY-en/
    APA
    hind, audrey (1990). Cemlyn [Painting]. Llyfrgell Genedlaethol Cymru / The National Library of Wales. https://wahooart.com/en/art/audrey-hind-cemlyn-ARAKNY-en/
    Chicago
    audrey hind. Cemlyn. 1990. Llyfrgell Genedlaethol Cymru / The National Library of Wales. https://wahooart.com/en/art/audrey-hind-cemlyn-ARAKNY-en/
    Harvard
    hind, audrey (1990) Cemlyn. Llyfrgell Genedlaethol Cymru / The National Library of Wales. Available at: https://wahooart.com/en/art/audrey-hind-cemlyn-ARAKNY-en/

    Look closely

    Cemlyn — audrey hind

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Farm Burwen, Anglesey, earlier in this guide. Name two things it shares with this work, and one that is different.
    4. What might the artist have wanted you to feel?
    5. If you could ask the artist one question about this work, what would it be?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.