Paper

Student Artwork Guide

The picnic

Name Class Date

Asher Brown Durand, The picnic. Public domain.

The facts

Artist
Asher Brown Durand wahooart.com/en/artists/asher-brown-durand/
Artist’s dates
1796 – 1886
Movement
Hudson River School American landscape painters treating vast untouched wilderness as something close to holy.

In context

The picnic — Asher Brown Durand

When might this have been painted?

  1. 1790
  2. 1800
  3. 1810
  4. 1820
  5. 1830
  6. 1840
  7. 1850
  8. 1860
  9. 1870
  10. 1880

Shaded: the lifetime of Asher Brown Durand (1796–1886)

This record has no exact year on file — using the artist's lifetime and the work's style, what decade would you guess?

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: wahooart.com/en/art/similar/asher-brown-durand-the-picnic-8DP3GC-en/

Colours

Measured from the image

    Main colour

    Phthalo Green #251e10

    Catalogued palette

    • #251E10
    • #DCD5B0
    • #514124
    • #8C7A55
    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Phthalo Green
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Subtle Color How pure and strong the colours are, from near-grey to fully vivid.

    Artist and museum

    Artist

    Asher Brown Durand

    Born in Maplewood, United States of America

    A Life Rooted in the American Landscape

    Asher Brown Durand, born August 21, 1796, in Maplewood, New Jersey, wasn’t initially destined for a life steeped in paint and canvas. His early years were shaped by the practical world of his father, a watchmaker and silversmith, instilling in him a meticulous attention to detail that would later profoundly influence his artistic approach. This foundation in craftsmanship led to an apprenticeship with engraver Peter Maverick in 1812, a path that initially seemed to define his career. Durand quickly proved himself exceptionally skilled, becoming a partner in the firm and establishing its New York City branch. His reputation as an engraver soared after completing the intricate reproduction of John Trumbull’s The Declaration of Independence in 1823 – a feat that cemented his standing within the artistic community. However, beneath the precision of engraving lay a burgeoning passion for capturing the raw beauty of the natural world, a calling that would ultimately lead him to become a pivotal figure in American art.

    From Engraving to Embracing Nature’s Palette

    The transition from meticulous engraver to celebrated landscape painter wasn't immediate. Durand continued his engraving work while simultaneously exploring painting, initially focusing on portraiture and genre scenes. A crucial turning point arrived with the patronage of Luman Reed in the 1830s, who encouraged him to fully embrace his artistic inclinations. Reed’s support allowed Durand to dedicate himself more completely to painting, a pursuit further ignited by a transformative sketching expedition with his close friend, Thomas Cole, in the Adirondacks in 1837. This journey into the untamed wilderness proved pivotal; it was here that Durand truly discovered his calling – to capture the sublime grandeur of the American landscape. He began to spend summers immersed in nature, meticulously documenting the Catskills, Adirondacks, and White Mountains through countless drawings and oil sketches. These studies weren’t merely preparatory exercises but became integral to his artistic process, informing the compositions and details of his finished paintings.

    A Founding Voice of the Hudson River School

    Durand's dedication to landscape painting aligned him with a growing circle of artists who shared a similar vision – a group that would become known as the Hudson River School. He was among its founding members, alongside Cole, and played a vital role in establishing the school’s distinctive aesthetic. The Hudson River School wasn’t simply about depicting scenery; it was about imbuing landscapes with emotional resonance and spiritual significance. Durand's work embodies this philosophy, characterized by a meticulous realism combined with a romantic sensibility. He believed in observing nature with unwavering accuracy but also recognized its power to evoke feelings of awe, reverence, and the sublime. His paintings weren’t just representations of places; they were expressions of his deep connection to the American wilderness and a celebration of God's creation.

    Legacy and Enduring Influence

    Durand’s influence extended beyond his own artistic output. He served as president of the National Academy of Design from 1845 to 1861, using his position to champion American art and nurture emerging talent. He also penned insightful “Letters on Landscape Painting” published in The Crayon – a significant art periodical – articulating his artistic principles and advocating for direct observation from nature. His commitment to realism and detailed representation set a high standard for subsequent generations of landscape painters. Works like Kindred Spirits, painted in 1849 as a tribute to Thomas Cole, became iconic representations of the Hudson River School aesthetic and continue to resonate with viewers today. The painting’s depiction of Cole and poet William Cullen Bryant amidst a serene woodland scene encapsulates the school's reverence for nature and its belief in the power of art to connect humanity with the divine. Durand’s paintings offer more than just picturesque views; they provide a window into 19th-century America, reflecting its evolving relationship with the natural world and its burgeoning sense of national identity. His legacy endures not only through his captivating canvases but also through his enduring influence on American landscape painting and his unwavering commitment to capturing the beauty and spiritual significance of the land.

    Where to read more

    Find this online

    QR code linking to the download page for The picnic

    wahooart.com/en/art/download/asher-brown-durand-the-picnic-8DP3GC-en/

    Cite this artwork

    MLA
    Durand, Asher Brown. The picnic. n.d., https://wahooart.com/en/art/asher-brown-durand-the-picnic-8DP3GC-en/
    APA
    Durand, Asher Brown (n.d.). The picnic [Painting]. https://wahooart.com/en/art/asher-brown-durand-the-picnic-8DP3GC-en/
    Chicago
    Asher Brown Durand. The picnic. n.d. https://wahooart.com/en/art/asher-brown-durand-the-picnic-8DP3GC-en/
    Harvard
    Durand, Asher Brown (n.d.) The picnic. Available at: https://wahooart.com/en/art/asher-brown-durand-the-picnic-8DP3GC-en/

    Look closely

    The picnic — Asher Brown Durand

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: scenes, travellers. Do you agree? What would you add, or take away?
    4. Look back at The Beeches (1845), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Hudson River School: American landscape painters treating vast untouched wilderness as something close to holy. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.