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Student Artwork Guide

Lucent View (Original Pastel for Print)

Name Class Date

arthur werger, Lucent View (Original Pastel for Print) (1986), Ogden Museum of Southern Art. Reproduced for reference; rights reserved by the rights holder.

The facts

Artist
arthur werger wahooart.com/en/artists/arthur-werger/
Artist’s dates
1955 – ?
Painted
1986
Movement
Contemporary Realism Living artists painting the real world with traditional skill, often from photographs as well as from life.
Held at
Ogden Museum of Southern Art wahooart.com/en/museums/ogden-museum-of-southern-art-new-orleans/

In context

Lucent View (Original Pastel for Print) — arthur werger

When was this painted?

  1. 1950
  2. 1960
  3. 1970
  4. 1980

Shaded: the lifetime of arthur werger (1955–?) ▲ this work, 1986

Colours

Measured from the image

    Main colour

    Espresso #3f4344

    Catalogued palette

    • #3F4344
    • #292C30
    • #86918F
    • #5A6360
    Main colour name
    Espresso
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Gentle How much the colours differ in lightness and saturation across the picture.
    Harmony
    Discordant Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Deep_shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    About this artwork

    Lucent View (Original Pastel for Print) — arthur werger

    Lucent View is a nightscene derived from the downtown Atlanta area. The dense, black background is a perfect counterpoint for the bits of light and the well-illuminated streets. In this work, the artist

    Artist and museum

    Artist

    arthur werger

    Born in Ridgewood, United States of America

    Arthur Werger: A Nocturnal Visionary of Urban Landscapes

    Born in Ridgewood, New Jersey, in 1955, Arthur Werger’s artistic journey began with a profound appreciation for the visual world cultivated during childhood visits to museums and bustling city streets. These early experiences instilled within him a deep fascination with capturing fleeting moments and conveying the subtle narratives embedded within everyday scenes – particularly those bathed in the evocative light of night. This inherent curiosity would ultimately shape his distinctive style, characterized by meticulously rendered urban landscapes, often imbued with an atmosphere of quiet contemplation and understated drama.

    Werger’s formal artistic education laid a solid foundation for his later achievements. He earned a Bachelor of Fine Arts degree in Printmaking from the Rhode Island School of Design in 1978, honing his skills in traditional print techniques. Subsequently, he pursued a Master of Fine Arts degree at the University of Wisconsin-Madison in 1982, further refining his artistic vision and expanding his technical repertoire. These formative years exposed him to diverse approaches to printmaking, influencing his later experimentation with mezzotint, etching, and aquatint – media that would become central to his unique aesthetic.

    The Rise of a Master Printmaker

    Werger’s career trajectory unfolded over several decades, marked by consistent dedication to the craft of printmaking and a growing recognition for his artistic merit. He began teaching at Wesleyan College in Macon, Georgia, where he served as Division Chair of the Fine Arts, shaping the next generation of artists while simultaneously developing his own practice. In 2000, he transitioned to Ohio University in Athens, Ohio, assuming the roles of Director of Foundations and Professor of Printmaking – a position that allowed him to combine his teaching responsibilities with continued artistic exploration.

    Throughout his career, Werger has consistently pushed the boundaries of traditional printmaking techniques. He is particularly renowned for his masterful use of mezzotint, a process demanding both technical precision and artistic sensitivity. The laborious nature of mezzotint – involving meticulously building up tonal values through multiple passes with a burin – allows Werger to achieve an unparalleled level of detail and nuance in his nocturnal cityscapes. His work frequently features the interplay of light and shadow, creating a sense of depth and atmosphere that draws the viewer into the scene.

    A Nocturnal Palette: Themes and Techniques

    Werger’s artistic focus has consistently centered on urban nightscapes – scenes rendered in the soft glow of streetlights, neon signs, and building illumination. These images are not merely depictions of city life; they are carefully constructed narratives that invite contemplation and introspection. He often employs a “dove’s-eye” perspective, looking down upon the cityscape from an elevated vantage point, creating a subtle tension between observation and participation.

    His use of color in etching is equally distinctive. While primarily known for his black and white mezzotints, Werger also explores the possibilities of color printing, often layering multiple plates to achieve complex tonal relationships and evocative hues. He frequently depicts rain-swept streets, looming buildings, and pedestrians carrying umbrellas – scenes that evoke a sense of mystery and melancholy. He is fascinated by the way light interacts with surfaces, creating shimmering reflections and dramatic contrasts.

    Recognition and Legacy

    Werger’s artistic achievements have been widely recognized through numerous awards and exhibitions both nationally and internationally. He has received accolades from organizations such as The Print Center in Philadelphia, the National Small Works competition in Washington D.C., and the International Mezzotint Festival in Yekaterinburg, Russia. His work is held in prominent collections including the Museum of Fine Arts, Boston; the Brooklyn Museum; the Philadelphia Museum of Art; and the National Gallery of Art.

    Beyond his individual accomplishments, Werger has made a significant contribution to the field of printmaking through his teaching and mentorship. He has inspired countless students to pursue their own artistic passions, fostering a new generation of skilled printmakers. Arthur Werger’s legacy as a master printmaker and a visionary artist continues to grow, solidifying his place among the most respected figures in contemporary art.

    Museum

    Ogden Museum of Southern Art

    On show in New Orleans, United States of America

    A Singular Vision of Southern Artistic Expression

    In the heart of New Orleans’ vibrant Warehouse Arts District, where the echoes of history meet the pulse of contemporary creativity, stands the Ogden Museum of Southern Art. This is not merely a repository for objects, but a profound exploration of the artistic landscape spanning fifteen states and Washington D.C. Founded in 1999 by the visionary Roger H. Ogden, the museum began its journey with a deeply personal foundation—a collection of over six hundred artworks that served as the cornerstone for what would become America’s sole dedicated institution for Southern art. To walk through its doors is to embark on a journey through time, tracing the evolution of a region's soul from the late nineteenth century to the present day.

    The museum’s physical presence is a masterclass in architectural juxtaposition, mirroring the complex layers of Southern identity itself. The core of the institution resides within the magnificent Patrick F. Taylor Library, an 1889 masterpiece designed by Henry Hobson Richardson. This structure, a quintessential example of Richardsonian Romanesque style, commands attention with its massive stone blocks and heavy arched windows, evoking the grandeur and permanence of New Orleans’ storied past. In a striking dialogue with this historic edifice stands Stephen Goldring Hall. Completed in 2003, this soaring five-story structure of glass and stone symbolizes innovation and transparency, embracing contemporary aesthetics while allowing light to flood the galleries, much like the way new perspectives illuminate old traditions.

    A Tapestry of Mediums and Memories

    The Ogden’s collection is a breathtaking panorama of human creativity, boasting over 4,000 pieces that defy simple categorization. The holdings encompass an extraordinary diversity of mediums, where the delicate touch of watercolors and drawings meets the tactile strength of sculptures, wood carvings, and intricate crafts. Within these walls, one encounters the works of true luminaries such as John Alexander, Walter Anderson, Benny Andrews, and Clementine Hunter. The museum also celebrates the iconic presence of George Rodrigue, whose vibrant palettes continue to resonate with modern audiences. Each piece serves as a thread in a larger narrative, weaving together themes of place, memory, and identity that reflect the lived experiences of generations.

    What truly distinguishes the Ogden Museum is its deliberate refusal to confine Southern art within rigid or easily digestible stylistic boundaries. Instead, the curators champion a multifaceted perspective that acknowledges the region’s complex history and celebrates its rich cultural tapestry. This approach is evident in their notable exhibitions, which have ranged from the soft, light-drenched explorations of Louisiana Impressionism to the bold, tactile explorations of Contemporary Craftsmanship. As a Smithsonian Affiliate, the museum also plays a vital role in national art preservation, ensuring that the stories told within these walls contribute to the broader American artistic canon.

    An Inspiration for the Modern Eye

    For the discerning art lover, the collector, or the interior designer, the Ogden Museum serves as an inexhaustible wellspring of inspiration. The museum’s ability to present art that is both culturally resonant and aesthetically profound makes it a sanctuary for those seeking to infuse spaces with warmth, color, and narrative depth. Whether one is drawn to the rugged textures of Southern sculpture or the evocative landscapes of regional painters, the museum offers insights into traditions that can elevate any design project with a sense of place and history.

    Beyond its galleries, the museum fosters a deep connection with the community through initiatives like the Teen Docent Program. This program empowers young New Orleanians with the skills of art appreciation and museum stewardship, ensuring that the legacy of Southern art is not just preserved, but actively lived and interpreted by future generations. Visiting the Ogden is more than an afternoon of viewing; it is an immersive experience into the very heart of Southern heritage, leaving every visitor with a renewed sense of wonder for the enduring power of artistic expression.

    Where to read more

    Find this online

    QR code linking to the download page for Lucent View (Original Pastel for Print)

    wahooart.com/en/art/download/arthur-werger-lucent-view-original-pastel-for-print-D9V7CV-en/

    Cite this artwork

    MLA
    werger, arthur. Lucent View (Original Pastel for Print). 1986, Ogden Museum of Southern Art. https://wahooart.com/en/art/arthur-werger-lucent-view-original-pastel-for-print-D9V7CV-en/
    APA
    werger, arthur (1986). Lucent View (Original Pastel for Print) [Painting]. Ogden Museum of Southern Art. https://wahooart.com/en/art/arthur-werger-lucent-view-original-pastel-for-print-D9V7CV-en/
    Chicago
    arthur werger. Lucent View (Original Pastel for Print). 1986. Ogden Museum of Southern Art. https://wahooart.com/en/art/arthur-werger-lucent-view-original-pastel-for-print-D9V7CV-en/
    Harvard
    werger, arthur (1986) Lucent View (Original Pastel for Print). Ogden Museum of Southern Art. Available at: https://wahooart.com/en/art/arthur-werger-lucent-view-original-pastel-for-print-D9V7CV-en/

    Look closely

    Lucent View (Original Pastel for Print) — arthur werger

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: urban nightscapes, city lights art, architectural detail. Do you agree? What would you add, or take away?
    4. Contemporary Realism: Living artists painting the real world with traditional skill, often from photographs as well as from life. Where can you see that in this work?
    5. arthur werger was about 31 when this was made. What in it looks like the work of an artist at that stage?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.